Greyhouse Publishing

The Chinese and The British were engaged in a deadly scramble for Zambia’s abundant mineral resources. Their fight attracted the attention of the Insaka- the secret organization that controlled all the Zambian government institutions from the President to a common worker on the streets. Amidst the corruption, and almost a failed government, the Insaka involuntarily enlisted two young, beautiful and ambitious women on opposite side of the law. Ima and Subi the sworn and bitter rivals were the only two people the Sextet placed to liberate the rapid extinction of the country. Will the two work together to liberate Zambia from the new colonialists from Asia?

Stanley Edwards, people claimed he mirrored a Russian man and had the heart of steel. He was an executioner who mercilessly took the lives of twenty women over a period of eight years. He is released from prison, can he get a whole new life? After he meets the love of his life, how will he protect their love? Is he still the grim executioner?

Noong unang beses na nakita ni Euphie ang lalaki, naisip niya: Love at first sight ba iyon? O isang nakatalagang soul mate? Pag-uwi niya, nakita niya ang isang lumang larawan ng isang matangkad at guwapong lalaki. Naglakbay siya pabalik sa panahon sa larawan, nakilala ang lalaking iyon, at natagpuan ang sagot sa tanong na iyon. Inisip niya ang lahat, ang kanyang kasintahan.

Tunnels deconstructs the individual’s Romantic fascination with ‘love’ or the grammaticality of beauty. Ideally, the ‘tunnels’ in the collection are subterranean love poems from the suburban imaginary. These seemingly syntactic tunnels travel through one’s literary imagination or heterotopic dreamscapes, and while αγάπη (Greek for ‘love’) inspires these rhizomic tunnels to navigate the abysmal ‘meta-spectacle’ of gesture, language or moment of poemness, the mind like the many-colored jeepneys of Manila, where driving past roast goose restaurants in Shek Kip Mei or spotting stilt houses in Kampong Kleang, attempt to explore the transgeneric textualities of the everyday, alongside the unstructurality of time and space, the littoral and the liminal.