Nami Mommy Sextape

My wife, Sarah, died unexpectedly. My in-laws made an absurd request. "Why not have Stella play both roles? After all, Luke can't be without a mother." My brother-in-law, Greg, yelled at me, calling me shameless, and stormed out in anger. I looked at my sister-in-law, Stella, who looked exactly like my late wife. I could hardly conceal my grief. I was about to urge them to abandon their ridiculous idea, when I accidentally overheard a conversation between her and her parents. "It was Stella who died, so why did you lie and claim it was you?" Sarah sighed. "I love Greg. I staged my death so I could be with him legitimately. As for asking me to play both roles, don't even bring it up again. As for Michael, I have already given him a child and a respectable marriage. I owe him nothing." Turning around, I saw Luke with reddened eyes, asking me softly, "Daddy, does that mean that Mommy no longer wants us?" I bent down and pulled him into my arms, forcing myself to soothe him. "Your Aunt Stella wants to protect the person that she loves. We shouldn't bother her. It's time for us to prepare a new life."

After crashing her stepfather's car, Jo Fisher faces a five-year sentence under the strict oversight of a high-level mafia vampire guardian. **WARNING: INCLUDES DARK SCENES SOME MAY FIND DISTURBING** In this new world order, large vampire families once thought to be the mafia in the 20th and 21st centuries, now preside over all legal matters and wield global authority after making their true natures known to the world. Jo's sentence is to be served as a contracted slave at Camilla Academy, a prestigious institution established by the more refined families. Here, vampires at a young age learn to coexist with their human counterparts and maintain control. All while ensuring their human charges become compliant and dependable sources of sustenance. Jo's options are limited. She must either adopt the role of a slave/pet to a vampire master or become the more cherished ward of a Daddy (or Mommy) vampire, expected to regress into an almost adolescent state of obedience. Dane, an ancient vampire prince underboss from the original family, is drawn to Jo's vibrant spirit and tendency to push boundaries. Captivated by her fiery demeanor and stubborn temperament, he is determined to have her as his mate rather than a subordinate. Can he temper Jo's vivacious spirit just enough for them to navigate the academy's demands without extinguishing the very fire that draws him to her?

"Boss, your one night stand five years ago, Katya Petrov, is back, and she has a son who looks just like you. On your orders, we will bring her to you, but you have to know, she has now become powerful." *** Five years ago, Katya was naive and believed that the handsome stranger she met at the bar was a knight who would sweep her off her feet, and save her from the shackles of her ruthless father, who has promised her to an old Mafia Don. But it is to her shock when she discovers that the man who broke her virginity was only using her to get to her father. Ferrara De Castello gives no fuck about what he uses to get what he wants as long as he obtains the required result. To him, the end justifies the means. And at the beginning, his desire was to ruin the Petrov clan, but now, his obsession is Katya Petrov and claiming the smart little boy as his heir. Problem is, the sweet innocent Katya he knew before, is as good as dead. And she will do everything in her power, to stand in his way. But four year old genius Christopher has other plans for his mommy, if she insists on staying away from his dad, "Mom, why don't you like daddy?"

When down-on-her-luck Rennie Brooks accepts a job as a live-in nanny for the daughter of cold, enigmatic billionaire Shawn Wolfe, she believes it’s just another job—and another clingy child—until the little girl looks up at her with wide, innocent eyes and calls her “Mommy”… then begins mirroring her every habit. The connection is instant. The tension between her and Shawn, undeniable. Because Shawn isn’t just her new boss—he’s the man from her one unforgettable night eight years ago, the stranger who vanished before dawn, leaving behind nothing but memories and heartbreak. Rennie swore she’d never fall for him again. But under the same roof, every stolen glance and forbidden touch reignites the desire she thought she’d buried for good. Her fragile new beginning shatters when Shawn’s glamorous ex-wife suddenly returns, demanding custody of the little girl Rennie has come to love as her own. Just as she prepares to walk away, a devastating secret surfaces— Diane isn’t Shawn’s daughter. She’s Rennie’s. Now Rennie must fight for the child she never knew was hers and face the hardest choice of her life: between the man who broke her heart and the one who might finally mend it.

After I reincarnated, I went to the hospital right away to get an abortion. In my past life, I was suddenly found to be pregnant with fraternal boy-girl twins after a childless marriage of five years. I was told that I needed to abort one, or I could die due to the excess size of the foetuses, but while I hesitated, I heard my son's voice. [Mommy! You have to abort this brat—she's going to kill me! She's been stealing all the food!] [She's not my sister—she's Tina and daddy's bastard! They used black magic to move her here and kill me, while you would treat her like your own daughter… and she can then inherit all the family wealth!] Hearing that, I promptly went to the hospital to abort the twin daughter, keeping the son. But on the day I went into labor, he threw a fit, punching and kicking my room until he finally killed me. And just before I died, I heard him gloating. [Stupid broad! You really believed me and aborted your own daughter! Just die already! I'm going to meet my parents!] When I opened my eyes again, Tina was sitting right in front of me, telling me to abort one of my babies…

The aloof CEO and his childhood sweetheart bring the tragic novel's female lead to an orphanage to adopt a child. All the children pounce on the childhood sweetheart, saying, "Mommy, pick me! Pick me!" The viewers' comments come flooding in. "She can't birth her own child, and now even the orphans don't want her. The tragic female lead is truly pitiful, humiliated by both her husband and his childhood sweetheart!" "The childhood sweetheart keeps winning—spoiled by the CEO, and the orphans scramble to call her 'Mom.' The female lead is nothing but a piece of decor." "It's not tragic enough! Make her even more miserable! It's even better if she cries on the spot so that later, when the CEO recalls this scene, he'll have to work double time to win his wife back!" I glare at the comments, feeling so mad that my short legs push me forward, landing me right in front of the ignored female lead. I tug at her sleeve. "Missy, can you make stew?" The female lead freezes up. "I… I can." My eyes light up with joy. "That's it then! That's exactly what I love. I'll go with you!"

Everyone thought Isabelle Monroe was just a washed-up actress clinging to a loveless marriage. Her husband cheated. Her own son called the other woman “Mommy.” Still, she smiled through it all, desperately trying to fix her perfect family. Until the day both her husband and son told her she was a nuisance and they didn’t want her anymore. Thrown out of her own home, humiliated and replaced, Isabelle walks away with nothing but her pride. But just when the world erased her name, he appeared. Riven Thorne, a powerful, enigmatic and far too familiar man offers her comfort, a contract, and a cold little girl who won’t speak to anyone but her. He gives Isabelle another chance. Not just at motherhood... but at revenge, fame, and love. Now she’s back on screen, headlines are begging for her name, and the same people who mocked her are clawing to be on her side. She tells herself it’s all pretend… The husband. The marriage. But then… Her new daughter clings to her hand. Her son cries and calls her “Mommy” again. And her fake husband starts feeling all too real. Isabelle starts to wonder— Is this fate’s way of rewriting her story?

Wendy Lloyd's first love, Hudson Clark, treats me like a walking blood bank. Because of that, I end up dying in the rented apartment Wendy has given to me out of contemptuous pity. Today is the third day of my death. My six-year-old son, Terry Heath, finally realizes that something is wrong with me. When he accidentally cuts his finger from playing with his toys, I don't coax him at all. When he tears open a pack of cookies and feeds one to me, I don't stop him at all. When he lies in my arms and grips me by the hem of my shirt while calling out to me softly, I don't respond to him at all. Feeling rather uneasy, Terry finds my phone and calls Wendy. "Mommy, why is Daddy still asleep?" Wendy responds by sending a photo of her and Hudson enjoying a holiday feast together. She then says coldly, "He's just asleep, not dead. Today is Christmas Eve, so I'm very busy right now. "Tell that arrogant father of yours that he's only free to visit me whenever he's ready to acknowledge his mistakes." After that, the call ends. Terry is left feeling stunned for a long time. Finally, he digs out the last cookie from the trash can and snaps it in half. Then, he feeds it to me again. "Daddy, let's eat."

My wolf had been wounded by silver. It took me two years to find a rare herbal cure. But before I could use it, my mate, Gary, gave it away—without hesitation—to my adopted sister, the Black clan’s darling, Jane. The healer told me I had only one week left to live. So, I made a decision: I would freeze my body. Preserve it. I donated myself to Jane’s Werewolf Research Facility—the one she took such pride in. The day I signed the donation agreement, my pup threw himself into my arms and said, “Mommy and Aunt Jane are finally getting along again!” My parents praised me, saying I had finally learned what sisterhood meant. Gary looked relieved. “You’ve finally let go of your resentment,” he said. “I’m proud of you.” I smiled faintly. Yes. I’ve finally learned to obey. I would return the title of Black clan heiress to Jane, and did my best to grant everyone their wishes. But it was only when they realized I could no longer fight back— when my body had been sealed away in cryostasis, cold and silent— that the regret began. Suddenly, they wanted to bleed for me. They wanted to compensate. They wanted to follow me into the grave. But where were they when I needed them, when I was still alive?

In the seventh year of my engagement with Nathan Galloway, he has inherited everything from his dead older brother, including his newly widowed sister-in-law, Catherine Wilkins. Whenever Nathan is done sleeping with Catherine, he'll hug me and comfort me gently. "Just wait for a little longer, Jojo. Once Cathy gets pregnant, we'll have our own wedding." This is the Galloways' only condition for Nathan to inherit the family's assets. In the six months following his return to Ravelton, Nathan has visited Catherine's room 52 times. He initially started off with just one visit per month. But slowly, the visits have been increasing to the point that he now visits her once every two days. Finally, when I spend my 52nd sleepless night sitting in my room and waiting for Nathan's return, I receive the news of Catherine's pregnancy. But at the same time, the news of Nathan and Catherine's upcoming marriage breaks out as well. "Mommy, is someone getting married in this household?" As I stare at the wedding decorations in the villa, I just pull my son, Theo Huber, into a hug with a blank expression. "Yeah. Your daddy is about to marry the woman he loves. That's why it's time for us to move out." What Nathan doesn't know is that we Melshes couldn't care less about marriage.