13 คำตอบ2026-08-04 04:00:03
I'm just sitting here refreshing the page, waiting for someone to post a definitive list with page numbers. My memory's fuzzy on the exact chapter breakdowns.
9 คำตอบ2026-08-04 02:21:51
If you’re looking for a list, here’s the rundown. First, the Hero License Exam’s preliminary battle: all of Class A vs. Class B in a urban capture-the-flag scenario. It’s chaotic and establishes their growth. Second, and the centerpiece, is the Hero Killer Stain battle. It’s a three-on-one: Stain versus Iida, then Deku, and finally Todoroki joining in. It’s a brutal, fast-paced fight in a narrow alleyway that ends with Stain’s capture but leaves all three kids badly injured and shaken.
11 คำตอบ2026-08-04 19:54:40
It's interesting to note what the battles aren't. They aren't tidy one-on-one duels. They're messy, multi-party clashes where objectives change by the second. The major battle is the exam itself, a test of adaptability.
Inasa's interference turns it into a test of endurance against overwhelming force. Toga's interference turns it into a test of courage and quick thinking against malice. The students fail and succeed in various ways across these tests. The physical victory is less important than the lessons learned, which is a recurring theme in MHA.
17 คำตอบ2026-08-04 09:37:16
Bakugo's victory is presented as technically flawless but morally questionable by the public's standards. He never cheats, he never insults Uraraka directly during the fight, he just uses his superior power to overwhelm her. Yet, the audience turns on him because he shows no mercy or spectacle. It's a fascinating commentary on hero as a performance. Winning isn't enough; you have to win in a way that inspires people, which Bakugo fails at miserably here.
9 คำตอบ2026-08-04 01:14:43
I wish we got more of the Kirishima/Sato side action. It's glossed over pretty quickly. It would have been nice to see another duo handling a different type of crisis, to further contrast methods. Their battle is more of an afterthought, which is a missed opportunity.
14 คำตอบ2026-08-04 20:18:02
Mirio's fight is the standout, but Nighteye's contribution is quietly brilliant. He's not a frontline brawler, but his Foresight allows for precise, almost prescient teamwork. Watching him and Deku work together, with Nighteye predicting and directing, is a different kind of battle intelligence. His death then shatters that strategic advantage, forcing Deku to rely on instinct and raw power. The battle evolves in its very nature because of that loss.
12 คำตอบ2026-08-04 15:04:23
Honestly, just google 'Mirko hospital raid panels' and you'll get the gist of half the volume. The other half is a giant fire monster fight. It's a great volume! But if you're asking for a play-by-play, it's those two set pieces, bridged by the tense infiltration and then the sudden, overwhelming collapse when Shigaraki gets up. The pacing is insane—it feels like three episodes of a season finale crammed into one volume.
12 คำตอบ2026-08-04 22:11:24
I always come back to All Might's smile at the end. He's battered, broken, smoke rising from his body, but he raises a fist and smiles for the cameras. That's the final move in the battle. It's a psychological victory lap, a deliberate performance to reassure the public. The battle isn't over until he delivers that symbol of peace one last time. It's a calculated act of heroism that's separate from the fighting, a battle to control the emotional fallout. That single panel is a masterstroke.
16 คำตอบ2026-08-04 14:29:21
You know, all this talk about battles and symbolism... I just really liked the panel where Mirko smiles while kicking a Nomu's head off. Sometimes a cool action shot is just a cool action shot, and that's okay too.
9 คำตอบ2026-08-04 02:26:05
If we're talking sheer spectacle, Endeavor vs. High-End Nomu is the centerpiece. It’s a public battle broadcast to the entire country, so the stakes are narrative and symbolic.
Endeavor isn't just fighting a monster; he's fighting public perception and his own legacy. Hawks' involvement adds layers of espionage and betrayal. The fight choreography is Horikoshi at his best—dynamic, destructive, and emotionally charged. It solidifies Endeavor's brutal, pragmatic style as the new standard for top-tier heroics, for better or worse.