ANMELDENOlivia doesn't have time to recover.
Her hair is pulled back so tight it hurts. She is "The Fiancée" - the pretty accessory for the Logan men to show off.
The morning sun hit the glass of the Logan penthouse with a blinding glare, but the atmosphere inside the underground garage was cold and heavy.
Two cars were idling, their exhaust plumes curling like ghosts in the dim light.
Aiden sat in the back of the lead car….a midnight-black, armored sedan.
He was dressed in a charcoal suit that made him look every bit the untouchable heir, but his fingers were restlessly tapping against his knee. He kept glancing at the elevator doors.
Then, she appeared.
Olivia stepped out, and for a moment, the hum of the engines seemed to fade into the background.
She was wearing a tailored, emerald-green silk dress that clung to her in all the right places, paired with gold heels that clicked sharply against the concrete.
Her hair was swept back, exposing the elegant line of her neck.
Aiden froze. He had seen the most beautiful women in the world at galas and boardrooms, but Olivia looked different. She didn't look like a trophy; she looked like a challenge.
“So pretty,” Aiden thought, his breath hitching. He couldn't take his eyes off her. For a split second, he forgot about the Vanguard Group, forgot about his father, and forgot about the war they were fighting.
Olivia felt his gaze like a physical heat. As she approached the car, she caught his eye through the tinted window. Her heart did a strange, uncomfortable flip.
“I hope there’s nothing wrong with my dressing,” she thought, her fingers grazing the silk of her skirt. “Is it too much? Is it not enough? Why is he looking at me like that?”
They were lost in that intense, silent look - a rare moment of connection that felt almost real - until the air was shattered by a sharp, rhythmic tapping of heels.
At Chloe's school
CHAPTER: The Bargain
The library is quiet. Too quiet.
Chloe sits in a corner, surrounded by stacks of medical journals and old newspaper articles. Her eyes burn from staring at the screen.
Her back aches from hunching over the keyboard. She has been here for hours, searching for any trace of Doctor Charles Weiller.
Nothing.
She has found articles about his career. His reputation. The hospitals where he worked. The conferences he attended.
There are photographs of him smiling, shaking hands, accepting awards. He looks kind. Trustworthy. The face of a man who would never hurt anyone.
But Chloe knows better. This man poisoned her father. He watched Alexander Hughes die and did nothing to stop it.
She types his name again. Adds "current location." Adds "retirement." Adds "upstate New York," the only clue Olivia gave her.
Still nothing.
She slams her fist on the table. The sound echoes through the quiet library. An old woman at the next table looks up, annoyed. Chloe does not care.
"This is useless," she whispers. "Completely useless."
She is about to give up when a hand lands on her shoulder.
She jumps. Spins around.
Mark Bernards stands behind her, his backpack slung over one shoulder, his face curious. He is tall, lanky, with kind eyes and a mess of brown hair that never stays in place.
They have been friends since freshman year. He is the only person in her law program who does not treat her like she is invisible.
"Chloe?" He glances at the screen. His brow furrows. "What are you doing here? I thought you had a study group."
"I cancelled." She turns back to the computer. "I am looking for someone."
Mark leans over. Reads the name on the screen. His face goes still.
"Doctor Charles Weiller," he says. He points at the photograph. "Why are you looking for him?"
Chloe hesitates. She cannot tell him the truth. Not yet. "It is personal. Do you know him?"
Mark taps his chin, thinking. "I don't know him. But I've seen him. Definitely. He lives in my neighborhood.
The old house on Maple Street. The one with the overgrown garden."
Chloe's heart stops. "Are you sure?"
"Positive. I see him at the grocery store sometimes. He always buys the same things. Bread.
Milk. Canned soup." Mark shrugs. "I thought he was just some retired guy. Why are you looking for him?"
Chloe closes her laptop. Stands up. He
r hands are shaking.
"Can you take me to him?"
Mark blinks. "Now?"
"Now."
The house on Maple Street is small. Run-down. The paint is peeling. The porch sags.
The garden is overgrown with weeds, wild and untamed, like no one has touched it in years.
Chloe stands at the gate, her heart pounding. Mark is beside her, confused but willing.
"Chloe," he says quietly. "What is this about? Who is this man?"
She does not answer. She pushes the gate open. Walks up the path. Knocks on the door.
The wood is old. The paint is chipped. She knocks again.
The door opens.
Doctor Charles Weiller looks nothing like his photographs.
He is old. Frail. His skin is gray, stretched thin over bones that seem too sharp. His eyes are sunken, hollow, like someone who has not slept in years.
He smells like medicine and dust and something else. Something that reminds Chloe of the hospital where her father died.
He looks at her. His eyes widened. He knows who she is.
"Miss Hughes," he whispers.
Chloe's throat tightens. "You know my name."
I know your face. You look just like him." He steps back. His hand trembles on the doorframe. "You should not be here. It is not safe."
"I do not care about safe."
She pushes past him. Steps inside.
The house is dark. The curtains are drawn. The air is thick, stale. Photographs line the walls. Old photographs. A woman. A child.
Mark follows her, his face pale. He does not understand what is happening, but he stays. He stays because that is what friends do.
Doctor Weiller closes the door. Leans against it. He looks like he might collapse.
"You know why I am here," Chloe says.
He nods. His eyes are wet.
"Tell me."
He sinks into a chair. His hands cover his face.
His shoulders shake.
He doesn't move like the police; he moves like a ghost.As Chloe’s own vision begins to blur from the gas, she sees the figure raise a suppressed weapon and fire twice…….thwip, thwip. The two guards drop like stones.The figure strides through the smoke, heading straight for Mark. He ignores Chloe completely.He reaches into a pouch on his thigh, pulls out an epinephrine auto-injector, and plunges it straight through Mark’s shirt into his thigh.The figure then turns his head toward Chloe. Through the dark visor, she hears a voice that makes her heart stop - a voice she recognizes from the Logan estate, but one she never expected to hear in a place like this."Don't fall asleep yet, Chloe," Raphael whispers, his voice devoid of its usual mockery. "The real monsters are just arriving.”The white, acrid fog of the gas continues to billow into the room, swirling around the legs of the chairs like a predatory ghost.It is cold….colder than the stagnant air of the warehouse……and it carries
The driver rolls down the window just an inch. Aiden catches a glimpse of a familiar shock of blonde hair and a cold, piercing blue eye.It’s Vivian Sumall. She isn't here to report the news; she’s the one who called the journalists. And as she catches Aiden’s eye, she raises a single finger to her lips and blows him a mocking kiss before the van suddenly begins to roll backward, preparing to flee.KIDNAPPERS WAREHOUSE The air inside the warehouse is thick with the smell of mildew, stale tobacco, and the metallic tang of old machinery.Dust motes dance in the sickly orange glow of a single hanging bulb that sways slightly, casting long, distorted shadows across the concrete floor.Chloe sits bound to a rusted metal chair, her wrists burning where the zip-ties have bitten into her skin. Every muscle in her body is coiled tight, a spring ready to snap.She isn't watching the door. She isn't watching the shadows. Her entire world has shrunk to the sound of the rhythmic, agonizing whist
Aiden’s eyes lock onto the arresting officer who claimed he "caught her in the act." The man’s face goes from white to a sickly, mottled grey."You caught her in the act?" Aiden whispers, his voice like the edge of a winter wind.He takes a single step forward, and the entire police line recoils. "Then you'd better start praying, Officer. Because my wife isn't the only one who’s going to be in a cell tonight."Aiden turns his head slightly, hearing the faint sound of a second engine approaching. But it isn't another police car.It’s a black van with tinted windows, and as it rounds the corner, it doesn't slow down. It accelerates directly toward the group.The side door of the van slides open with a mechanical hiss before the vehicle has even fully settled. Three figures leap out with the practiced agility of predators.They aren't holding guns, but in this world, their weapons are far more lethal: high-definition cameras, boom mics, and smartphones already live-streaming to millions.
The police cruiser, carrying the lead detective and the trembling Bernards, kicks up a thick plume of dust that clings to the dry weeds lining the path.Inside the vehicle, the air is thick with Lisa Bernard’s frantic prayers and the sharp, metallic scent of anxiety.They are following the breadcrumbs left by a weary taxi driver, heading toward a ghost of a house that has suddenly become the center of a nightmare.As the cruiser nears the desolate coordinates, the hum of their engine is suddenly drowned out by a ferocious, high-pitched roar.A silver Mercedes-AMG streaks past them like a bullet, a blur of polished metal and screaming tires. The speed is reckless, suicidal.It swerves dangerously close to the police vehicle, kicking up a blinding wall of grit and sand that hammers against the windshield."Hey! What the hell is wrong with you, man?" the lead officer shouts, slamming his palm against the steering wheel as he swerves to maintain control. "Death wish! He’s got a damn death
The police station is a cavern of fluorescent lights and the rhythmic, mocking sound of typewriters.In a corner of the waiting room, the air feels thin, as if the grief radiating from the two people sitting there has consumed all the oxygenLisa Bernard is a shell of a woman. Her eyes are swollen to the point of closing, and her chest heaves with a jagged, uneven rhythm.She isn't just crying anymore; she is mourning a version of her son that she fears is already slipping away."He’s out of time, Bernard," she laments, her voice a thin, ghostly thread. She reaches into her purse and pulls out a spare inhaler, clutching the plastic casing until her knuckles turn white."His lungs... they’re weak. The stress, the cold, the dust - it’s a death sentence for him. What if he’s having an attack right now?What if he’s calling for me and he can’t even get the air out to say my name?"Mr. Bernard looks like he has aged ten years in a single night. His shoulders are slumped, but he reaches out
The kitchen is a tomb, and the air is thick with the copper tang of fresh blood and the smell of old dust. Olivia remains on her knees, her hands still pressed against Weiller’s cooling skin.Her mind is a fractured mess of images: the familiarity of the knife, the pool of blood, and the look of pure terror in the dead man’s eyes.Suddenly, the oppressive silence is shattered by a sound that should bring relief, but instead feels like a physical blow to her chest. Wail. Wail. Wail.Blue and red lights dance frantically against the boarded-up windows, filtering through the cracks in the wood like strobe lights in a nightmare."Thank God," Olivia thinks, her breath hitching in a sob of pure exhaustion. "The police are here. They can take the body. They can trace the knife. They can find Chloe."She starts to stand, her dress heavy and wet with Weiller's blood, when a deafening crash echoes through the house.The front door is kicked open with such force that the hinges scream."POLICE!







