Female Cthulhu

On my fifth birthday with Zachary Murdock, I sit once again in front of a full table of cold food, just like every year before. Zachary had promised, as always, to spend the day with me. And, as always, he breaks that promise. This year, it's because his childhood sweetheart wanted to shoot a set of "artistic photos". She invited him and a few of his close buddies to be part of it. Without hesitation, he ditches me again and runs straight into her arms. At 11:00 pm, his childhood sweetheart posts a photo to her social media and sets it so that only I can see it. In the picture, four men are in nothing but black briefs and Windsor-knotted ties. They kneel around her while she is draped in sheer fabric like a goddess. The caption reads, "Some people beg for crumbs, but I own the entire bakery." I take a screenshot. Then, I send it to the girlfriends of all three of Zachary’s best buddies. If they all look down on me this much, let's hope they don't end up on their knees begging me someday.

Dakota Stelter and I tumbled down that steep ravine together. I lay there bleeding and broken, only to watch my boyfriend scoop her into his arms and walk away without a backward glance. He left me. In that moment, in every way that mattered. While everyone fussed over Dakota's scratches, no one even checked if I was still breathing. When I was finally rescued and recovering at the hospital, my boyfriend didn't even visit. I was hurt. So I moved on. Piece by piece, I rebuilt myself without him. But then he became distraught. Suddenly, he was sobbing, telling me he had always loved me.

In October 2025, an explosion occurs at a remote lab. An unidentified substance is leaked, and the virus makes people go insane. Anyone who is bitten by these rabid creatures becomes one of them. It's like the zombies people see in movies and video games. On the first day of the explosion, my five-year-old, Joyce Fairfield, is still at kindergarten. I risk my life to hurry there, but I can't even find her corpse when I arrive. I can only look at the surveillance footage to see her face, which is ashen with fear. I also see her mouth, "Mommy!" 15 days after the explosion, I finally traverse the city and get to my mother's home. However, all that welcomes me is a destroyed apartment and blood everywhere. 20 days after the explosion, my husband, Emmett Fairfield, calls me one last time from his office, which zombies have surrounded. He tells me not to leave the house. Less than a month after the apocalypse arrives, I lose all my family. I'm alone as I struggle to survive in this dead world. The spread of the virus triggers chaos in mankind. I exchange all my supplies to save a neighboring couple from bandits, leading them to safety in a secure zone where they can live stable lives. However, my kindness is not repaid. Three years after the explosion, the secure zone is under siege by a wave of zombies. As we retreat, my neighbors shove me underneath a car so I'll distract the zombies. Then, they make a run for it and get away. Trusted neighbors betray me. As the zombies eat away at me, I can feel death looming. All I want is to see my family again. Now, I've been reborn. I have six hours before the zombie apocalypse breaks out.

The end of the world was upon us, but there weren't enough spots for evacuation. The roars of the zombies echoed in my ears as my fiancé, Oliver, gritted his teeth and pulled me onto the rescue vehicle—securing the last available seat. I arrived safely at the survivor base. Lina, his first love, did not. The zombies tore her apart. Oliver still went through with our marriage, but I never expected that he had only done so to make me suffer. In his eyes, I was the one who had killed Lina. If she had to endure such agony, then I should, too. For five years, he hated me. My life was worse than that of a stray dog scavenging for food on the street. On the day my divorce was finalized, he kidnapped me, dragged me into the wilderness, and wrapped his fingers around my throat. Then, he threw us both into the swarm of the undead. When I opened my eyes again, I was somehow reborn on the day the apocalypse began. The rescue team was shouting impatiently, "One more! We have room for one more—hurry!" I turned to Oliver, watching his hesitation. Then, with a quiet smile, I took a step back and let someone else have the last seat.

My stepdaughter, Alana Greenwood, brought me some abortion medicine on her Coming-of-Age Ceremony. Everyone around knew of her little "prank", but none came to stop her. Even my husband just stood and watched. I smiled bitterly as I took the medicine and drank it in one go. I immediately felt the pain in my lower abdomen. My head began to spin, but I could still hear the harsh tone in Alana’s voice. "Well, did you think you could replace my mother after giving birth to your child? Let me tell you this, Dad agreed to marry you back then because I was young and was in need of a free nanny! If you dare think about replacing my mother, you will be kicked out of the Greenwood family!" I covered my stomach and took a deep breath. "There's no need for the trouble. You're an adult now and I've completed my task. I'll leave... tomorrow."

On the day of my wedding to Elliot Wendell, a fake heiress committed suicide. In the second year of our marriage, we ended up enemies. He hated me, the true heiress, for returning and causing Celeste Dent’s death. I hated him for loving the woman who had taken my place as an heiress for twenty years. During the ten years of our marriage, we fought each other with vicious words and wished for the other to die. Then, there was an earthquake, and he shielded me beneath him. He protected me with his back. The building collapsed, and he ended up a mangled and bloody corpse. As he lay dying, he whispered into my ear, “If I had known that she would die, I would’ve never taken you home.” “If we ever meet again, it would be better if I were your only family.” In the end, I still died in the secondary quakes. When I opened my eyes again, I found that I had gone back in time. It was the day when he brought me to the Dent family to regain my rightful place among them. Elliot suddenly changed his mind and said, “Samantha, I was wrong. You’re not the daughter the Dent family lost twenty years ago.”

"No matter the price," I said calmly to the witch across from me, "I will buy the scroll that severs a mate bond." I am Jean Thompson, Luna of the Crescent Pack in name only, and mate—also in name only—to Alpha Felix Frost. In the five years I carried this title, I endured Felix's indifference, my in-laws' scorn, and the pack's cold neglect. All because I loved Felix. I believed, with a devotion that consumed me, that one day my sincerity would move his heart. But on the very day of our fifth anniversary—when I discovered I was carrying twins—I stumbled upon him leading the entire pack of warriors to the airport… to welcome his childhood sweetheart, Mary Lockwood. That moment shattered the last of my hope. When he returned, I hid the bond-severing scroll among a stack of business documents and set it in front of him. "What's this? If it's important, give it to me later—" Before he could finish, Mary's syrup-sweet voice slipped in between us, "Alpha, our reservation is about to begin." Felix didn't even bother to look. He pressed his handprint casually on the scroll, ending five years of our bond. Just like that, our mate bond was severed. But I walked away with more than freedom. I carried with me a secret that could shake the entire pack—two lives growing inside me. Twins, foretold to become kings of the werewolves: the Alpha heirs. Later, in a place far beyond his reach, I gained everything I had once longed for—respect, trust, and love. But Felix came back like a storm I could not escape. His eyes were bloodshot, his body trembling with fury as he trapped me against the wall. "I never agreed to sever our bond," he growled. "Where do you think you're going with my pups?"

It's Thanksgiving, and I'm waiting for Zeke Jones to come home after cooking up an extravagant meal. When Zeke returns, he doesn't even glance at the meal I've prepared for him. Instead, he proceeds to pack a bag. "I can't celebrate Thanksgiving with you this year," he says. I take another bite of my turkey and say nothing. At the stroke of midnight, Zeke's first love posts a new photo on her social media page. In the photo, she's lying on Zeke's back with a bright smile on her face. The moon outside the window is bright. "Happy to spend Thanksgiving with good company," her caption reads. Instead of hysterically questioning Zeke about the post, I just tap on the "like" button without reacting in any way. Zeke calls me. His voice sounds panicked as he tries to explain himself. "Please don't misinterpret the post. I will definitely spend Thanksgiving with you next year…" I freeze for a few moments, letting out a small laugh. I don't offer him a reply. Next time, he says? Oh, Zeke, I'm afraid there won't be a next time.

My husband—one of the top elites of Raventon Street, cold and ruthless to his core—keeps a stray orphan girl he rescued from the slums hidden in an apartment. Rowena Fletcher is clean and fragile, like a newborn creature untouched by the world. And somehow, that innocence softens something in Micah Benson—a man who's spent years clawing his way through the brutal wilderness of capital. He thinks this secret game of his goes unnoticed, but I find out anyway. At the Benson family's charity gala, I smash his favorite antique vase in front of everyone. He doesn't even flinch as he simply signals the bodyguards to clean up the mess and then hands me a divorce agreement. "Sign it, Sabrina. The penthouse in Ashbourne City is yours." I burn the divorce agreement—and that's when he finally shows his true colors. He freezes all my accounts and launches a hostile takeover of my gallery. On the night the storm hits, I get a call from the hospital. My sister, Roberta Slater, has been in a car crash—she needs emergency surgery. In the security footage, he stood there, watching coldly. "Sign the papers, or start planning a funeral." I dropped to my knees and slammed my forehead against the floor, blood trailing down my face as I begged, "Micah, please… don't…" A long, flat beep echoed from the other end of the line, slicing through the sound of rain. Then a voice on the line says, "We did everything we could." However, I have gone back in time—to the day I first found out about Rowena. This time, I no longer cry. Instead, I plan my divorce on my own terms. I call Valebrook Bank that same night and begin preparing for a quiet disappearance. But the moment I truly vanish from his world, Micah loses his mind.

I'm eight months pregnant when I suddenly faint on the train. My husband panics and cries for help as he kneels beside me. An interning doctor hurries to me. She doesn't bother checking my condition before saying, "The patient needs to undergo a C-section! We have to get the baby out now, or it might die of suffocation!" Then, she slices me open with a fruit knife—she doesn't take any precautionary measures before doing so. She takes my child out. I'm in so much pain that I don't even have the strength to scream. My blood flows everywhere. Yet, a photo of her holding my baby while standing in a pool of blood goes viral. People call her the prettiest doctor alive. My husband and his family are eternally grateful to her. They don't go after her for causing my death; they even make her my child's godmother! Meanwhile, I'm given a simple cremation. No one cares about me. After my death, all my assets go to my husband and his family. Only then do I hear my husband and the doctor talking to each other, sounding smug. "This plan killed two birds with one stone. We got rid of that woman and made ourselves out to be heroes!" That's when I learn the interning doctor is my husband's junior from high school. They got together when he accompanied me to my prenatal checkups! She failed her internship, so my husband came up with this idea—he wanted to use my death to boost her reputation and help her! Even my child eventually died under their "care". When I open my eyes again, I'm taken back to the day we get on the train.