Who Wrote The Original Chincoteague Island Book?

Morgan is just trying to survive her cousin’s destination wedding in Bermuda. She didn’t come prepared for emotional damage, and she certainly didn't expect the biggest drama of the weekend to involve a head injury, a blocked tunnel, and a very confusing run-in with three dudes dressed like they raided a Pirates of the Caribbean casting call. Turns out they’re not LARPing. They aren't actors. It's not a fun sunset cruise. No. They’re privateers. Like, real ones. From the actual year 1725. And Morgan? She’s stuck. She may have a pretty good handle on how to survive in the wilderness, thanks to her ex-Green Beret dad. But eighteenth-century ships, sexist crewmates, and suspicious captains aren’t exactly her area of expertise. Especially not Flynn, the broody, grumpy, maddeningly handsome Captain who might rather toss her overboard than deal with whatever disaster she’s brought onto his ship. But as danger closes in, from rival ships to secrets Morgan didn’t mean to bring with her, she’ll have to find her place in this brutal new world. That is… if she doesn’t drive Flynn to keelhauling her first. Or fall for him. Maybe both. Adventure, slow-burn tension, and fish-out-of-water chaos collide in this swoony, high-stakes romantic tale across time. For fans of enemies-to-lovers, pirate drama, and heroines who don’t know when to shut the fuck up.

In the first year I was brought home, the phony heiress Viola Baker suggested a trip to Gold Island to build a sisterly connection with me. My fiancé, Jeremy Abbott, had joined us to ensure our safety. However, they ended up amassing significant gambling debts at the island's casinos. In a bid to flee, he abandoned me on the island as a hostage, vanishing without a trace alongside Viola. The casino staff restrained me, poised to unleash their wrath upon me. In my frantic struggle, I glimpsed a phone number labeled "Island Owner" on the leader's phone screen. "Could that be the number of my brother, who had cared for me for more than a decade?"

Robert Blackwell promised to marry me, then postponed it thirty-eight times. The fifth time, a car crash broke eight of his ribs, and I signed seven critical-condition notices. The tenth time, on the way to get our marriage license, he and the car were thrown into the sea, and his suit was torn apart by sharks. By the thirty-eighth time, his heart disease had worsened and his life was hanging by a thread. Eight months pregnant, I changed flights three times and flew twenty-three hours across half the world to find him. When the door opened, a little boy who looked exactly like him lifted his face and said, "I thought Mom was back." Robert rushed out barefoot, panic written all over his face. I turned around and saw my best friend of twelve years standing behind me with a key in her hand. The little boy ran to her and threw himself into her arms, calling her Mom. So the fiance I had waited seven years for was my best friend's secret husband all along. "I will not wait through these thirty-eight near-death weddings anymore." "Robert, I do not want you either."

The Lighthouse at Black Hollow The storm came in without warning. One moment the sea beyond Black Hollow was silver and calm, and the next it was a heaving wall of iron-gray waves crashing against the cliffs. Wind screamed through the narrow streets, slamming shutters and rattling doors like impatient fists. Sixteen-year-old Mara Ellison stood at her bedroom window, heart pounding—not from the thunder, but from the light. It had flashed three times. Not lightning. The lighthouse. The old lighthouse had been dark for years.

Jack Saunders wanted one last hurrah before taking the mantle of DS Oil & Gas, the billion-dollar company that his father founded. His friend, Owen, let him borrow his mansion on a tropical island so that he could throw a final party before “marrying” the business that would dominate the rest of his life. He brought his secretary, Brandy, hoping that he could kindle a relationship that would last through the long days and nights of running a company. However, while the party was great, the gold digging woman he brought was not, and Jack resigned himself to a lifetime of loneliness. That was until he took a walk down the beach and met her. A woman who didn’t recognize him from the tabloids and only saw him, the man behind the money. Of all the women Jack had ever met, there was nobody like Emma LaRue. With one pretend marriage ceremony, she would change his life forever, and become the only one he ever wanted to give his saltwater kisses to. This novella is the first half of Saltwater Kisses written from Jack’s point-of-view, with a few bonus scenes thrown in as well.

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.