What Scandals Affected Robert Evans And His Career?

2025-08-30 04:05:52 194

3 Answers

Riley
Riley
2025-09-02 11:57:02
I still get a little giddy talking about the golden, grubby swirl of Hollywood that Robert Evans inhabited — his life reads like a movie script full of triumphs and messes. One of the biggest things that shadowed his career was his very public battle with drugs and the legal trouble that shadowed that lifestyle. He was famous for partying hard, and that excess bled into work: projects ran late, relationships with directors and studios frayed, and his image moved from studio bon vivant to a cautionary celebrity figure. Reading 'The Kid Stays in the Picture' felt like watching him explain the chaos in real time, and the documentary of the same name only underlines how autobiography and mythmaking blurred in his case.

Another scandal that followed him for years involved the financing and fallout around 'The Cotton Club' and the larger Roy Radin affair. Evans’ name came up in the tangled investigations that followed Radin’s murder and the production money scandals, and even if he wasn’t charged, the association clogged up his reputation. Then there were the big-studio politics and box-office disasters — when a high-profile flop or cost overrun happens under your name, it’s not just a bad movie, it’s career collateral. 'The Cotton Club' in particular was a costly, chaotic production that dented his standing.

Add to that the serialized gossip about his marriages and affairs (yes, his relationship with Ali MacGraw and other high-profile relationships made headlines), and you get a portrait of someone whose private life was never private. The combination of drug troubles, legal tangles, and sensational headlines steadily eroded the aura of invincibility he’d had as Paramount’s wunderkind. Still, as a fan I can’t help but marvel at how he helped shepherd films like 'The Godfather' and 'Chinatown' — the scandals complicated him, but they never erased the work, and that contradiction is endlessly fascinating to me.
Faith
Faith
2025-09-03 02:46:06
I’ll be honest: I first dove into Evans because I love the stories behind how movies get made, and his life is one of those messy, glitzy cautionary tales. Broadly, his career was hurt by three overlapping scandal zones. First was his drug use and the legal entanglements that came with it. Hollywood gossip often feels petty, but when the head of a studio starts showing up on police lists or struggling with addiction, studios and financiers get nervous — and projects dry up or stall. That shift from boardroom power-player to troubled star made it harder for him to command the same authority he once did.

Second, his connection — direct and circumstantial — to the Roy Radin financing saga around 'The Cotton Club' left a bad stain. Radin’s murder and the messy financing deals around that film sparked investigations; Evans’ name popped up in reporting, and even unproven associations are career-killers in an industry that relies on reputation. Third was the effect of major flops and cost overruns. When a producer becomes associated with expensive, problematic productions, executives and investors start to question judgment and risk-tolerance. On top of that, his very public personal life — marriages, affairs, tabloid columns — fed a narrative that he was more of a Hollywood character than a steady studio boss.

I’d recommend reading 'The Kid Stays in the Picture' alongside the documentary to get his own spin on all this. He’s candid, slippery, self-mythologizing, and you can see how the scandals both damaged him and fed the legend; they’re part of why his story keeps getting retold.
Ivy
Ivy
2025-09-05 23:22:15
Growing up watching behind-the-scenes specials, the Robert Evans story always struck me as a vivid example of how Hollywood success and scandal feed each other. To cut to the core: his struggles with substance abuse and the resulting legal and reputational problems, the toxic publicity tied to the financing mess and investigations around 'The Cotton Club' and Roy Radin, plus a string of expensive, troubled productions all chipped away at his career momentum. Add the relentless tabloid interest in his marriages and romantic life, and you have a recipe for an image that flips between genius producer and reckless celebrity.

What’s interesting to me is that despite those scandals he remained a figure people wanted to talk about; his memoir and the film inspired by it both show how he reclaimed the narrative, even if the scandals never fully went away. It’s a reminder that in Hollywood, talent and notoriety are often tangled together, and sometimes the fallout changes the jobs you get more than the art you make.
View All Answers
Scan code to download App

Related Books

SECRETS & SCANDALS
SECRETS & SCANDALS
Ivy never planned to fall, literally, into Liam’s arms. But the day she bumped into him in the hallway, everything changed. His girlfriend noticed. The school noticed. At first, it was side eyes and some attitude. Then came the rumors. Just as the drama became unbearable, her world crashed, her parents died on the same day.  She had to move in with an aunt who she barely knew.  She stopped going to school, because the pain became unbearable. When she finally returned to school, the tone changed. There were new whispers, but only about her. To the girls like Claire and her group, Ivy was a pity seeker. She was beautiful, quiet, soft, so obviously, they thought she was faking it. Especially when the boys, including Liam, started being nice to her. Even her best friend, Sophia, changed after a new girl, Maya, showed up. Soon, Sophia turned against her, started acting mean. Another betrayal. Ivy was losing people faster than she could have ever imagined. And when her aunt suggested going to therapy, Ivy finally cracked. Ivy didn’t ask to be strong, she was shoved into it. She wasn’t eased into being strong, wasn’t given the time to learn, or grow into it. She learned to talk back. She learned to slap back, literally. When Sophia humiliated her in public, Ivy hit back without apology. But that didn’t mean Ivy was suddenly strong on the inside. She still cried when she was alone. Still felt broken. This isn’t some perfect girl story. Ivy’s not a superhero. She’s just trying to make it through each day without falling apart. She’s just trying to breathe without breaking. And maybe, somewhere in all that mess, she’ll find her own kind of peace.
Not enough ratings
52 Chapters
Stars and Scandals
Stars and Scandals
Tell a friend to tell a friend that Athena Carson is back! After going off the grid for years, Athena has returned to the entertainment industry and is ready to make waves. *** Jason Lamar used Athena to climb to the top, then pushed her down when he got there. Athena’s plan is to do the same thing to him. To achieve this, she teams up with North Ackerman, her former childhood friend turned chairman of his own entertainment company, to take down Jason. Both of them have similar goals and are willing to do whatever it takes to be victorious. However, what if they discover that not all is what it seems like and that they might actually be going after each other instead of their original goals? To know, tune in to Stars and Scandals!
10
16 Chapters
Billionaire Passions & Scandals
Billionaire Passions & Scandals
“I need an exclusive!” Hailey had no idea how those simple words could alter the course of her life. From losing her job, her life suddenly begins to look like a huge telenovela program after she gets a new job; filled with a lot of fiasco, breakups, and makeups but most of all, the highest betrayal of all. But she's tired of being a realist and she's determined to get her happily ever after as she goes through a lot of obstacles along the way. How far is she willing to go to achieve happiness and will she eventually be happy?
10
173 Chapters
A NIGHT WITH DOCTOR ROBERT CROWN
A NIGHT WITH DOCTOR ROBERT CROWN
Blurb Sally is a 23-year-old woman juggling schooling, three part-time jobs, and caring for her sole living relative, her younger sister. Her already difficult life takes a turn for the worse when her sister is diagnosed with cancer and requires rapid treatment. Desperate to save her sister, she signs a contract with Mrs Crown, a wealthy woman who offers her a deal in which she will pay for her young sister's treatment in exchange for Sally spending the night with her son, the famed Multi-Millionaire Doctor, Robert Crown.
6
155 Chapters
He Chose His Love, I Chose My Career
He Chose His Love, I Chose My Career
"Mr. Dawson, about that farmhouse construction project in Hattensburg… I've decided that I'm willing to go there." Gary Dawson, on the other end of the line, sounds fairly surprised. "I've been asking you to go there for ages, yet you refused every time because you said you wanted to be with your boyfriend, Timothy. Why the sudden change of mind?" Madeline Carlton lowers her reddened eyes and pretends to chuckle nonchalantly. "I guess I hit one too many walls and just decided to come to my senses afterward." Hearing this, Gary sighs and says sternly, "This is a highly classified mission. You will be assuming a whole new identity when you start working on this project. Before the mission ends, you will not be allowed to have any contact with the rest of the world. "Madeline, are you sure that you've thought things through?" "Yes. I just want to escape this place as soon as I can." There is a long silence on the phone. However, Gary answers right after the pause. "Alright. I'll send the classified contract to you in a while. It should take about a month for the paperwork to be finalized. Use that opportunity to say goodbye to your friends and family." The call disconnects. An email pops up in Madeline's inbox. Right after reading through the classified contract, she signed her name with a flourish and submitted the file with a click. At the same time, Bloomberg Group's new product launch plays on the television. Timothy Bloomberg, wearing a tailored white suit, slowly leads Lacey Houston up the catwalk stage.
33 Chapters
Sold To The Billionaire
Sold To The Billionaire
A cute, bubbly, lovely, caring girl, who loves her mother and her step father the most, but they sell her off in exchange of money to save their neice's life. she left broken and alone, the man whom she married or we can say selled off, he treats her like a slave, and abuse her, teaming up against her with his girlfriend. his family loves the girl, but don't know about their son's behaviour towards her. will she get the love of her husband, will he ever loved her? or she have to pay the price of being a step daughter and an unwanted wife?
6.1
55 Chapters

Related Questions

How Did Robert Evans Acquire The Godfather For Paramount?

3 Answers2025-08-30 22:48:42
There’s something almost cinematic about the way Robert Evans picked up 'The Godfather' for Paramount—like a producer’s version of stalking the perfect prop. I first heard the story while nursing a late-night coffee and watching a documentary about studio era dealmaking; since then it’s one of those Hollywood myths I love repeating to friends. Evans was running Paramount’s production at the time and had an eye for manuscripts and projects that could become cultural monsters. He read Mario Puzo’s manuscript and, sensing the book’s raw, combustible energy, moved quickly to secure the movie rights before the publishing world fully understood what Puzo had written. Evans didn’t act like a timid suit. He bought the rights—privately and decisively—and then used his clout to push the studio into actually making the movie. That involved more than signing a contract: he had to sell the concept to executives who worried about glamorizing organized crime, negotiate Puzo’s involvement as a co-writer, and then fight for a director who would respect the material. His championing of Francis Ford Coppola (a choice that made many at the studio nervous) and his willingness to back unconventional casting choices were crucial. Evans leveraged relationships, timing, and a taste for risk. I always picture Evans as that person in a bar who, after one sip, knows which band will sell out stadiums. He bet on a gritty, literary story about family and power, turned it into a film with a distinct voice, and survived the internal studio pushback. Watching 'The Godfather' now, I can’t help but think about the chain of gutsy moves—starting with the rights purchase—that led to its creation.

Where Can I Watch Documentaries About Robert Evans Now?

3 Answers2025-08-30 13:52:07
I've been hunting down Robert Evans documentaries off and on for years, and if you want the quickest route to actually watching something, start with the one people always mention: 'The Kid Stays in the Picture'. I picked up a copy on Blu-ray a while back, but these days that film turns up in lots of places — sometimes available to rent or buy on Amazon Prime Video, Apple TV/iTunes, Google Play, or Vudu, and every few months it bounces onto a streaming service during a retrospective or director spotlight. If you don't want to pay per-view, check your local library apps first. I found 'The Kid Stays in the Picture' on Kanopy once using my library login, and friends have scored it on Hoopla. Those library-driven platforms are gold for older docs because they rotate holdings based on licensing deals with educational libraries. Another trick I use is going to JustWatch or Reelgood and searching 'Robert Evans' — those sites aggregate where titles are streaming, renting, or purchasable in your country so you don't waste time guessing. Beyond that, you can also find interviews and shorter documentary segments on YouTube and Vimeo. I like to hunt for longer oral-history clips or festival Q&As — sometimes a filmmaker will post extras. If you want physical extras or director commentary, keep an eye on used Blu-ray/DVD marketplaces like eBay or your local thrift store; I snagged a well-loved disc with an intro by the director for cheap once. Finally, if you follow film festival listings or Turner Classic Movies schedules, they sometimes air retrospective documentaries and companion pieces, so setting alerts there helps when availability shifts.

Which Actors Had The Closest Relationships With Robert Evans?

3 Answers2025-08-30 06:38:34
I still get a little thrill thinking about those old Paramount days—the kind of Hollywood where personalities were as big as the films. For me, the clearest bonds Robert Evans formed were with actors who rose with him in the late '60s and '70s. Warren Beatty and Faye Dunaway come to mind first: Evans championed risky projects like 'Bonnie and Clyde' and that kind of backing naturally built trust. You can feel the chemistry in the stories — late-night script talks, fights over casting, celebrations when a gamble paid off. Those backstage moments made for real relationships, not just business deals. Jack Nicholson felt like Evans’s cinematic soulmate in a way. Evans produced 'Chinatown' and gave Nicholson room to be Nicholson — that kind of freedom breeds loyalty. Robert Redford and Mia Farrow were also in Evans’s orbit through films like 'The Great Gatsby' and other Paramount-era projects; Redford especially had a mutual respect with Evans about star power and taste. And on a more personal note, Ali MacGraw was literally one of the closest people to him — they were married, and that created a different, layered intimacy you don’t get from a normal producer-actor relationship. What fascinates me is how these relationships blurred social and professional lives: studio parties, champagne toasts, arguments that ended in collaboration. Evans’s connections were built from championing projects, cultivating stars, and sometimes from messy, very human friendships — the kind that leave great stories behind.

What Was The Net Worth Of Robert Evans When He Died?

3 Answers2025-08-30 10:29:41
Whenever I think about the larger-than-life figures from classic Hollywood, Robert Evans pops into my head as this mix of swagger, taste, and wild personal drama. He died on October 26, 2019, at age 89, and people curious about his money often get different numbers depending on where they look. My copy of 'The Kid Stays in the Picture' has coffee stains from late-night reads, so I always picture his finances as complicated: big hit films, a long career, some expensive tastes, and legal twists. Most widely cited estimates put his net worth roughly around $100 million at the time of his death, but the range across outlets is pretty broad. Some sources hedge lower, others push higher — I’ve seen figures anywhere from about $50 million up to the low hundreds of millions. The variations come from how you count illiquid assets, property, unpaid back-end deals, and any debts or settlements. He produced huge titles like 'The Godfather', 'Chinatown', and 'Rosemary's Baby', and those credits certainly built value, yet private estates and repayment obligations can change headline numbers. If you’re trying to pin down a precise figure, expect ambiguity. For casual curiosity, think “around nine figures” as a quick mental note, but keep in mind the fuzziness: estate accounting, later-life spending, and the public/private gap all keep the final tally fuzzy. I enjoy the gossipy bits as much as the numbers, though — his life was worth a long story, not just a dollar sign.

What Production Style Defined The Films Of Robert Evans?

3 Answers2025-08-29 12:10:16
I still get a little giddy talking about that late-60s/70s Paramount vibe—there’s a real swagger to the movies Robert Evans steered. To me, his production style was all about packaging: he knew how to take a property, attach the right stars, a sleek director, and a killer script, then sell that combo as a must-see cultural event. That’s how projects like 'The Godfather' and 'Love Story' became not just films but brand moments. His touch was glossy and confident without being shallow; he wanted movies that looked expensive and mattered to grown-up audiences. What made his era special was the tension between auteur sensibilities and studio muscle. He gave bold filmmakers room to push boundaries, but he also made sure the films were marketable—big casts, memorable music, lavish production design, and location shoots that made settings feel like characters. He loved strong screenplays and top-tier collaborators, and he wasn’t shy about retooling things to maintain commercial bite. Reading his memoir 'The Kid Stays in the Picture' gives you that insider’s charisma: he packaged not just films but a mythology around them. So the shorthand I use is this: star-driven, high-production-value packaging with a New Hollywood willingness to take risks. It’s glamorous, entrepreneurial, and slightly ruthless—the kind of studio-era confidence that produced movies people still quote and watch in a single sitting on a rainy afternoon.

Which Films Did Robert Evans Produce That Define The 1970s?

3 Answers2025-08-30 07:52:39
Nothing beats talking about the studio-era swing of the 1970s — and Robert Evans was right in the middle of it. From my vantage as a movie nerd who hoards Criterion discs and scribbles notes in the margins, the films he produced or famously championed that define the decade are a thrilling mix: 'Love Story' (1970) gave mainstream audiences a glossy, weepy romantic hit; 'The Godfather' (1972) reshaped Hollywood’s appetite for epic, morally complex storytelling; 'The Great Gatsby' (1974) showed the era’s taste for lavish literary adaptations; and 'Chinatown' (1974) helped codify neo-noir for modern viewers. What I love is how these films map the mood swings of the 1970s. 'Love Story' tapped into a wide, sentimental cultural vein. Then 'The Godfather' and 'Chinatown' pulled the needle toward darker, more ambiguous territory — power, corruption, and damaged heroes. 'Marathon Man' (1976) and other thrillers from that circle leaned into paranoia and grit. Evans’s fingerprints were both practical (as a producer getting projects greenlit) and cultural (shaping the kinds of stories studios took risks on). I still find it fun to watch a marathon of these movies on a rainy weekend: the shift from glossy romance to brutal realism mirrors the country’s mood. If you’re curious, pick two — like 'Love Story' and 'Chinatown' — and see how different the 1970s can feel in a single afternoon.

What Made Robert Evans A Legendary Film Producer?

3 Answers2025-08-30 03:55:26
There’s something deliciously cinematic about the way Robert Evans built his legend — not just in the movies he pushed, but in the swagger and timing he brought to the whole process. I get a little giddy thinking about the late‑1960s and 1970s when he walked into Paramount and basically rewired how a studio could take risks. He had an eye for material that sold to both audiences and critics: he helped shepherd projects that became cultural milestones, like 'Love Story' and the studio backing that allowed 'The Godfather' to be made the way it was. Those weren’t safe bets, and that willingness to bet big is part of why people still talk about him. Beyond greenlighting, what made him legendary for me was how he packaged talent. He courted directors, actors, and writers, giving them enough room to create while still steering the ship. Then there’s his knack for narrative — he could sense a story’s pulse and envision its market. Combine that with his glamorous Hollywood persona (you can’t separate the man from the myth when you read 'The Kid Stays in the Picture' or watch the documentary of the same name), and you get this image of a studio boss who was both kingmaker and showman. Of course, the scandals and the rough edges of his private life added fuel to the legend; messy human lives often become the stuff of myth. For me, Evans is a reminder that Hollywood success is as much about taste and nerve as it is about deals and budgets, and that a charismatic producer can change the course of cinema simply by choosing which stories to bet on.

Why Did Robert Evans Write The Kid Stays In The Picture?

3 Answers2025-08-30 04:30:23
I get a little giddy whenever I crack open a Hollywood memoir, and 'The Kid Stays in the Picture' is one of those books that feels like walking into a smoky soundstage where everything dramatic is true and half of it is a legend. For me, Evans wrote it to do several things at once: to tell his version of the story, to celebrate the golden and chaotic years he helped shape, and to take control of his own image. He lived a life that read like a screenplay—rising from small-time beginnings to studio power, shepherding big hits, surviving scandal—and the book lets him tell those scenes in his own voice, flamboyant and unapologetic. Beyond reputation management, there’s a confessional quality that I always respond to. Part of the drive was catharsis—laying out the mistakes, the marriages, the outsized deals, and the losses so readers could see the human behind the persona. He also clearly loved the way Hollywood stories are told: with timing, color, and character. That hunger to entertain is why the memoir reads less like a dry chronology and more like an actor performing a role of himself. The title—'The Kid Stays in the Picture'—is a defiant note, a refusal to be dismissed. Reading it felt like sitting through a long monologue where he both claims credit and asks forgiveness, and in doing so he rebuilt his legacy on his own terms.
Explore and read good novels for free
Free access to a vast number of good novels on GoodNovel app. Download the books you like and read anywhere & anytime.
Read books for free on the app
SCAN CODE TO READ ON APP
DMCA.com Protection Status