Sunshine and The Beast
Tristan was standing at the front of the room, one hand on the remote, the other gesturing toward the screen as he clicked through slides.
“The Monet shades will anchor the main trio,” he said, his tone crisp, focused. “Think soft sky blues, rose-mauves, lilacs. We’re aiming for airy, romantic, but not washed out. That balance between softness and saturation is the hardest part.”
“Do we have pigment tests on those?” one of the assistants asked.
“Still waiting on final texture samples,” Tristan replied. “But the lab's confident in the payoff. We’re blending satin and matte finishes, something more buildable than shimmer-heavy collections we’ve done in the past.”
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