Who Are The Main Characters In 'Blindness'?

2025-06-18 04:56:35 337

3 Answers

Wyatt
Wyatt
2025-06-21 23:11:03
In 'Blindness', the main characters are mostly unnamed, which adds to the novel's eerie tone. The story revolves around an ophthalmologist, his wife, and a group of people struck by a sudden epidemic of blindness. The doctor's wife is the only one who retains her sight, becoming the group's reluctant leader. There's also the girl with dark glasses, the boy with the squint, and the old man with the black eye patch—each representing different facets of human nature under extreme stress. Their interactions reveal raw, unfiltered humanity as society collapses around them. The lack of names makes them universal symbols rather than individuals, which is a powerful narrative choice by José Saramago.
Ulysses
Ulysses
2025-06-22 21:26:07
Reading 'Blindness' feels like watching humanity through a cracked mirror. The doctor's wife is the novel's silent powerhouse—her voluntary blindness to others' suffering early on contrasts painfully with her forced clarity later. She cleans feces, prevents rapes, and bears witness when others can't, all while grappling with her own moral compromises.

Saramago masterfully uses generic labels ('the car thief', 'the first blind man') to emphasize how identity dissolves in crisis. The girl with dark glasses particularly stuck with me—her transition from victim to caretaker mirrors society's cyclical nature. Even minor characters like the hotel maid who keeps working despite blindness reveal unsettling truths about ingrained social roles.

Unlike typical dystopias, there's no clear villain—just flawed people making terrible choices. The real antagonist is the collective breakdown of empathy, shown through small moments like the sharing of chicken bones or the betrayal over a radio. These characters don't need names to feel uncomfortably real.
Maxwell
Maxwell
2025-06-24 07:57:09
José Saramago's 'Blindness' presents a haunting ensemble cast where identities blur in a world stripped of sight. The ophthalmologist serves as our initial anchor—a rational man thrust into irrational circumstances. His wife emerges as the story's moral compass, her preserved vision both a blessing and a curse that forces her to witness humanity's degradation.

The other inmates in the quarantine facility form a microcosm of society. The girl with dark glasses carries trauma beneath her shades, using sexuality as both weapon and shield. The boy with the squint represents lost innocence, while the old man with the black eye patch embodies stubborn resilience. What fascinates me is how Saramago subverts traditional character arcs—these aren't heroes evolving, but ordinary people devolving under pressure.

The novel's second half introduces new dynamics when the doctor's group encounters the hoodlums who weaponize food scarcity. This antagonist faction showcases how quickly hierarchies reform even in anarchy. The bartender-turned-tyrant proves more terrifying than the blindness itself, demonstrating Saramago's thesis about the fragility of civilization.
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