LOGINI grew up in a glass tower—protected by badges, blinded by lies. My father, the Commissioner, built walls around me so high I never saw the darkness creeping through the cracks. Not until one reckless night led me into the Inferno Club… and straight into the arms of Chicago’s most dangerous men. Three kings rule the shadows. Each more lethal than the last. Each is determined to claim me. Jaxon shatters me and puts me back together with his hands and his hunger. Maddox weaves riddles and seduction until I forget my own name. Ronan strips away every mask I wear and demands surrender I never knew I could give. They think I’m just another spoiled rich girl playing with fire. But I’ve been burning since the day my mother died—and now I’m ready to show them exactly how dangerous a caged viper can be. In Chicago’s underworld, love is a weapon. And I’m learning to wield it like a queen.
View MoreChloe’s POVThe thing about living with two people who loved you was that you learned very quickly which arguments were real and which ones were just the texture of a shared life.The shoes argument, for example, was not a real argument.“I’m not saying they can’t be by the door,” Marcus said, from the kitchen, in the tone of someone who was absolutely saying they couldn’t be by the door. “I’m saying there’s a rack. Specifically for shoes. That I installed. Eight inches from where those shoes currently are.”“The rack is eight inches away,” I called back from the couch. “That’s basically the same place.”“It is not basically the same place. The rack exists so the shoes have a place. The place is the rack. If the shoes are not on the rack, the rack has no purpose.”“The rack’s purpose is to make you feel better about the entryway.”A pause. “That’s what I just said.”Lucian appeared in the doorway between the kitchen and the living room, a mug in each hand, with the expression of a man
Dominic’s POVI found a studio space three weeks after I left the firehouse.It was on the fourth floor of a building in Capitol Hill that smelled like old wood and turpentine and the particular history of a place that had held artists for decades before me. The landlord was a seventy-year-old woman named Patrice who wore paint-stained overalls and asked me two questions before handing over the key: *What do you make? And are you loud?*I told her I made paintings and I was quiet.She said the previous tenant had said the same thing and had turned out to play drums at two in the morning, so she’d need references.I gave her Marcus’s number without thinking about it, then stood in the hallway after she left and looked at my phone and thought about the fact that Marcus Castiel was now my emergency contact and character reference, which was not a sentence I could have predicted six months ago.He answered when Patrice called, apparently vouched for me thoroughly, and texted me afterward:
Lucian’s POVMy parents arrived on a Thursday afternoon in November, with a rental car and my mother’s particular energy of a woman who had prepared herself for something and was determined to handle it graciously.I’d told them — properly told them, not the carefully vague version from the phone call months ago. I’d sent an email, which felt clinical but gave them time to process before they arrived. I’d explained the situation honestly: Chloe, Marcus, the arrangement, what it looked like in practice. I’d answered my mother’s follow-up questions with the same directness I used at work, because I’d found that treating difficult conversations like clinical ones helped everyone get through them faster.My father had replied with three sentences: *That’s not what we expected. But you sound happier than you have in years. We’re coming to visit.*My mother had replied with eleven paragraphs, sev
Marcus’s POVA month after Dominic left, I threw out the schedule.Not dramatically. I didn’t make an announcement or call a meeting about it. I just looked at the shared calendar one morning — the color-coded blocks, the assigned days, the structure we’d built at the warehouse table with a notepad and good intentions and I archived it. Deleted my copy. Texted Lucian: *I think we’re done with the schedule.*He replied within minutes: *Agreed. Past due.*Chloe’s response came twenty minutes later, which meant she’d been thinking about it before she answered: *Thank God.*The schedule had made sense when there were four of us. It had been the only way to make sure everyone had defined time, defined space, something that felt equitable and organized. Without Dominic, it was a structure built for a house that had fewer rooms now, and trying to live in it felt like wearing a coat that was the wrong size.What replaced it was messier and more honest.Some nights all three of us were home. S
Alina’s POV – Three Days Later“I want to spend time with each of you separately,” I announced at breakfast. “Before I make my final decision about the commitment thing.”Jaxon looked up from his coffee. “You mean like dates?”“Kind of,” I said. “But more… meaningful. I want to really talk with eac
Her answer was to take my hands and place them on the bottom of her sweater, guiding me as I lifted it over her head. The moonlight from the library window caught her skin, painting her in silver and shadow. She was beautiful, and for a moment, I just stared, my throat tight.“You’re shaking,” she
Maddox’s POVShe’d been distant. Not obviously—Alina was good at pretending everything was fine. But I’d spent months learning to read her, and I knew when something was off.It had been two weeks since the Vulture ambush. She’d thrown herself into work
Alina’s POV - Three AMThe screaming woke me from a dead sleep.Not loud screaming—Jaxon was too cool for that, even in nightmares. But I’d grown a sixth sense for the sounds of the three men who’d become my world, and I knew immediately something was wrong.I grabbed a robe and padded down the hal


















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