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How Do I Play Chord What Makes You Beautiful On Guitar?
2025-08-24 20:04:05
121
5 Réponses
Nathan
2025-08-25 12:16:31
Honestly, this song is perfect for beginners because the progression is repetitive and forgiving. I usually tell people to capo at the 2nd fret and use G, D, Em, C shapes. That sequence covers the verse and chorus, so once you’ve nailed those four chords you’re most of the way there. Keep the strum simple at first — steady downstrums on each beat — and then graduate to D D U U D U when you feel rhythmically confident.
A tiny tip: practice the Em to C move slowly, since finger placement can slow you down. Also, if you want more pop punch, accent the third beat slightly in the chorus. After that, try playing along with the recorded track slowly and speed up as you get comfortable.
A tiny tip: practice the Em to C move slowly, since finger placement can slow you down. Also, if you want more pop punch, accent the third beat slightly in the chorus. After that, try playing along with the recorded track slowly and speed up as you get comfortable.
Carter
2025-08-26 22:27:20
I’ve learned this song by jamming with friends late at night, and the version I always play uses a capo on the second fret with G, D, Em, C shapes — it’s just comfy under the fingers. Start by getting those chord changes smooth: G to D can be sticky if you don’t pivot your index finger, so practice that swap slowly. The verse follows G - D - Em - C twice, and the chorus uses the same loop, which is what makes it so addictive.
For rhythm, my go-to is a bouncy D D U U D U that emphasizes the 1 and the and of 2; keep the wrist loose. If you want to mimic the recorded tone, add a little palm muting during verses and then release for a ringing chorus. If you’re more advanced, throw in small fills: quick hammer-ons on the high E string during G or little pull-offs inside Em. Singing while playing takes patience — try humming the vocal melody while strumming, then add full lyrics. I also recommend capoing down or up a step to find a comfortable singing key if the default is too high.
For rhythm, my go-to is a bouncy D D U U D U that emphasizes the 1 and the and of 2; keep the wrist loose. If you want to mimic the recorded tone, add a little palm muting during verses and then release for a ringing chorus. If you’re more advanced, throw in small fills: quick hammer-ons on the high E string during G or little pull-offs inside Em. Singing while playing takes patience — try humming the vocal melody while strumming, then add full lyrics. I also recommend capoing down or up a step to find a comfortable singing key if the default is too high.
Simon
2025-08-27 17:49:16
I tend to teach friends a tiny routine to get this under their fingers fast. First, capo 2 and learn G - D - Em - C. Spend five minutes doing slow chord swaps, then five minutes on the strum: D D U U D U. Repeat that loop until it feels almost automatic.
Next practice round, mute the strings with your palm and try the pattern percussively to get the groove. Then combine: let the chords ring for chorus, mute for verse. If you want variety, try fingerpicking the chord progression for the second repeat of the verse to add a soft breakdown before the chorus. Don’t worry about perfection — timing makes it sound pro, not flawless fretting. Most importantly, sing along as soon as you can; even rough vocals sell the tune if your rhythm is steady.
Next practice round, mute the strings with your palm and try the pattern percussively to get the groove. Then combine: let the chords ring for chorus, mute for verse. If you want variety, try fingerpicking the chord progression for the second repeat of the verse to add a soft breakdown before the chorus. Don’t worry about perfection — timing makes it sound pro, not flawless fretting. Most importantly, sing along as soon as you can; even rough vocals sell the tune if your rhythm is steady.
Nathan
2025-08-27 21:45:21
One thing I play around with a lot is voicing and texture, and 'What Makes You Beautiful' is a great playground for that. If you want to get closer to the studio vibe without complicated gear, try this approach: capo 2, basic shapes G D Em C, but alternate between full, ringing strums and muted percussive strums. For instance, play two bars of ring, then one bar of palm-muted chords to create dynamic contrast into the pre-chorus.
On the pre-chorus (Em - D - C - D), drop your strumming intensity and use single-note arpeggios — roll the strings from low to high to make the vocal lift feel bigger when the chorus hits. For the intro riff, a small motif on the high E and B strings outlining the G chord melody works wonders; it doesn’t need to be exact, just catch the interval jump to give listeners the recognition flash. If you prefer to play without a capo, transpose the shapes up two frets (A - E - F#m - D) and use barre chords for a brighter, more accurate key. Practice with a metronome and lock the groove before adding vocal parts — timing is what makes this pop song clickable.
On the pre-chorus (Em - D - C - D), drop your strumming intensity and use single-note arpeggios — roll the strings from low to high to make the vocal lift feel bigger when the chorus hits. For the intro riff, a small motif on the high E and B strings outlining the G chord melody works wonders; it doesn’t need to be exact, just catch the interval jump to give listeners the recognition flash. If you prefer to play without a capo, transpose the shapes up two frets (A - E - F#m - D) and use barre chords for a brighter, more accurate key. Practice with a metronome and lock the groove before adding vocal parts — timing is what makes this pop song clickable.
Mateo
2025-08-29 15:25:09
Playing 'What Makes You Beautiful' on guitar is such a fun gateway song — it always lifts my mood. Start by putting a capo on the 2nd fret (this makes singing along easier if you want the original pitch). The easiest and most common set of shapes is G - D - Em - C, which cycle through verses and choruses.
Here’s a simple roadmap: Verse = G D Em C (repeat), Pre-chorus = Em D C D (build tension), Chorus = G D Em C (punchy). For strumming, try a bright pop pattern: down, down, up, up, down, up (D D U U D U) at around 120-130 bpm. Accent the first downstroke of each bar and let the chorus be louder and more open.
If you want the intro sparkle, pick the top strings of the G chord (B and high E) with a light hammer-on on the second fret — simple single-note fills work great. For a fuller sound, use barre or power chords on A, E, F#m shapes without a capo (same progression transposed). I like to palm-mute during the verses for intimacy and open up in the chorus. Practice slow chord changes and the strum pattern separately, then combine them. It’s a crowd-pleaser that’s forgiving if you mess up a little, so have fun with it and try singing along once the chords feel steady.
Here’s a simple roadmap: Verse = G D Em C (repeat), Pre-chorus = Em D C D (build tension), Chorus = G D Em C (punchy). For strumming, try a bright pop pattern: down, down, up, up, down, up (D D U U D U) at around 120-130 bpm. Accent the first downstroke of each bar and let the chorus be louder and more open.
If you want the intro sparkle, pick the top strings of the G chord (B and high E) with a light hammer-on on the second fret — simple single-note fills work great. For a fuller sound, use barre or power chords on A, E, F#m shapes without a capo (same progression transposed). I like to palm-mute during the verses for intimacy and open up in the chorus. Practice slow chord changes and the strum pattern separately, then combine them. It’s a crowd-pleaser that’s forgiving if you mess up a little, so have fun with it and try singing along once the chords feel steady.
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Autres questions liées
Where Can I Find Chord What Makes You Beautiful Chord Diagrams?
5 Réponses2025-08-24 05:14:03
I've dug through a lot of sites for chords and diagrams, and if you're hunting for chord diagrams for 'What Makes You Beautiful', start with the big chord/tab hubs. Ultimate Guitar has several user-submitted chord sheets that show chord boxes above lyrics and often include a little diagram you can click to view bigger; I used their mobile app when I was learning the intro. Chordify is great if you want automatic chord diagrams synced to the audio—upload a track or pick the song and it shows finger positions while it plays.
If you prefer printable PDFs or officially published charts, check music publishers like Hal Leonard or Sheet Music Plus for licensed sheet music; those will include neat diagrams and sometimes a lead sheet. For visuals and play-along tutorials, YouTube channels often show close-up fretting hand shots and overlayed chord diagrams—super helpful for rhythm and strumming. I usually cross-check a couple of sources, pick the simplest diagram for my level (often open G, D, Em, C shapes), and then practice with a slow-playback tool—works wonders for timing.
What Is The Piano Voicing For Chord What Makes You Beautiful?
5 Réponses2025-08-24 11:48:48
I still get a little giddy whenever that opening hook from 'What Makes You Beautiful' comes on, and on piano I like to translate that sunny pop energy with bright, spread voicings that keep the rhythm popping.
Most people play the song as a I–V–vi–IV progression. In E major that’s E – B – C#m – A. Basic triads are: E = E–G#–B, B = B–D#–F#, C#m = C#–E–G#, A = A–C#–E. For a piano-friendly, vocal-supporting arrangement I’ll often do this: left hand plays an octave (root) or root+5 (E–B), and right hand plays a spread voicing or 1st/2nd inversion to get smooth voice leading. For example: E (right hand G#–B–E), B (D#–F#–B), C#m (E–G#–C#), A (C#–E–A). That keeps common tones and sounds fuller.
If you want pop sparkle, add the 9th on the I and IV: Eadd9 = E–G#–B–F# (put F# on top), Aadd9 = A–C#–E–B. For the B chord you can use Bsus4 (B–E–F#) or Badd9 (B–D#–F#–C#) to avoid the D# clashing with vocal lines. Rhythm matters as much as voicing here: short staccato hits or syncopated quarter/eighth stabs on beats 1 and the & of 2 mimic the guitar accents and keep it lively. Play around with inversions until the transitions feel natural under your hands — that’s the trick that makes it sound polished.
How Can I Transpose Chord What Makes You Beautiful To C?
5 Réponses2025-08-24 08:32:48
I get a little giddy whenever someone asks about transposing pop songs — it's such a useful trick. For 'What Makes You Beautiful' the easiest, most player-friendly key to move it to is C major. The studio version sits up in E major (so the typical chords are E – B – C#m – A, which is a classic I–V–vi–IV progression). To get that into C, move everything down by four semitones: E -> C, B -> G, C#m -> Am, A -> F. So you can play the whole song with C – G – Am – F shapes.
If you want to sound like the original recording while using these comfy C shapes, slap a capo on the 4th fret: play C shapes and the guitar will ring in E. For texture, I like to throw in Cadd9 (x32030) or Am7 (x02010) instead of plain C/Am for a softer, more modern pop vibe. Strumming-wise, a bright down-down-up-up-down-up pattern with light palm muting on the verse keeps it driving without overpowering the vocals. Try it slow first, then bring the tempo up and sing — it frees up a lot of range for most people.
What Is The Capo For Chord What Makes You Beautiful On Guitar?
5 Réponses2025-08-24 02:28:51
I get excited every time someone asks about the capo for 'What Makes You Beautiful' because it's one of those songs that clicks instantly on an acoustic. My go-to is capo on the 2nd fret and play simple G, D, Em, C shapes. Those open shapes give you that bright, jangly pop sound and the resulting chords actually sound A, E, F#m, D (because the capo raises everything two semitones). That version sits nicely for most people to sing along.
If you want to match the exact studio pitch or a recorded track, some people put the capo on the 4th fret and use C, G, Am, F shapes (which will sound like E, B, C#m, A). Alternatively, if you're comfortable with barre chords, you can skip the capo and play A, E, F#m, D directly. I usually keep a capo clipped on my headstock at gigs—super handy when someone shouts a request—so I can switch between capo 2 for a folky singalong or capo 4 to match the recording.
What Chord Progression Defines What Makes You Beautiful Chords?
3 Réponses2025-08-24 09:08:21
I still grin when that opening guitar hits — to my ear the chord progression that defines 'What Makes You Beautiful' is the classic I–V–vi–IV shape, and in the original key it usually comes through as E – B – C#m – A. Play it on guitar with a bright, open strum and you’ve got that instantly singable, sunlit pop sound. I’ve broken this out at more than one campfire and the room lights up every time someone starts humming the verse.
What’s fun about that progression is how deceptively simple it is. The I chord (E) gives you home, the V (B) pushes forward, the vi (C#m) adds a little wistful tenderness, and the IV (A) gives a warm lift before looping back. Production choices — tight vocal harmonies, snappy snare fills, a slightly palm-muted guitar on the verses — are what make the progression feel modern and fizzy, rather than generic. If you want to play it in a friendlier guitar key, move it to G – D – Em – C or slap a capo on the 4th fret and use G shapes.
For tinkering: try swapping the B for a Bsus4 or Badd9, lift the C#m into a C#min7 for more color, or slide the bass root down to a B/D# inversion to get that walking bass feel. The real trick is rhythm and arrangement — the same four chords can sound heartbreakingly sincere or relentlessly upbeat depending on tempo, stomps, and harmonies. I love how a small tweak in voicing can change the whole emotional palette; it’s why pop songs like 'What Makes You Beautiful' stick in your head.
Which Chords Form Chord What Makes You Beautiful Progression?
5 Réponses2025-08-24 08:58:31
I still grin whenever that opening riff kicks in — it's one of those songs that lives on a three-chord-and-a-hook diet but sounds huge. The basic harmonic backbone of 'What Makes You Beautiful' is the classic I–V–vi–IV pop progression. In the original key (E major) that translates to E – B – C#m – A. If you're playing on guitar and want easier shapes, you can capo up and play the same progression as G – D – Em – C (capo 4) or D – A – Bm – G (capo 2), depending on your vocal range.
If you're trying to learn it by ear, the verse/chorus largely revolves around that loop, with some rhythmic guitar fills and the bright electric lead riff on top. On piano, those chords function exactly the same — root-position or simple inversions work great. For practice, I like to emphasize the snappy two-and-four accents and keep the chords short during the verse, then let them ring in the chorus to open things up. It’s a wonderful exercise in how a simple progression can feel enormous with the right arrangement and vocal melodies.
Which Ukulele Fingering Fits Chord What Makes You Beautiful?
5 Réponses2025-08-24 15:06:17
Honestly, if you're trying to play 'What Makes You Beautiful' on ukulele, the simplest and most common fingering people use is the I–V–vi–IV loop — on uke that's usually C, G, Am, F. It sounds bright and sits nicely under the melody, and it's super friendly for sing-alongs.
Here are the fingerings I use every time: C = 0003 (place your ring finger on the A string, 3rd fret). G = 0232 (press C string 2nd fret with your index, E string 3rd fret with your ring, A string 2nd fret with your middle). Am = 2000 (press the G string 2nd fret). F = 2010 (G string 2nd fret with middle finger, E string 1st fret with index). For a poppy feel, try a D D U U D U strumming pattern (down, down, up, up, down, up) at a bright tempo.
If you want to match the vocal range of the recorded track, you can capo or transpose; some players prefer adding Em (0432) for the bridge to add tension. Practice slow chord changes first, then speed up—switching from C to G back and forth is the trickiest at first. I like to hum the melody while strumming to keep the groove natural.
What Strumming Pattern Suits Chord What Makes You Beautiful Best?
5 Réponses2025-08-24 19:26:06
I still get a little giddy whenever I play 'What Makes You Beautiful'—it's such a bright, driving pop song and the strumming is really the heart of that energy. For the classic full-band feel I love the D D U U D U pattern (Down Down Up Up Down Up). Count it as "1 & 2 & 3 & 4 &": down on 1, down on the & of 1, up on the & of 2, up on the & of 3, then down-up to finish the bar. That pattern sits perfectly over the G–D–Em–C progression and keeps a steady eighth-note pulse while leaving space for accents.
I usually play the verse a bit more muted: light palm muting on the lower strings and softer dynamics so the vocals sit on top. For the chorus I open up—less muting, stronger attack, maybe add a percussive slap on the snare beat or a palm-muted down on the offbeat to make the groove punch. If you want to get closer to the original key, try a capo on the 2nd fret and feel how the voicing sparkles. Practice slowly with a metronome, then bring the pocket and dynamics back in for the emotional lift, and you'll have people singing along in no time.
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