Death Bliss
I set the ledger on the altar stone and open it.
The pages are filled with careful bureaucratic handwriting, columns of figures, dates, locations. I turn past the first section, shipping manifests and customs declarations, and then past a second section of property transfers I recognize from my translation work. The handwriting changes halfway through, becomes tighter, more compressed, as if the person writing understood that what they were recording could not be undone.
I turn another page and my hands go still.