10 Answers2025-08-01
The costumes and production design also told a story. In the early seasons of Game of Thrones, the series felt dirty and real and the armor looked functional and the clothing looked worn. By the end of the series, however, all of the characters had transformed into sleek and clean superheroes, including Daenerys Targaryen who wore all white clothing, and the Night King who had designer icicle armor. The series moved from a historical inspired, realistic aesthetic to a more stylized, high fantasy one, and this transformation in the way the series looked mirrored the series’ shift away from the books and their grounding in historical realities and towards a more mythical and highly stylized world.
7 Answers2025-09-06
I think one of the biggest mistakes the TV show made wasn’t just not including all of the books, but also not including the core theme of the books. George R.R. Martin wrote A Dance with Dragons as a way to explore what happens after the big battle in a story, after the hero has won the war. Again and again in the books, the story subverts familiar fantasy tropes about wonderful and honorable war. The final season of the TV show largely forgot this, and offered up a very familiar fantasy story of heroes and a last-minute ‘election’ of a king. In contrast, the books are trying to unpack the story that the TV show is packing.
8 Answers2025-03-18
Waiting for ‘Winds’? How are you all doing? I follow Not a Blog weekly, like a clown waiting for the circus to arrive. I am now completely sure that we will get the outline to ‘Winds’ in George R.R. Martin’s will. A poor author will then complete the work for him. So far, speculation is half the fun for me, but the lack of closure is slowly driving me and I am sure also the rest of the forum members mad, like the same crazy theories about Aerys II Targaryen that we all have come up with.
10 Answers2025-06-09
As a symbol, the boar is interesting too. As stated before, heraldry means a lot in Westeros, so the boar is the sigil of House Crakehall (a Lannister bannerman). So even the instrument of death of this man carries a subtle Lannister touch. That must be a little hint from the author to the true masterminds.
6 Answers2026-04-19
I find this moment kind of hopeful. In the scene Daenerys is claiming Khal Drogo using a ritual phrase in order to verbally pledge herself to him. The contract she is pledging herself into is, of course, somewhat messed up given the circumstances of her life, but it is her first step into claiming her place and her identity in the world. The show and Emilia Clarke did a great job of showing us Daenerys’ fear turn to resolve in that moment. And that line is from very early in the first book and season, so it’s a line that is kind of a cornerstone for her whole arc.
7 Answers2025-10-27
Pouring tea and waiting for someone to note the glaring omission of the Percy Beauchamp/Amaranthus plot from the later books. That whole can of worms would have added another season or so to the show’s run. The show’s ending was cleaner and neater, which is great I suppose. The books on the other hand, are a glorious, messy, overgrown garden of plotlines. Which is better to read? A neatly trimmed hedge or a wild and unchecked adventure through said garden of plot?
2 Answers2025-10-18
The death of Jon Arryn in Game of Thrones created a huge void in Westeros. As the man sent by King’s Landing to determine whether the exiled princess’s husband was fit to rule, Arryn’s death exposed the instability in the kingdom and inspired all of the Great Houses to attempt to claim the Iron Throne. The arrival of Ned Stark at Winterfell and his subsequent acceptance of Robert Baratheon’s offer of becoming the King’s Hand marked a dramatic change in the lives of the characters and in the fates of the various houses. Their deaths were a mix of good and evil, ambition and betrayal, and brought about much suffering. Their deaths served to drive home the consequences of loss in the bloody fight for power in the quest to claim the Iron Throne and the themes of the series Game of Thrones.
10 Answers2026-01-17
Often the biggest difference I notice between Diana Gabaldon’s novels and Outlander on screen is the tone of the story. Gabaldon has a unique voice that is wry, quirky, and historically informed. Many scenes are often re-imagined in terms of a more “typical” romance or action-adventure in order to reach a broader audience. So while the novels can end rather quietly and strangely and raise lots of questions about the characters and their circumstances in a somewhat ambiguous moral light, the show ends rather “big” in a Hollywood kind of way with lots of explosions and speeches and clearly defined heroes and villains. Both are valid but they leave you with a rather different aftertaste.
9 Answers2025-08-19
I just want to give a huge shoutout to Libby. While everyone was running around trying to solve riddles to save each other’s lives, Libby was just there for her sister the whole time. Her ending was really sweet. She got to pursue her own dreams and she was funded by the Hawthorne wealth, but she wasn’t controlled by them. That ending was really low-key the best. It was cool because it showed the normal life that Avery was trying to protect. And Avery’s first victory was Libby’s happiness. Seeing Libby thrive in the epilogue was really cool and the best part of the story, because sometimes the best part of a story is a side character who just gets to be happy.
8 Answers2026-04-13
I believe there is a lot of confusion between the book and show canon. In the books, Grey Rohan is never given a height. However in the show, Grey Rohan is literally Jason Momoa, who is 6'4". So this would be the answer to the question in terms of show canon. For book canon however, we have to interpret the descriptions. 'Tower above other men' suggests he is well over 6 feet tall. And since Westeros and Essos are supposed to be below the average height of modern times, then 6'4" would indeed be a giant. So in both cases, his height in the show is consistent with the books. Therefore whether you are a book reader or a show watcher, you can confidently imagine Grey Rohan to be 6'4".