OFFSIDE
And it was already a problem.
Not the kind of problem that had a clean solution. Not the Garrett kind, where the shape of it was identifiable and the response was documentable. This was the other kind. The kind where a camera in a locker room and a camera during film study and a camera on the sideline meant that the space we'd been building our actual conversations in, the after hours quiet of an emptied room, the parking lot, the front steps, the car on a Thursday street at eleven pm, all of it was going to have an audience that neither of us had agreed to.
Dara was still talking.