When Was Crossing Field Lisa First Released As A Single?

2025-10-06 21:20:26 57

3 Answers

Nora
Nora
2025-10-07 23:43:02
I still get chills thinking about the first time I heard 'crossing field' blast through the speakers — that opening riff, LiSA's voice cutting in like sunlight through the static. The single was first released on August 22, 2012, and for a lot of us anime fans that summer it felt like the soundtrack of a whole new obsession. It was paired with the popularity of 'Sword Art Online', so the timing made it impossible to avoid; you heard it on TV, in shops, and on repeat in playlists at every con I attended that year.

I actually bought the CD at a tiny record shop near the station after catching the first few episodes of the anime, and I still have the obi strip tucked into a sketchbook. Beyond the release date, what made that single stick was how it introduced LiSA to a much wider audience — it became a gateway track for people who only knew anime openings and suddenly started digging through her back catalogue. Even now, whenever someone asks me for a hype song that nails both energy and emotion, I point them to 'crossing field'.
Natalie
Natalie
2025-10-08 02:26:03
On a more laid-back note, the single 'crossing field' was released on August 22, 2012. That date marked when the song officially hit stores and music charts, though fans had been hearing it as the opening theme for 'Sword Art Online' during the anime’s early run that summer. For many listeners, the televised exposure and single release worked together to cement the song in memory almost immediately.

I was a bit older and more picky about my music back then, but even I couldn’t deny how catchy and well-produced the track was. The production quality, LiSA’s distinctive vocals, and the association with a popular show made the single more than just another theme song — it became a milestone in her career. I remember reading reviews and seeing it climb the Oricon charts; for people interested in following artist growth, that August 2012 release was a clear turning point. If you’re tracing the arc of LiSA’s rise, this single is a neat data point you can link to a sudden jump in mainstream recognition.
Liam
Liam
2025-10-08 20:06:17
Oh hey — quick and cheerful: 'crossing field' first hit the market as a single on August 22, 2012. I remember that summer vibe perfectly: long evenings, watching 'Sword Art Online' episodes, and then replaying the opening on low volume as I drew fan sketches. The single release made it easy to collect and replay without hunting for the TV broadcast.

Even if you didn’t watch the anime, the song’s energy gives you a good reason to check out LiSA’s work from that era. For me, that date feels less like a fact and more like a tiny landmark — a soundtrack timestamp for a certain kind of geeky joy. If you’re compiling a playlist of iconic anime openings, slotting 'crossing field' with its August 22, 2012 release date is a nice, nostalgic touch.
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Related Questions

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I've always been fascinated by where creators draw the line between what they show and what they imply, and that curiosity makes the book-versus-movie divide endlessly entertaining to me. In books the crossing of a line is usually an interior thing: it lives inside a character's head, in layered sentences, unreliable narrators, or slow-burn ethical erosion. A novelist can spend pages luxuriating in a character's rationalizations for something transgressive, let the reader squirm in complicity, then pull back and ask you to judge. Because prose uses imagination as its engine, a single sentence can be more unsettling than explicit imagery—your brain supplies textures, sounds, smells, and the worst-case scenarios. That’s why scenes that feel opportunistic or gratuitous in a film can feel necessary or even haunting on the page. Films, on the other hand, are a communal shove: they put the transgression up close where you can’t look away. Visuals, performance, score, editing—those elements combine to make crossing the line immediate and unavoidable. Directors decide how literal or stylized the depiction should be, and that choice can either soften or amplify the impact. The collaborative nature of filmmaking means the ending result might stray far from the original mood or moral ambiguity of a book; cutting scenes for runtime, complying with rating boards, or leaning into spectacle changes the ethical balance. I love both mediums, but I always notice how books let me live with a moral bleed longer, while movies force a single emotional hit—and both can be brilliant in different ways. That’s my take, and it usually leaves me chewing on the story for days.

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What Role Do SCP Field Codes Play In Game Adaptations?

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