Tokyo Ghoul Ending Songs の小説・ストーリー

During the party, the music would alternate between different styles, such as electronic music with haunting sounds, gothic music with choirs and dissonant notes, and classic classic horror songs like John Carpenter's "Halloween" soundtrack. With each new song, the guests were enveloped in an even more eerie and mysterious atmosphere. At some points during the party, the music was interrupted by sound effects such as screams macabre laughter, and moans, which added to the sense of suspense and mystery. The guests were taken by surprise by the effects, which increased the excitement and adrenaline of the party. At the end of the night, the music would change again, this time to slower, softer

"Last evening" Everything fell silent when he received a deadly look from the black-haired girl. "Be careful, this is a public place." ~Karenai tsuyoi omoide kagayaku puraido~ ~Unmei ni aragatte yuke~ The ringtone of the phone rang, and Leon and she both reached into the pocket at the same time. "..." Gray was a bit surprised that he still used that song as his ringtone. She, too, also used the song.

And over it a voice sang in a high falsetto: We're leaving together, But still it's farewell And maybe we'll come back To earth, who can tell? It was wistful and sad, but clear as a bell and made it obvious which of the girls had found their way to the trolls. Only Flossie could hit those high notes. The song sounded familiar, but I couldn’t quite identify it sung with such melancholy, until the chorus kicked. It's the final countdown BADA BAM BAM BADA BAMBAMBAM The final countdown

Thank you for reading. Chapter soundtrack: Over used by Clara Mae ft Gnash

"All hail the Queen!" The End

After a while, she caught a glance of a door at the end of the right side of the corridor. Her mind did not find relief that it was almost at the end of their torment but rather it was curious as to the door and what lay behind it. She could hear music playing, music more eerie than anything she had ever heard. It sounded like the song of the dead if there ever was one. Though the instruments were played perfectly, the melody was not one to please the ears. It was exactly what it was, a song for demons. As they got closer to the door and the music got louder, Hazel wished she was born deaf so that she would be spared the torment of listening to the tune.

Niamh, her gaze distant, added, "The Celestial Harp isn't just an instrument. It's a conduit of emotions, dreams, and memories. In the wrong hands, it can reshape realities, but in the right ones, it can harmonize them." The guardians, united in purpose, prepared to return to their realm. But as they did, a soft, ethereal melody began to play, surrounding them. It wasn’t the Abyssal Oak, nor was it the Harp in Ezra's grasp. It was a tune of hope, gratitude, and farewell. Liora, eyes wide in realization, whispered, "It's Echo-Selene." Elysia, smiling through her tears, said, "Her final song, a reminder that even in the darkest voids, light can still shine through."

The crowd lit up. Then suddenly, a shift. The pounding beat turned sparse, cold, eerie. Like a storm on the horizon—an omen of disaster. The rhythm descended into chaos, echoing destruction. Every beat felt like the death knell of the world. Then—silence. Half a minute passed. Ria gently tapped out a soft, slow rhythm. It was the whisper of rain, the hush of spring wind, the trembling of green sprouts breaking through soil. It was rebirth. The music ended abruptly, clean and final.

In the sky a last look. The scene ends, but the last melodies of the song still echo through the silence.But alas, even the peace of the world is short-lived, and what about the peace of those who have already died, but still live among us. PLAYLIST FOR THIS VOLUME Soraia and Augusto: Save Me Now-Andru Donald Soraia and Julio Cesar: Haunted - Evanescence Amy and Marcus: Run - Leona Lewis Malvina: The Other Side -Sirenia