Is There A Novelization Of The Tomorrow People Available Now?

There’s something oddly comforting about hunting for physical bits of a show you loved, and for me the most collectible pieces tied to 'The Tomorrow People' are the genuine period items from the original run. Vintage publicity photos, production stills, and original scripts from the 1970s feel like holding a tiny time machine. They capture the look and the moments before anything was polished for home video. Beyond those, props and costumes—especially anything that can be traced back to an actual episode—are the holy grail. Even mundane items like prop signage or a worn jacket become incredible when they’ve got provenance. Limited-run items from reboots, such as convention-exclusive posters or signed prints from the 2013 series, are valuable too because they mix nostalgia and modern collectibility. If you’re new to collecting, focus on condition and documentation. A slightly scuffed prop with a verifiable signature often beats a pristine reproduction. I’ve found the hunt as rewarding as the find, and I still get a little thrill opening an old VHS or a rare press kit when it arrives in the mail.

I get that feeling when you want to dive into 'The Tomorrow People' but don’t know where to start — there are versions and tones and that makes picking a first episode a little like choosing which door to open in a mystery house. For me, the safest and most satisfying door is always the pilot. The pilot sets the rules: who can teleport, who’s hiding their abilities, and where the show wants to go emotionally. If you start there, you’ll get origin beats, the big reveal moments, and the tone (serious, pulpy, or teen sci-fi) all at once, so you can decide whether to keep going. If you want a second taste that shows what the series can do, grab a midseason episode that focuses on character dynamics — the kind where the team has to make a tough moral call or where the villain flips the ecosystem. Those episodes often highlight the telepathic/telekinetic powers in creative ways and show the stakes without relying on exposition. For streaming viewers I usually pick an episode around episodes 6–9 for that punch. Finally, I always recommend watching a season finale as your third stop. Even if you jump into the show later, a finale crystallizes the themes and usually has the biggest twists, which is great for deciding if you want to binge. Personally, I once watched the pilot, skipped a few, and then hit the finale — the payoff convinced me to rewatch from the start with fresh eyes.

I’ve been hunting down shows for years and 'The Tomorrow People' is one of those titles that pops up in different places depending on which version you mean and where you live. First off, there’s the 2013 CW reboot and the original British run from the 1970s — they often live on different services. My quick routine is to check a tracking site like JustWatch or Reelgood for my country; they’ll tell you if it’s available to stream, rent, or buy. For the CW version, you’ll commonly find episodes available to purchase on platforms like Amazon Prime Video (store), iTunes/Apple TV, Google Play, or Vudu. Sometimes The CW’s own site or app has episodes, but availability shifts fast. If you prefer subscription streaming, keep an eye on services that rotate catalogues: Netflix and Hulu have carried the CW series in some regions before, while BritBox or ITVX are better bets for the older UK productions. Don’t forget free, ad-supported services like Pluto TV or Tubi — they sometimes pick up niche sci-fi shows. If streaming fails, I’ll check a local library app like Hoopla or look for DVD box sets; I’ve bought a used DVD before because it guaranteed I could rewatch on long trips. Ultimately, use a region-aware tracking tool, and consider renting a season from a digital store if it’s not on your streaming subscriptions — it’s legal, easy, and gets you watching fast.

I’ve binged both the old and the reboot of 'The Tomorrow People' more times than I’ll admit, and the music is one of those things that sticks with you. For me, the 2013 CW reboot was the one that really hooked me sonically — it leaned into moody synths and indie-leaning licensed tracks that fit the teen-drama-meets-superpowers vibe. There isn’t a massive, official deluxe soundtrack that you can slap on the shelf (at least none widely distributed), but you can absolutely cobble together a satisfying collection: stream the licensed songs on Spotify or Apple Music, and hunt down score cues on YouTube or the composer’s pages if they’ve posted anything. I made a playlist mixing the show’s pop tracks with a few atmospheric synth pieces, and it works as a late-night study/commute soundtrack. If you’re into vintage vibes, check out compilations of TV themes and library music for the original 1970s version of 'The Tomorrow People'. Those older shows often used stock or library cues, and sometimes those get reissued in theme compilations or on niche labels. For physical collectors, Discogs and eBay have occasional finds — I snagged a rare 7" with a theme once, and it was a thrill. Bottom line: there’s nothing massively ubiquitous like a blockbuster soundtrack album, but there’s a lot worth buying or assembling if you enjoy curated playlists, single-track purchases, and the occasional collectible pressing.

I was scrolling through fan threads like a guilty pleasure and honestly couldn't look away—people were everywhere with hot takes about the 'Tomorrow People' finale. At first it was pure outrage: threads filled with caps of scenes people felt betrayed by, heated polls, and furious live reactions during the airing. A lot of fans felt character arcs were shortchanged and plot threads were left dangling; shipping communities exploded because relationships that had simmered for seasons either got sidelined or rushed to a blink-and-you-miss-it resolution. What surprised me more than the anger was the creativity that sprang from it. Within a day there were fan edits, alternate-cut videos, and dozens of rewrites posted to forums and fanfiction archives. Some folks staged watch parties to recontextualize the ending, others made playlists that captured the emotions they felt were missing. There were also calmer pockets of critique—think long posts analyzing pacing and production notes—alongside petitions begging for a director’s cut. Personally, I toggled between being mad and being impressed at how the fandom refused to let the conversation die, turning disappointment into art and debate.

I get a real kick out of digging into who owns cult shows, so here's the long, slightly nerdy take. The original 1970s British series 'The Tomorrow People' was created for Thames Television, and the legacy of Thames' library ended up folded into what is now Fremantle (formerly FremantleMedia). In practice that means Fremantle is the main place to look for rights to the classic episodes, the brand as it existed in that run, and many of the associated archive materials. That said, rights are rarely monolithic. Over the decades different pieces — format rights, broadcast rights, home-video/streaming, merchandise, and so on — can be split, sold, or licensed to different companies and territories. The 2013 US reboot of 'The Tomorrow People' that aired on The CW was produced under modern production deals, so the companies that produced and financed that version (production houses and studios involved in that series) hold the specific rights for that adaptation and its episodes. Distribution and streaming rights for that reboot can be handled by yet another party. So, if you want to clear something (a clip, a remake, or merch), I'd start by contacting Fremantle for the vintage series, and then check the closing credits or industry databases for the 2013 version to find the producing studio. Rights departments, IMDbPro, or company registries are your friends here — and if you’re serious about licensing, getting legal clearance through a specialist is worth it.

Growing up bingeing on Saturday afternoon sci-fi, I always felt 'The Tomorrow People' carried this bright, slightly anxious energy of its era — and that feeling actually traces back to what inspired its creator, Roger Price, and the early writing team. They were playing with the idea that some kids aren't just teenagers; they're the next step in evolution, Homo Superior, with telepathy, telekinesis, and the ability to 'jaunt' (teleport). That premise taps into older science-fiction concerns — the space race, the promise and fear of new science, and the cultural idea that the younger generation might outgrow the old one. On top of that, the late 1960s and early 1970s were soaked in interest in ESP, parapsychology, and the countercultural belief that minds could do more than the establishment assumed. Writers borrowed from pulp sci-fi and contemporary pop science while also echoing comic-book themes (you can easily see parallels to 'X-Men' in the outsiders-vs-society vibe). Low budgets pushed them to focus on psychological drama and moral dilemmas rather than flashy effects, which gave episodes a surprisingly thoughtful feel. For me, watching it on rainy afternoons, it always felt like a show about identity and belonging disguised as adventure — and that mix of cultural curiosity and genuine emotional stakes is exactly where the writers drew their inspiration.

As a longtime genre junkie I’ve watched a lot of actors drift from TV shows into bigger movie work, and the cast of 'The Tomorrow People' is a nice example of that transition. Robbie Amell is the clearest one who climbed toward mainstream film visibility — after the show he slid into a mix of studio and indie movies, with a recognisable turn in 'The DUFF' and later leading and producing the sci-fi feature 'Code 8'. He also kept a steady TV presence, which helped his movie projects get noticed. Beyond Robbie, a few others found decent movie-side gigs or steady work in screen projects. Peyton List (the younger Peyton) leaned into family and teen-targeted films and streaming features after the series — if you followed her on YouTube-Red-era titles you’ll recognise that trajectory. Aaron Yoo was already doing supporting film roles around that era and continued to pop up in movies like 'Disturbia' and other studio pieces. Luke Mitchell mainly pivoted into bigger U.S. television roles, though he’s had film appearances too. The pattern I notice is that most of them became reliable working actors rather than instant blockbuster stars, which I personally find more interesting: you get to watch steady career growth rather than overnight celebrity. If you want a specific binge list, start with Robbie’s post-series work, then check out Peyton’s streaming films and Aaron Yoo’s earlier movie catalog — they show different ways a TV sci-fi show can launch careers.