How Much Are Tickets At Imax Trivandrum On Weekends?

I swung by the schedule this morning and scribbled down what the IMAX in Trivandrum is showing today so you can plan your day. For the IMAX auditorium the main line-up I saw is: 'Dune: Part Two' (IMAX 2D) at 10:30, 14:50, 18:10 and 21:40; 'Inside Out 2' (IMAX 3D) at 12:15, 15:35 and 19:00. There’s usually a local Malayalam release running on the main multiplex screens throughout the day too, but the IMAX-specific slate tends to rotate between the big Hollywood tentpoles and the occasional family animation in 3D. Expect runtimes of 2.5–3 hours for the big sci‑fi show and about 1.5 hours for the animated feature. If you want my two cents as someone who loves a good screen, I’d book the evening IMAX slot if you want that deep bass and darker auditorium vibes—tickets sell out faster on weekends. Arrive 20–30 minutes early for the best seats, and if you care about image quality, try to avoid the very front rows; the sweet spot is around the center third of the theater. Also, check whether the 3D screenings require glasses to be collected at the counter and whether there’s an extra surcharge for IMAX 3D. All schedules can shuffle with special screenings or private shows, so I’d still double-check the theatre’s app or call the box office before you head out. Personally, I’m eyeing the 18:10 'Dune: Part Two' showing—nothing beats that one-two punch of visuals and sound on an IMAX screen, honestly.

Walking into the theatre with a tub of popcorn and a plan to be utterly spoiled, I was delighted to see that the Trivandrum IMAX does offer premium recliner seating in select auditoriums. These aren't your flip-up, economy rows — I'm talking fully reclining leather or faux-leather seats, extra legroom, and a lot more personal space between rows. The layout usually reduces the number of seats for a more intimate experience, so the soundstage feels cleaner and the picture isn't obstructed by the person in front of you. Booking wise, those premium recliners tend to appear as distinct seat categories on ticketing apps and the theatre's booking page. Expect to pay a bit extra for the upgrade, but for long blockbusters or 3D spectacles, it's worth it if you value comfort. I also like that these seats often include wider armrests, cupholders, and sometimes even a small snack holder or blanket on chillier evenings. From my visits, early bookings are smart — the recliner rows do fill up fast for popular releases. All told, it's a cozy way to watch a film and I always leave feeling I got a mini luxury treat for the price.

Heading to IMAX Trivandrum and wondering about parking and getting around? I usually treat this place like any busy city cinema — plan for company and a little patience. From what I've seen, there is on-site parking at the complex where the IMAX screen is located, but spaces fill up fast on weekends and evenings. Expect paid parking and some multilevel or surface lots nearby; peak hours can push you to park a block away and walk a few minutes. There’s typically a drop-off zone close to the entrance which is a lifesaver if you’ve got kids, luggage, or prefer not to hunt for a space. Auto rickshaws, taxis, and ride-hail services can drop you right at the door, which I often prefer to avoid circling for parking. Accessibility feels thoughtfully handled overall. There are ramps and elevators from the parking areas to the lobby, and staff are generally helpful if you need assistance carrying strollers or wheelchairs. Auditoriums usually have wheelchair spaces and companion seats, and accessible restrooms are available near the halls. If you or someone in your group has mobility needs, I recommend arriving a bit earlier to secure a good spot and get settled calmly. Personally, I like showing up 30–40 minutes before the show to grab snacks and settle without the parking stress — makes the whole cinema vibe more enjoyable.

Booking a private screening at IMAX Trivandrum can feel like organizing a mini-event, and I love how straightforward it becomes once you know the steps. First, find the theatre’s official contact — either the IMAX Trivandrum or the multiplex chain that runs that screen — and call the box office or email their events/corporate bookings address. I always call first because the person on the phone can tell you right away about minimum-seat requirements, available showtimes, and whether the film you want is eligible for a private screening (new releases sometimes need distributor approval). Next, get the details in writing: a quote that lists the screening fee, any film-rights costs, taxes, and refundable deposits. Ask about the format (IMAX DCP), seating capacity, and whether trailers or special content can be played before the film. You’ll also want to decide on snacks — most places will let you pre-book combo packs or a full F&B service, and sometimes you can negotiate a flat price per head. Payment is usually by bank transfer or card, and they’ll issue tickets or e-tickets for your guest list. Practical tips from my own bookings: try weekdays or early shows if you want lower rates; request a written cancellation policy; confirm on-screen branding options if you want a short welcome video or slides; and arrive 30–45 minutes early so the staff can brief you and run a quick AV check. It feels great watching a film on that giant IMAX screen with your people — I always end up planning the next one before the credits roll.

If you’ve been watching the rumor mill around ‘The Wild Robot’, the short version is: it depends on who’s making it and how much they want to sell it as a spectacle. I’m picturing either a mid-budget, heartfelt family animation that plays nicely in standard cinemas, or a higher-budget studio push that courts IMAX and maybe 3D for extra box-office oomph. Studios usually reserve IMAX and 3D for visually striking features with big set pieces or a clear visual hook — think 'Spider-Man: Into the Spider-Verse' or 'How to Train Your Dragon' when those pushed the immersive angle. If the producers decide to lean into sweeping wilderness vistas, robot-scale cinematography, or stylized animation, IMAX can be a selling point. 3D is more hit-or-miss: it costs money to convert and only makes sense if the studio expects that extra ticket premium to pay off. Until there's an announcement, I’m betting on standard and perhaps a handful of premium-format screens for special markets — and I’ll be the first in line if it gets the giant-screen treatment.

Nope — if you were planning to buy a ticket and head to an IMAX auditorium for 'The Wild Robot', that option doesn't exist right now. The story Peter Brown created is gorgeous and cinematic in my head, but it started as a picture book/novel and hasn’t had a wide theatrical adaptation released. I keep an eye on kids’ lit adaptations and the film industry, and while publishers and studios sometimes talk about turning beloved books into movies, nothing has hit theaters or IMAX screens for this title. If you want something that captures the atmosphere of 'The Wild Robot' on a big scale, you'll probably have to make your own cinematic night at home: get a big TV, crank the volume, play ambient ocean sounds, and read the book aloud with friends or family. There are also beautifully narrated audiobooks and illustrated editions that give the same emotional punch—sometimes better than a rushed adaptation would. Personally, I’d love to see a slow, thoughtful animated film that respects the book’s quiet wonder rather than a bombastic IMAX spectacle, but until that happens, I’m content re-reading the pages and imagining my own widescreen scenes.

I get asked a lot whether big family-animated releases like 'The Wild Robot' show up in IMAX or 3D, and from what I’ve seen it comes down to who’s distributing it and how big the studio wants the launch to be. If the distributor treats 'The Wild Robot' as a tentpole family film, theaters usually roll out premium formats: IMAX (sometimes IMAX 3D), RealD 3D, Dolby Cinema, or large-format 2D IMAX. IMAX showings aren’t automatic though — they’re typically limited screenings at select multiplexes and IMAX venues, especially the premium-screen releases with expanded aspect ratios and louder sound. 3D depends on whether the filmmakers create a stereoscopic conversion or native 3D rendering; many animated features opt for 3D because it boosts box office and plays nicely with kid-friendly spectacle. I’d expect a major animated release of 'The Wild Robot' to at least offer RealD 3D and possibly IMAX runs in major cities. If you’re planning the best viewing experience, check theatre filters on apps like Fandango, your local chain’s site, or ticketing apps — they’ll list formats next to times (IMAX, 3D, Dolby). Personally, for a nature-and-robot story that’s visually driven, I lean toward a bright IMAX 2D for color and scale, unless the trailer shows stunning depth that screams 3D. Either way, it’s a film I’d happily see in a premium room — the bigger the screen for those island vistas, the better.

If you want the quick scoop: it really depends on the Cineworld site and how the film was released. I love chasing big-screen experiences, so I always check the details before I buy—Cineworld only shows 'The Wild Robot' in IMAX or 3D if the distributor put out an IMAX/3D version and the specific branch has the right auditorium. Some Cineworld cinemas have IMAX or IMAX with Laser, while others have large-format screens like Superscreen or 4DX instead. Practically, the easiest way I find is to look up the film on the Cineworld website or app and watch for tags like 'IMAX', 'IMAX 3D', or 'RealD 3D' next to the showtime. The booking page will also show ticket types and prices—IMAX and 3D tickets usually cost more, and the page often mentions if 3D glasses are included. If you see only ordinary showtimes listed, that usually means 2D only. I also keep an eye on social channels or press releases around opening weekend; studios sometimes announce special IMAX/3D screenings in advance. If I’m planning a treat, I’ll book early because premium formats sell out fast. Personally, if 'The Wild Robot' has an IMAX or native 3D release I’ll go for IMAX for the scale, but I’m perfectly happy with a crisp 2D screening too—depends on the vibe I want that day.