What Is The Hatred Of Poetry Novel About?

2025-11-27 03:45:22 118

2 Answers

Zachary
Zachary
2025-12-01 01:55:15
Laying my hands on 'The Hatred of Poetry' by Ben Lerner felt like uncovering a paradoxical little gem—a book that dissects why so many people claim to despise poetry while also being a sly defense of it. The author starts by admitting his own complicated relationship with verse, recalling how even as a celebrated poet, he’s haunted by the gap between a poem’s idealized potential and its messy reality. He weaves through history, mocking the way schools reduce poems to rigid analyses, but also digs into moments where poetry does crack the world open—like when Marianne Moore’s work transcends its own limitations. It’s less a manifesto and more a witty, self-aware conversation about why we expect poetry to fail us, and how that failure might actually be its power.

What stuck with me was Lerner’s take on the 'unattainable ideal' of poetry—how we demand it to express the inexpressible, then scorn it when it falls short. He cites Keats’s 'Ode to a Nightingale' as both a masterpiece and a 'beautiful failure,' which resonates hard. I’ve reread passages where he compares poetry to a broken telephone game, where meaning gets lost between the poet’s mind and the reader’s. It’s oddly comforting? Like, yeah, of course my favorite poems sometimes feel like they’re vibrating just out of reach—that’s part of their magic. The book’s slim but packs a punch; it left me side-eyeing my own bookshelf, torn between throwing a poetry anthology across the room or hugging it.
Theo
Theo
2025-12-02 18:44:41
Ben Lerner’s 'The Hatred of Poetry' is this sharp, funny little book that basically says, 'Look, everyone hates poetry—including poets—but here’s why that’s interesting.' He argues that people hate it because they expect it to be this transcendent thing, but most poems are just… words on a page, failing to live up to that impossible standard. Lerner uses examples from ancient Greek verse to modern slam poetry to show how this tension plays out. My favorite bit is when he talks about how even the 'greatest' poems are kinda failures—like, they’re beautiful because they almost capture something unreachable. It’s a quick read, but it’ll make you nod along like, 'Yeah, that’s why I both love and side-eye Emily Dickinson.'
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