Off Limits
But at Booth 14, my presentation layout was a study in absolute, calculated focus.
My display was titled The Architecture of Protection. It consisted of three distinct living models, each representing a phase of human shielding. The first model was encased in a flawless, pristine porcelain-skin finish, every feature symmetrical, cold, and mathematically perfect—a literal human manifestation of Peter's original corporate firewall. The second model was transitioning, the clean skin cracking open to reveal vibrant, chaotic rivers of deep violet, gold, and crimson alcohol pigment erupting from beneath the sterile surface like veins of raw emotion breaking through stone.