เข้าสู่ระบบNatalie Hayes had one plan, finish her degree, chase her dreams, and maybe finally tell her best friend's brother that she had been in love with him since tenth grade. Then two pink lines on a pregnancy test changed everything. She is pregnant for Luca Wolfe, dangerous, powerful, and connected to the Vitale mafia empire, while still deeply in love with Bryan Rollins, the boy who has always shown up for her, and isn't walking out without a fight. Forced into Luca's world for the safety of her unborn twins, Natalie navigates mafia politics, a powerful Don who considers her children his heirs, a rival family targeting her as leverage, and the impossible reality of falling in love with two men in two completely different ways. As threats close in and her heart becomes harder to read, Natalie must decide who she is, what she wants, and whether the life she is building inside this complicated world is one she is choosing or one she is surviving. Now Natalie's caught up to make an impossible choice between the boy who would die for her and the man who kills for her. One woman. Two men. Three children. No easy answers. It's complicated doesn't even begin to cover it.
ดูเพิ่มเติมGrief is not loud. That was the thing nobody tells you. You expect it to arrive dramatically, to announce itself, to be unmistakeable in the way that things which change everything are supposed to be unmistakeable. But it does not work like that. It comes quietly, in the spaces between things, in the specific moment when someone brings you a cup of tea and you think I should tell Dad about this and then remember, and the remembering is the thing that takes your breath. I had known since the corridor at two in the morning. I had known since my mom's voice broke through the gap in the door and said they killed him before he could get to her. I had been carrying that sentence for days now, tucking it behind the twins and the surgery and the calls and the collapse, letting everything else be louder than it because everything else required me to be present and the sentence required something I did not yet have room for. Now I had room. Dr Reyes had said rest. The Ferrano situation wa
I watched him make the calls from the bed. He did not leave the room to make them. I think that was deliberate. I think he had decided that leaving the room was not something he was going to do again in the near future, that the specific cost of the past several days had produced in him a new calculation about distance and proximity and what happened when he was not in the same space as the people he needed to be in the same space as. He stood near the window with his back half turned and he made the calls one after another with the specific efficiency of someone who has a list in his head and is moving through it without wasting a single word. Marco first. Then two other numbers I did not recognise. Then a pause. Then the number that made my mom look up from the chair she had not left since the Ferrano family had called. Don Adriano. I had never heard Luca call him. It was always the other way. Don Adriano's name appearing on Luca's screen, Luca answering with the specific readi
I did not hang up. I know that is the first thing people would say I should have done. That I should have handed the phone to Luca or ended the call or done any of the reasonable things that a person does when a stranger's voice delivers a threat through a phone at a hospital bedside. I did not do any of those things. I sat on the edge of the bed and I held the phone against my ear and I let the voice continue because something in me understood that this was information and that information, however terrible, was better than the specific terror of not knowing the shape of what was coming. Luca had stopped moving. He stood in the centre of the room and looked at me and I looked at him and we held each other's eyes while the voice on the phone kept going. "Your father made the mistake of returning at an inconvenient time," the voice said. The specific flatness of it, the complete absence of anything human in the delivery, was its own kind of horror. Not rage. Not satisfaction. Just
I spent the morning watching them perform normal. That was the only word for it. Performance. Not dishonest exactly, not cruel, the performance of people who loved me and had decided that love required them to stand in a hospital room and be slightly wrong versions of themselves for as long as it took. Maya a fraction too bright. Bryan a fraction too careful. My mom a fraction too focused on the twins whenever a particular subject came near. And Luca. Luca who was the best in the world at being unreadable and who had given me, two nights ago in a corridor at two in the morning, his voice saying not yet and the specific cadence of a man managing something enormous on someone else's behalf. I watched all of them. I fed Aria and held Matteo and answered the questions Dr Reyes asked during her morning check and ate the food my mom had brought and laughed at the right moments and gave them the version of me that was recovering and present and not sitting with a sentence in her chest
I didn't go back to sleep. I told myself I was going to lay down, I closed my eyes, pulled Bryan's hoodie tighter around me like it could block out the sound of a woman's laugh drifting up through the floor of a house I didn't know in a life I hadn't chosen. But sleep wasn't interested in me to
I heard it before I understood what I was hearing. Luca's voice first, low, controlled, with that particular edge underneath it that I had learned meant something had interrupted a plan he'd already made, and he was deciding how much it was going to cost whoever was responsible. Then another vo
Five minutes. That's all Luca Wolfe gave me, five minutes to say goodbye to the life I had before he walked through my door and detonated it. I stood in my bedroom doorway staring at the duffel bag he'd packed, at my clothes folded inside it with the kind of ruthless efficiency that made my chest
The front door opened before I could breathe. Heavy footsteps. Not Maya's. Not my roommate's. The kind of footsteps that didn't apologise for themselves, deliberate, unhurried, belonging to someone who had never once in his life walked into a room and wondered if he was welcome. Bryan heard it t
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