When Did Highschool Of The Dead Come Out

I have been dating my manager boyfriend, Caleb Frost, for five years. He calls off our wedding 52 times for Gina Lowe, an aspiring actress on the set. On the day I am ready to give up on him and walk away, Gina falsely accuses me of using expired makeup on her that caused an allergic reaction. So Caleb shoves me into a sealed cellar and locks me inside. As he pushes me down, his face is twisted in disgust. "It's one thing to pick on Gina, but to use expired makeup on her and cause an allergy? Do you know how important an artist's face is? "Stay down there and think about your wrongdoings." With that, he drags the crying Gina to the hospital. The cellar's air vent is blocked. Every breath I take grows harder until I suffocate to death inside. Three days later, Caleb remembers me only after attending a gathering with Gina. But little does he know, I am already dead from the lack of oxygen in that dark cellar.

After a car accident, my memory ended ten years ago, on the night I got down on one knee and proposed to Adrian Halloway. I tore through every app on my phone, desperate to find proof that Adrian was my husband, but in my contacts, there was only one number. My message threads were completely blank. Helpless, I called my best friend, Hannah Price, to ask if my proposal that night had actually worked. She exploded at me like a firecracker, "Juliana Rowe, have you completely lost your mind? Worked? You’ve been trying to divorce the man!" The first thing that flashed through my head when I hung up was, 'Damn, I’m impressive. I actually managed to land the untouchable Adrian Halloway.' The second thing was staring at the handwritten divorce agreement on my nightstand with total confusion. 'Who’s getting divorced? Me? I’m the one who wants this? What the hell is wrong with me?'

I married Rafe Maretti—the man who owned the Maretti Casino empire. Sophisticated, ruthless, but sinfully charming. By year three of our marriage, I introduced my little sister to his nephew, Adam Moretti—twenty-five, all sharp smiles and sharper ambition. He ran the dirtier side of the family’s business—arms, drugs, the kind of trade that dripped blood and money in equal parts. I married the powerful, irresistible uncle. She married the young, dangerous nephew. It was supposed to be our fairytale. Then one day, I got kidnapped in Rafe’s casino. Snatched by a rival mafia family desperate to force Rafe to sign over one of his biggest, most profitable casinos. Except Rafe didn’t answer the phone or even notice I was gone. The kidnappers grew impatient. First, it was slaps. Then punches. Then they shattered my leg and buried a knife in my stomach. Still no word from my husband. Until finally, after what felt like a hundred unanswered calls, a single message came through. "I’m with Bianca. She’s having a stomach. Stop calling." Once the kidnappers realized I had no value, they dumped me in a rotting warehouse like discarded luggage. It was Isla, my sister, who found me. She got me out. And then the brakes failed. The car spun out. Isla went unconscious beside me. I tried calling Adam. Isla’s husband. But as soon the call went through, all I could hear was. “Leave me along. Isla, I am in the middle of something here.” When I clearly heard a woman’s voice in the back. If not for a passing stranger, Isla and me wouldn’t have made it to the hospital, let along have survived. So when I opened my eyes again, the first thing I thought was: I’m divorcing that sorry bastard. The Maretti can go to hell.

After our eighty-eighth canceled wedding, I called my business partner. "I'm taking the Haviana market project." There was a beat of stunned silence. "Seriously? That's ten years overseas. You just got married—well, weren't you? Does your husband even know? What about your parents? You always said staying close to them was everything." I glanced around the empty church and let out a sharp laugh. "There was no wedding. No husband. And my parents? They've got Cindy. That's all they need." Another pause. "Alright. Pack your bags. You leave tomorrow." After the call, I ran a hand down my wedding dress. One last tear slipped out, quiet and pointless. Cindy had another "episode" today. Claimed she'd off herself. Andrew canceled—again. I'd looked at him, drained. "It's the eighty-eighth time." He dropped his head, guilt all over him. "Just a little more time, Viv. She's been off since the accident. I'm scared she'll actually do it. I swear, I'll talk to her. For real this time. Then we'll get married. Promise." My parents didn't hesitate. "Vivian, let Andrew go. If Cindy hadn't gotten kidnapped trying to save you, she wouldn't have these breakdowns. Are you really putting a wedding over your sister's life?" "How could you be so selfish?" I'd heard it all before. Used to fight it. Not this time. If neither my fiancé nor my parents wanted me around, then fine. I'd leave.

In my last life, while my father lay on his deathbed, he asked me to choose—inherit his title and become the Don of Vale, or marry my boyfriend, Julian Moreau, and walk away from the family business for good. Becoming the Don meant a lifetime of danger, and likely a political marriage without love. Marrying Julian promised peace. I hesitated. Next morning after the party, I woke up in bed with Julian on my left and my best friend, Sebastian, on my right. I soon found out I was pregnant. With that, I thought the better choice would be marry either Julian or Sebastian—and to give up my right to inherit, handing it to my stepsister. After my father’s funeral, Julian, Vivienne, and Sebastian locked me away and tortured me for days—until my baby and I finally met a tragic end. When I opened my eyes again, I was back to the very day my father asked that question. This time, I didn’t hesitate. “I’ll break up with Julian and become the Don of Vale—on my own.”

Lyra Riley, a twenty-one-year-old virgin psychology major, and Blaze Cunningham, a twenty-five-year-old CEO, have encountered the worst relationships. Blaze has been used for his money and cheated on during all his long-term relationships. Lyra has been dumped time after time for not giving up her most prized possession. Both yearn to find their soulmate, someone to grow old with. And then, one night, Fate steps in for Lyra and takes the lead. Could she finally have found love, or is this another disaster in the making?

Every Thanksgiving, my husband, Salvatore, brings home a showgirl from one of his clubs. He makes me kneel and serve them drinks. A lesson, he calls it, in how to please a man. This was the eighth Thanksgiving, and this time, he brought back a girl poured into a tight leather dress. "She doesn't have any decent jewelry," Salvatore announced. "Give her your heirloom diamond ring. Your grandmother's pearl earrings, too. And take off that silk choker for her." He smirked. "And listen, she's young, doesn't know the rules. You'll have to show her the ropes. Especially how to handle a man in bed." Every member of the Genovese family was watching, waiting for my humiliation. I didn't disappoint. I opened my mouth and asked Salvatore for a divorce. Salvatore let out a sharp, ugly laugh, his eyes full of contempt. "Francesca, you pull this same shit every time," he jeered. "Your act is pathetic. Even more dramatic than your performance in bed." He leaned in. "You really want to divorce me? Fine. I'll give you five million in cash if you actually walk out that door." The living room erupted in laughter. They all said I was playing hard to get, that I didn't know my place. But they didn't know. This was the 88th time I had asked for a divorce, and it was the first time I truly meant it.

Nara mendapatkan peran utama dalam sebuah sandiwara. Anehnya, naskah sandiwara itu terasa sangat familiar, seperti menceritakan kembali kejadian-kejadian yang ada dalam hidupnya. Selama latihan, Nara merasa ada yang aneh dengan adegan dan dialog sandiwara tampak berhubungan langsung dengan masa lalunya, yang selama ini dia coba lupakan. Dia mulai merasa seperti hidupnya sedang dipentaskan. Nara mencari tahu lebih dalam dan menemukan bahwa sandiwara ini adalah penggambaran dari kejadian nyata dalam hidupnya, termasuk rahasia keluarga yang disembunyikan. Ada orang-orang di sekitarnya yang terlibat, termasuk Aksara, yang ternyata tahu lebih banyak dari yang seharusnya. Saat malam pementasan, Nara dihadapkan pada pilihan: mengikuti jalannya sandiwara yang akan mengungkap rahasia kelam, atau mengubah alur cerita untuk menghindari kehancuran di dunia nyata.

What happens when we are stuck in our past, unable to move forward with our lives. Veronica was kidnapped and raped when she was eighteen, the culprit was not caught. She moved out of town, and never came back because of it, leaving her family behind. Ten years after the incident, she's still being plagued with nightmares and fears intimacy to the point of hyperventilating. They prevent her from having a normal life. Her best friends decide to engage the help of a psychologist to help her move on. In comes Dr Hunter Fisher, a man with a past of his own, who challenges her and brings out a side in her she never thought she'd experience. In the bliss of having found love together, they try to move on from their past together. But the enemy is out there and peace can never be found unless he is caught; only then can they be happy.

Just a few days before my wedding, I accidentally come across a post while scrolling online. The title reads, "To the guy getting married in this city, your fiancée's already cheated on you." Curious, I click in to see the gossip, only to realize I'm the one being talked about. A deep male voice plays in the video. "I heard you're getting married?" The woman in the frame, bare-backed and trembling, chokes back a sob. "After you left, I realized you're still the one I love most. I'm done with him. Take me away, please!" The moment I hear her voice, it feels like someone punches me straight in the chest. Then I notice something on her wrist—the luxury couple's bracelet I gave her just yesterday. And in that instant, I feel like the biggest joke of all. Turns out the fool was me.