Self Publishing An Ebook

His iron grip fastened around her waist with every second she tried to push him off. "Let go of me," she gritted. "Why should I let go?" He asked devilishly. Nibbling her earlobe "Have you forgotten you're my mate." "It's about time everyone knew you're mine." He teased with his now exposed teeth gently nibbling her skin. "Mine." She heard him growled out before his sharp canines bit into the crook of her neck... In no time she felt a strange heat dripping down her neck, it was blood gushing out from his bite. "Oh, My God! I can't believe Edward just marked me." She pondered.

A naive girl who leaves with her aunt Kate. She goes from home to school using the woods as her passage. She was always bullied by two girls in her school named Rose and Linda. But she was always saved by her knight in shining armor, Alex. Her peaceful life came to a halt when she came back from prom night and saw her aunt Kate crawling away from the house with blood stains all over her. Some hidden talents she never knew unfolded before her with aunt Kates body on her lap. She finds out how her parents died and who she finally is, a hybrid the last descendant of her clan which makes her heart the key to the blood moon.

Accused of infidelity and betrayal, Anna gives up on trying to prove her innocence to her mate and decides to end everything, but could she? Will Alpha Ramsey let her slip through his fingers regardless he despises her the most? Since they saw her as a weak human, what would happen when her long-dead mother shows up to put Alpha Ramsey in his place? When the table turns and secrets are exposed, what would be Anna's fate towards her mate and her family?

Shanra Croft joined the Black Assassin's Squad so she can find the killer who murdered her whole family. She became the best assassin and is well-known as "Silent Assassin." It's because all of her victims died silently and in a peaceful way. She meets her childhood crush, Craig De Silva, who is now a police team captain and has a mission to capture her alive. What if Craig discovers that she is the assassin that he'd been looking for? And what if she discovers that the murderer she'd been looking for a long time is just beside her and that person is the one she trusted the most?

It all started with a letter, on a lucky night , inviting rosalie to work for lopez, one of the Famous companies CEOs and well known billionaires, they were the most successful triplet in the industries. And Rosalie ends up working for one of them as a personal assistant. With great expectations, Rosalie tries to adjust to having a new life apart from her usual but ends up falling for her boss. But things doesn’t always goes the way we plan, as axel comes into the picture, finding his brother's personal assistant attractive, what’s happens when two brothers sets out to get the attention of one lady… but there’s more to it.

Raised from an infant in discipline, Reza Kelson has been trained to be a cold-blooded killer. Nothing has stopped him when he's been ordered to an assignment, and nothing probably will. An agent for a secret branch of government, he kills and incinerates anything with the discipline of a sharp knife. But even though he's the best at what he does, tables turn when the government dumps Reza from bureaucracy, albeit with a place to be hidden away in. Now Reza finds himself struggling to integrate into the sleepy town of Lonewood. Raised without any form of love or compassion, he naturally comes off as rude and abrasive, and therefore drawing attention. And with other dumped agents, with some bent on settling scores, the entire situation could not be more risible and outrageous. Not to mention the strange boy, Dane Rochelle, who seems strangely possessive of him, and with Reza balances the life he never should have had.

Tunnels deconstructs the individual’s Romantic fascination with ‘love’ or the grammaticality of beauty. Ideally, the ‘tunnels’ in the collection are subterranean love poems from the suburban imaginary. These seemingly syntactic tunnels travel through one’s literary imagination or heterotopic dreamscapes, and while αγάπη (Greek for ‘love’) inspires these rhizomic tunnels to navigate the abysmal ‘meta-spectacle’ of gesture, language or moment of poemness, the mind like the many-colored jeepneys of Manila, where driving past roast goose restaurants in Shek Kip Mei or spotting stilt houses in Kampong Kleang, attempt to explore the transgeneric textualities of the everyday, alongside the unstructurality of time and space, the littoral and the liminal.