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I give up being with my family and follow my boyfriend, Leon Burton, to a research institute in the harsh land of Aetheris, just to take care of him. One day, he discovers an asteroid. According to the law in our country, the person who discovers an asteroid holds the right to name it. Without even stopping to think, he says, "I'll name it Phoebe." Everyone is stunned. Naming an asteroid is a significant event, but Leon makes his decision too hastily. The person in charge asked again, "Are you sure you want to name it that?" Leon nods without hesitation. Standing in a corner where no one can see me, I can't stop crying. Only I knew that "Phoebe" is the name of his first love, Phoebe Jones. Wiping away my tears, I call my mother. "Mom, I've decided to marry Nathan. I'm leaving Aetheris."

For eighteen years, my wife, Elizabeth Connerty, never once reached out to her first love, Lucas Ryder. She committed herself fully to me and cooked warm meals for me. She attended every parent-teacher conference for our daughter. She carefully planned our family trips year after year. That was how we lived—quietly, steadily, and happily—for eighteen years. But after our daughter celebrated her eighteenth birthday, I turned to Elizabeth and said, "Let's get a divorce." She stood in the doorway of our daughter's bedroom, staring at me in stunned silence. I added calmly, "When our daughter was born, you promised me that once she turned eighteen, we would divorce."

Before my mother passed away, the person she most wanted to see was her beloved son-in-law, Anthony Brosnan. She supported Anthony financially for five years, and the latter started his own business after graduating. At that time, I accidentally walked into his office and instantly fell in love with him at first sight. However, Anthony changed after three years of marriage and fell in love with his secretary. I called him over a dozen times, and it was the secretary who picked up the phone. "Anthony is cooking right now. Do you need something?" Just as I was about to speak, my mother overheard the voice. Her eyes widened in disbelief, and she passed away filled with resentment. Anthony, since I had lost my mother, you meant nothing to me anymore.

The medical laboratory explodes one day, and Celia Lumley and I are stuck in the fire together. My boyfriend, Xaiden Seager, gives up on me and chooses to save her first. I don't stop or beg him—I allow him to leave me in the fire. In my past life, I used my identity as the dean's daughter and the threat of Xaiden's future to force him to save me. Celia died in the fire. Later, he took over my family's inheritance and locked me in the laboratory. I was almost due for labor, but he still set a fire and burned me and our child to death. When I begged him to let me go, he laughed cruelly and said, "If not for you threatening me with your family, Celia would never have died such a horrible death! I'll make you suffer the pain she did in a hundredfold, Winifred Zalmer!" When I open my eyes again, I discover that I'm back to the day Celia and I get caught in that fire.

All along, I've been following a social media account that's dedicated to a couple sharing about their romance. It doesn't have a lot of followers, but the posts are all very heartwarming. The owner of the account records all the little details about his relationship with his girlfriend. They get into arguments over a plate of pasta before breaking into laughter and calling each other an overgrown child. They climb up the hill to hold each other under the sky full of stars, wishing they could make time pause at that very moment. Even though the owner of the account never reveals his face, I am always moved by the words he writes. The day before my wedding, the owner uploads a new post. "This marks the end of our ten-year relationship. From now on, she'll be his wife, and I'll only be his friend. There won't be any more updates to this account. I wish nothing but the best for my best friend and the woman he loves the most." The picture uploaded with this caption is one of my fiancee and me, taken from behind.

On my birthday, I personally prepare 16 dishes. After setting up the candlelight, I open a bottle of red wine. I take a photo and send it to my husband, Eric Sinclair. "I'm working late tonight. Don't wait for me," he replies. I choose to believe him. But after midnight, I notice an Instagram story posted by Shirley Huxley, his secretary. Eric was there with her, dressed in the trench coat I once gave him. They sat side by side in the VIP seat of football stadium where my favorite Super Bowl take place. Entwined in a passionate embrace, they kissed beneath a sea of shimmering lights and the roar of thousands of fans. That game is the one I have always longed to experience with him. I look down at the cold food on the table. Eric's words keep ringing in my head. "I hate kissing." "Marriage is a partnership, not about love and kisses." Though we've been married for ten years, we've never shared a single kiss. Meanwhile, he's out there, kissing Shirley openly and passionately. Despite it all, not a single tear falls from my eyes. The next day, Eric settles into his chair, completely unfazed. "Return the gallery to Shelly," he commands. I nod quietly, saying nothing. Suddenly, Layla Sinclair, my daughter, comes running down the stairs and throws herself into Shirley's arms. "Aunt Shirley, you're my favorite. I don't like Mom!" In that instant, it hits me—the home I devoted my heart and soul to means nothing anymore. It doesn't matter that I've been married to Eric for a decade. Now, all I want is to find myself again. I decide to accept an invitation from the Parisoir School of Fashion Design. From this moment on, I won't wait for them to come home, and I won't look back.

A post asked: "What did it feel like to marry someone you didn’t love?" My husband answered, "No fun in bed at all. Every day, I think about divorce." Owen Clinton’s first love, Luna Dawson, had returned to town, and sparks had reignited between them in secret. Luna, with smug confidence, had urged me to step aside. But I only laughed as I tossed the divorce papers at her. "If you were so capable, you’d get him to sign them. Otherwise, I won't even take you seriously.”

When my boyfriend, Sebastian Passini, comes to me in tears, claiming his famiglia has been crippled and backed into a corner, I put everything my famiglia has at stake to pave the way for him. I withstand immense pressure from my famiglia, divert four million dollars, deploy our most elite soldati, and even fall out with my Madre, all to protect him. Yet, on the eve of his "counterattack," I stumble upon his true colors in my famiglia's underground chamber. Angelina Aureli chuckles beside him. "To swallow the Valerini famiglia whole, you put on a fine performance. Are you really going to sit back and watch Isabella hand over her famiglia's foundation to you?" Sebastian sneers, "Why else would I call her a fool? Her trust—and the Valerinis' resources—are nothing but stepping stones for me to rise to the top. Once I have everything in my hands, she and that old hag are dead!" I fish out my phone and revoke the final tranche of resources I had reserved for Sebastian. I should have known from the very beginning. He and I have never been on the same path. He wants plunder and destruction, and I'll make him pay for his greed in blood.

By my third month on the job, I discovered that my coworkers had been calling me "the old crow" behind my back. The nickname came from none other than Jace's condescending secretary—because at 32, I was still clutching onto an eight-year relationship that hadn't ended in marriage. I confronted Jace. "Do you know your employees have been calling me the old crow?" He didn't even bother to look up. "That's just Sadie—she speaks her mind and means no harm. You're 32; why get so worked up over what a young girl says?" Then he gave me a faint, mocking smile. "Though honestly, it's a pretty fitting nickname." It felt like a cold hand had wrapped around my heart. So that was it—eight years of my youth, nothing more than a joke to him. I turned and walked away, handed in my resignation, and blocked every way he could reach me. But for the first time, the man who had always seemed so calm and untouchable finally panicked. "Elara," he pleaded, "please come back."

The day before Chris Carter and I were supposed to get engaged, my parents sent me to prison. Three years later, when I was finally released, Chris was the only one who came to pick me up. I knew he despised me. I trembled, keeping my head down, hoping to slip away unnoticed. But he blocked my path, frowning. “Emily York? You stink.” He pinched his nose and told me to get in the car. I fell to my knees, desperately begging him not to take me home. If he did, I would die. He looked at me with chilling indifference and said, “Then go ahead and die.” I agreed. But later, he cried and begged me to stay alive.