Where Did S'Mores Originate

Thanksgiving originated in North America, specifically Plymouth, Massachusetts in 1621. It began as a feast held by the Mayflower's surviving Pilgrims and the Wampanoag tribe to celebrate the harvest after a hard winter.

Figure this, midnight storytellers, huddling around a flickering fire, eyes widened as they spin tales of the dreaded Wendigo. Originating from the lore of the Algonquian-speaking tribes of North America, the Wendigo is an embodiment of gluttony and excess. It's a cautionary tale warning against greed, selfishness, and consumption. This malicious spirit would take hold of individuals exhibiting such behaviors, transforming them into insatiable monsters. Trust me, these beasties from Native American folklore are nightmarish, terrifyingly highlighting the dangers of unchecked desires.

The origin of the Wendigo traces back to the indigenous tribes of North America, particularly those in the Great Lakes region, such as the Algonquin, Ojibwe, and Cree. Its presence in tribal folklore spans centuries, acting as a tale of darkness and cannibalism, instilled to evoke fear against such inhumane acts. Braced by the region's chilling winters and scarce resources, the Wendigo mythology symbolizes the peril of selfishness and greed.

I've been diving deep into the hyperpop scene lately, and 100 gecs is like the poster child of this chaotic, genre-blending movement. From what I've gathered, their sound didn't just pop out of nowhere—it's a Frankenstein mashup of early 2000s pop punk, SoundCloud rap, and glitchy electronic music, all cranked up to eleven. The duo, Laura Les and Dylan Brady, started experimenting with these abrasive yet catchy sounds in the late 2010s, drawing inspiration from online music communities and meme culture. Their breakout mixtape '1000 gecs' felt like a lightning bolt, mixing autotuned vocals, distorted beats, and lyrics about falling into a hole. It's like they took the internet's ADHD energy and turned it into music. The genre's roots are pretty scattered, but you can trace it back to artists like SOPHIE and PC Music, who were already pushing pop into weird, digital territories before 100 gecs took it even further.

STFUATTDLAAG, or 'Shut the F*** Up and Take the Damn L as a Gift,' is a phrase that gained traction on BookTok as a response to over-the-top, dramatic reactions in book reviews and discussions. It’s rooted in the culture of passionate, often hyperbolic commentary that defines the platform. BookTok thrives on emotional engagement, and this phrase became a humorous way to call out people who take their opinions too seriously or refuse to accept criticism. It’s not just about books; it’s a reflection of the broader internet culture where exaggerated reactions are common. The phrase resonates because it’s both a critique and a celebration of the intensity that makes BookTok so engaging. It’s a reminder to not take things too personally and to embrace the chaos of online discourse.

The Golden Fleece in 'Jason and the Argonauts' is steeped in mythic grandeur, originating from the winged ram Chrysomallos, a creature sent by the gods to rescue Phrixus and Helle from their wicked stepmother. After its flight, the ram was sacrificed to Zeus, and its fleece, radiant with divine gold, became a sacred relic. It was hung in the grove of Ares in Colchis, guarded by a sleepless dragon and woven into the kingdom's power. The fleece symbolizes both kingship and divine favor, a prize so coveted that Jason’s quest for it reshaped Greek legend. Its origins tie to themes of sacrifice and destiny—Phrixus’ survival, the ram’s divinity, and the fleece’s eventual role as a test of heroism. The story layers mortal ambition with celestial intervention, making the fleece more than an object but a bridge between worlds.

'Anansi the Spider: A Tale from the Ashanti' has its roots deeply embedded in the rich oral traditions of the Ashanti people, an ethnic group from Ghana. The story is part of a larger collection of folklore featuring Anansi, a trickster spider who often outsmarts others through cunning and wit. These tales were passed down through generations, serving as both entertainment and moral instruction. The Ashanti culture values storytelling as a way to preserve history and teach lessons about human nature, community, and resilience. What makes Anansi unique is his dual role as both hero and mischief-maker, reflecting the complexities of life. The stories often highlight themes like resourcefulness, the consequences of greed, and the importance of cleverness over brute strength. The Ashanti people’s connection to nature and spirituality is also woven into these tales, with Anansi sometimes interacting with gods or other supernatural beings. The adaptation into a children’s book by Gerald McDermott brought this cultural gem to a global audience, but its heart remains in Ghana’s vibrant storytelling traditions.

I remember 2016 being a fantastic year for anime-inspired literature. One standout was 'Re:Zero - Starting Life in Another World', which began as a light novel series before exploding into a massive anime hit. The original novels by Tappei Nagatsuki gained even more traction after the anime adaptation aired that year. The story's unique take on time loops and emotional depth made it a favorite among fans. Another notable mention is 'KonoSuba: God's Blessing on This Wonderful World!', a hilarious isekai series that transitioned from light novels to anime in 2016. The books' quirky characters and comedic tone made them a joy to read. Both series proved how anime could breathe new life into literary works, creating a bridge between mediums that fans absolutely loved.