Plaything in one's palm
It was beautiful, but it was a beauty that spoke of isolation and careful cultivation.
Then, he painted the thorns. Not around the greenhouse, but composing it. The entire structure was encased in an intricate, terrifyingly beautiful lattice of steel thorns. Each thorn was a razor-sharp shard of metal, woven together with the precision of a master blacksmith. They didn't just surround the glass; they pressed against it, their needle-points leaving faint, almost invisible scratches on the pristine surface. The thorns were not an afterthought; they were the greenhouse's primary architecture, its pro