Mag-log inLena’s POV
No.
The word echoed in my mind like a gunshot. What was I thinking?
This is madness. Pure madness.
With a sharp tap, I erased the unsent message. Whatever desperate corner of my mind had conjured such a twisted solution deserved to be buried deep, never to surface again.
---
Dawn brought no relief, only the grim necessity of another day. The drive to the private medical facility in Manhattan's Upper East Side felt like a journey to purgatory.
But as I approached the hospital's discreet entrance, familiar figures caught my eye. My heart sank.
My parents stood near the main entrance. Dad's gray suit was pressed to perfection, Mom's handbag clutched like a weapon. They'd driven down from Queens, probably before dawn, armed with tough love and practical solutions I wasn't ready to hear.
"Lena." Dad stepped forward. "Sweetheart, we need to talk."
Not now. Not today.
"What are you doing here?" I asked, though I already knew the answer.
Mom's eyes were red-rimmed with worry. "We're here because we love you, mia cara. Because someone needs to say what everyone else is thinking."
Dad cut straight to the heart of it, as he always did. "Lena, you're still young. You can't destroy your entire life for a... for a paralyzed man." The word came out like an apology, but the sentiment remained unchanged. "You have no children together. A divorce now would let you start fresh, find someone who can give you the life you deserve."
The words hit me like physical blows. Not because they were cruel, but because they echoed the voice in my head that whispered in the darkest hours of the night.
"Dad, please—"
"Listen to me," he continued, his voice gaining strength. "This world you've married into, it's dangerous. It's violent. And now with Nico... Madonna mia, how can he protect you when he can't even move?"
Through the hospital's floor-to-ceiling windows, I could see the VIP wing where my husband lay trapped in his own body. Just yesterday, when consciousness had finally returned to his eyes, his first words weren't of love or hope.
"Lena," he'd whispered, his voice barely audible through the oxygen mask, "this will destroy you... leave me."
The same words. The same sentiment. Everyone wanted me to abandon ship before I drowned with it.
Mom stepped closer. "My love, Mama knows you care deeply for Nico. But reality is harsh. You cannot spend your entire life in this dangerous world."
She paused, glancing at Dad before delivering the killing blow. "You're twenty-seven, Lena. Do you really want to reach old age without ever having children? Without ever experiencing real happiness again?"
The question hung between us like a blade. Children. The one dream that had remained stubbornly out of reach even when our lives were perfect, now rendered impossible by cruel circumstance.
"I understand your concerns," I said finally, surprised by the steadiness in my own voice. "But I won't leave Nico. Our marriage vows said 'in sickness and in health.' I meant those words."
Dad's face darkened with frustration. "Marriage vows? Lena, be practical. Are you planning to spend your life caring for a vegetable?"
"He's not a vegetable!" The words erupted from me with surprising vehemence. Several people in the hospital lobby turned to stare, but I didn't care. "He's my husband. He's the man I love."
"The man you loved," Mom corrected gently. "That man is gone, cara mia. What remains... it's not living. It's existing."
But I was already walking away, my heels clicking against marble floors . Behind me, I heard Dad call my name, heard Mom's soft sobs, but I couldn't stop. If I stopped, I might never find the strength to continue.
---
The VIP wing of the hospital was a world unto itself.
The Coleone family's influence extended even here, ensuring absolute privacy for their wounded son.
As I approached Nico's room, I heard Isabella's voice drifting from the family waiting area. My mother-in-law was on the phone, her musical Italian accent strained with exhaustion and grief.
"Doctor Martinelli, you must understand—my son speaks of nothing but assisted dying. He begs me every day to... to find someone who will help him end this."
I froze in the corridor, my blood turning to ice.
"No, you don't understand the situation. The family... we cannot let this become public knowledge. Salvatore was very clear—if Nico's condition affects our business operations or reputation, there will be consequences."
"When Salvatore learned about the paralysis, he simply left the hospital without saying a word. Not one word to his dying brother. He sees Nico as... as damaged goods now."
I pressed myself against the cool wall, hardly daring to breathe.
"Doctor, I am terrified. If I agree to Nico's request, if I give my consent for... for what he wants, Salvatore will immediately remove all medical equipment and nursing staff. He made that very clear. He said the family cannot afford to appear weak."
A long pause. I could hear Isabella's ragged breathing.
"I haven't slept properly in a week. Only sleeping pills keep me unconscious for a few hours. I feel like my soul has been torn from my body, watching my beautiful boy waste away."
When I finally stepped around the corner, Isabella was ending the call with shaking hands. She looked up at me, and I saw a woman on the verge of complete breakdown.
"Lena," she whispered, clutching my hands with desperate strength. "Thank God you're here. I don't know what to do anymore."
The words tumbled out of her in a torrent of Italian and English.
"He wants to die, Lena. Every day he begs me to let him go. But I am his mother—how can I sign papers that will kill my own child? How can I choose to become a mother who buries her son?"
"Please, I am begging you. Help me convince him to live. Promise me you'll try. If he agrees to fight, to truly fight for his life, I will move heaven and earth to heal him. I will use every resource the family has, every contact in our private medical network. I will spend every dollar we possess if necessary."
Tears streamed down her face unchecked. "I cannot accept this reality. I cannot let my beautiful boy die. Not like this. Not when there might still be hope."
Before I could respond, we heard it—the sharp, urgent beeping of a heart monitor alarm coming from Nico's room.
My entire body went rigid with terror.
"Lena!" Isabella gasped, and together we rushed toward the sound that could mean everything was about to change.
Lena's POVHe gave me a brief tour that first evening, the kind that covered function rather than feeling: kitchen, laundry, the study I was not to enter without reason, the terrace that required a key code, the emergency contact list posted inside the hall closet.My room was at the end of the long corridor, opposite end from his.Dante carried my bags without being asked and set them inside the door. I thanked him. He nodded and left.I stood in the doorway and looked at the room.It was a guest room in the structural sense. Good furniture, clean lines, a window that faced east as Salvatore had mentioned. But I had passed two other guest rooms on the way down the corridor, their doors standing open in the casual way of rooms that are not currently in use, and something about this one was different in a way I could not immediately locate.I stepped inside and stood still for a moment.The light was wrong. Not wrong badly, wrong specifically. The overhead fixture was off and the room
I watched my mother's face move through several expressions in rapid succession. Confusion first, then the beginning of understanding, then something I had not expected: grief."Salvatore," she said. Her voice had changed entirely."It is not a subject for discussion beyond this room. I'm telling you because it is the relevant fact and because you need to understand that Lena will be safe. In every sense.""How long?""It doesn't matter how long.""It matters to me."I looked at the curtained window. "Thirteen years."She made a sound that she quickly suppressed."You should have told me," she said."There was nothing to tell. There is still nothing to tell. It is simply a fact." I paused. "Lena is safe. That is the only point."Isabella was quiet for a long moment."Three conditions," she said. "She calls me every day. I have the right to visit without prior arrangement. The moment the threat is resolved, she returns here.""Agreed.""And Luca."I met her eyes."He put his hands on t
Salvatore's POVThe call came in at 11:47 PM Rotterdam time.Marco's voice was flat in the way it only got when he was controlling something. "Mrs. Venturi was taken this afternoon. West Village. Dante lost her when she exited through the side entrance. Gabriele and Dante recovered her approximately three hours later. She is physically intact. Minor bruising. Luca Corleone was present at the location."I said nothing for three seconds."Get the plane ready," I said. "I'll be at the airfield in forty minutes."I did not finish the Rotterdam meetings. I left a single message with Lorenzo to handle the remaining two days of negotiations with whatever authority he could project, and I got into a car and went to the airfield.We landed at six twenty in the morning. I was at the estate by seven.Marco met me at the gate. "She's outside," he said. "Garden. She couldn't sleep."I didn't go inside first. I went around the side of the house, through the gate in the garden wall, and found her.Sh
Lena's POV"Turn around," I said.Dante glanced at me in the rearview mirror. "Ma'am?""I said turn around. I want to go to Salvatore's office."A pause. "Mr. Venturi is in a meeting—""Then he'll have company." I met his eyes in the mirror. "Turn around, Dante. Or I get out here and walk."We turned around.---The Venturi Group's Manhattan offices occupied four floors of a tower in Midtown. I had been here twice before. Both times I had been escorted, managed, contained.I walked through the lobby without stopping at reception and took the elevator to the top floor.The assistant outside Salvatore's office stood when she saw me coming. "Mrs. Venturi, he's in a—"I opened the door.There were two men I didn't recognize seated across from Salvatore's desk, both in suits, both turning with the startled expressions of people unaccustomed to interruptions. Salvatore sat behind the desk, his pen still in his hand, his eyes moving from the door to my face with an expression I couldn't read.
Lena's POVThe announcement had been made four days ago, at what Isabella described as "a small gathering".I hadn't been present for the meeting itself. but What I gathered was this: Salvatore had stood before the family's inner circle and stated that in light of the Moretti situation and the possibility of surviving loyalists seeking retaliation, his sister-in-law would be placed under his direct protection until the threat was neutralized.Direct protection. The phrase had sounded almost considerate when Isabella relayed it to me, her hand pressed to her chest with evident relief.Then I met the four men who would be implementing it.Their names, as far as I could determine, were Irrelevant, Also Irrelevant, Still Irrelevant, and Dante — the last one being the one who spoke, who made the decisions, who materialized at my elbow at precisely the moment I least wanted anyone at my elbow. He was somewhere in his thirties, square-jawed, with the polite expression of someone who had been
Lena's POVThe chair beside me was empty for approximately eleven minutes after the main course was served.Then Gabriele materialized into it, carrying his wine glass and the particular energy of someone who has decided to be somewhere and sees no reason to justify the decision."The conversation at that end of the table," he said, settling in with easy confidence, "has turned to shipping insurance. I have strong opinions about shipping insurance, but none of them are interesting." He nodded toward the older cousins clustered near Salvatore. "You looked like you were having a more civilized evening over here.""Isabella was telling me about a restoration project in Palermo," I said."Much better." He topped off my water glass without being asked. "What do you work on at the museum? Isabella mentioned Flemish, but she may have been guessing.""Northern European, primarily. Provenance research. The unglamorous end of art history.""Provenance is never unglamorous." He said. "Every gap i







