Bloom Troye Sivan Lyrics Novels & Stories

At my dad's funeral, Dawn Arnold pushes my wheelchair from behind. Suddenly, she speaks up. "I heard you screaming for help the day you and your dad got roped into that tragedy." I stiffen up instantly before looking up at her in disbelief. "Didn't you tell me that you weren't home at that time?" Dawn's gaze falls on Dad's portrait on the altar. She replies coolly, "It was a lie. At that time, I had just finished having sex with Felix. My legs were awfully limp, so I didn't open the door for you." I remain rooted to the wheelchair, my throat closing up from shock. "After you went through the amputation, you suffered from the phantom limb pain so much that you had to take sleeping pills in order to be able to sleep. So, Felix and I keep screwing on the spot next to you in bed. "We aren't exactly quiet, you know. But you've never woken up. Isn't it thrilling, Shane?" I can only stare at Felix Tanner, who's quietly wiping his tears a short distance away. He's the survivor of the break-in case from ten years ago. Back then, Dad was the one who helped him throw the killer behind bars, only to get murdered in cold blood by said killer, who had just gotten out of prison. In fact, that killer is also the one who chopped off my leg…

On the night Victoria’s family lost everything, she signed a contract marriage with the coldest and most brutal CEO in the city—Adrian Vale, the man rumored to be behind her father’s downfall. Bound by a one-year agreement, Victoria enters a world of power, secrets, and emotional warfare. What she doesn’t know is that Adrian has his own reasons for marrying her—and that the truth behind her family’s ruin is far darker than she imagined. As hatred turns into forbidden desire, Victoria must decide: will she expose the man she married… or fall for him instead?

At another Sunday dinner at the Bellandi estate, Luca Bellandi's assistant, Ava Marino, was sitting in my seat. It was the first chair to Luca's right at the long walnut table, the seat everyone in Chicago's underworld knew belonged to Mrs. Bellandi. Ava sat there as if she had been born into it, her pale wrist brushing Luca's sleeve while she poured his wine. I stood in the doorway and looked at him. "She's in my seat. You don't have anything to say?" Luca raised his eyes. "You were late. Don't blame someone else for sitting down first. There are empty chairs over there. Sit if you want. If not, get out." The dining room went dead quiet, and before I could answer, his thoughts slipped into my ears. [Vivi, don't go. Come sit beside me. Tell them it's your seat. Tell me you still want to be my wife.] [Please get mad. Please care. Say you need me, and I'll give you the whole world.] In the past, those soft, trembling thoughts would have been enough. I would've swallowed the insult and stayed beside him like a loyal dog that didn't know when to leave. This time, I didn't. I slipped the wedding ring off my finger and laid it on the table. "If the Bellandi family can't even keep a wife's seat for me, then I guess this family doesn't need a wife anymore. Luca, let's get divorced."

Blooming Backwards Minerva has worked hard to become the confident, curvy woman she is today—no longer the heartbroken girl whose first love humiliated her in high school. But when that same man reappears as a major donor to her nonprofit, old wounds reopen. As buried truths and feelings come to light, Minerva’s world is shaken. With a stalker closing in and her abusive ex back in the picture, Minerva must confront her past to protect her future. Can she stay grounded when everything threatens to pull her back? Blooming Backwards is a gripping tale of healing, strength, and love rediscovered.

I had just given birth when the country sent me on a secret mission that kept me undercover for seven years. When it finally ended, I came home on leave. I was eager to see my husband and children, whom I had missed every single day. However, the moment my car stopped at the gate, I saw my two children—my most precious treasures—being shoved down the steps by a woman. They tumbled hard, and they were covered in bruises. The next second, three snarling wolfhounds were released from the house, and they pounced on the children with bared teeth. Fury surged through me, and I charged forward. I got the dogs away with a few swift kicks and punches. Amid the animals’ pitiful howls, my ten-year-old son instinctively shielded his sister. His young face was pale with fear. Meanwhile, my eight-year-old daughter snapped out of her daze and trembled as she urged me to leave. “Miss, run! You hurt her dogs, and if Dad finds out, he won’t let you get away with it!” I forced down my anger and gently said, “She set the dogs on you first. Even if your dad were here, he’d protect you just like I did.” I did not expect this to make their eyes instantly fill with tears. Alarmed, I was about to ask what was wrong when a woman’s arrogant voice rang out. “You vagrant! I have a close relationship with Martin Gray, and I’m also the lady of the Gray family! “You and these two brats who dirtied my house aren’t leaving in one piece today!” I froze for a second before I took a deep breath and called my husband. “Martin, who’s this woman proclaiming to be the lady of the Gray family? Where did she come from? You’d better have a good explanation for this. And tell me, when did the house I left for John and Katy get a new owner?”

Crimson Bloomed: Ascend Post - Apocalyptic Horror | Action | Yuri Harem | Coming - of - Age | Rated R | Mature Content | Slow Burn The city looked like it had been devoured — chewed up by fire, time, and whatever came after — then spit back out in jagged pieces. Dead drones dangled from power lines like rusted ornaments. Neon signs flickered above fractured pavement, their broken scripts glitching into gibberish. Down the block, a half - melted smartcar burned slow, casting warped shadows across the skeletal remains of a coffee bar. Behind a crumpled tram car, someone crouched low, breath tight in her lungs. The shrieking hadn’t stopped. It came again — sharp, bone-deep, the kind of sound that latched onto your spine and refused to let go. She checked the signal jammer at her hip. Still blinking. Still active. Not for long. They were tracking her. She moved fast — boots silent over broken glass, slipping through the breach in an old laundromat’s wall. Her body moved from muscle memory now: slide through, duck left, over the washer, don’t look at the corpse slumped by the dryer. Out the back. Up the fire escape. On the rooftop, she halted. Not alone. Someone was already there — silhouetted against the bleeding sunset. Combat jacket. Short - cropped hair. Pulse rifle slung casually over one shoulder like it weighed nothing. Like this was just another rooftop, just another war. “Don’t move,” the voice snapped. She lifted her hands slowly. “I’m clean.” “Everyone says that.” “Scan me.” beat. Then the girl stepped forward, rifle still raised but gaze locked in. Dark eyes, sharp, searching — not just for weapons, but tells. Fear. Lies. She lowered the rifle half an inch. “You’re lucky you’re cute.” That wasn’t the line she expected.

The day before the wedding, my fiancé James's childhood sweetheart had a severe depressive episode. Threatening to take her own life, she demanded the destruction of the wedding gown my grandmother had painstakingly made for me before her passing. To calm her down, James locked me in a room and stayed by her side, helping her cut the gown into shreds. Amid the mess, he spoke indifferently. "Be reasonable. It's just a wedding gown. Do you want to see her die?" Later, James's hot uncle approached me, asking me to carry on the family lineage. I nodded in agreement. But James, with reddened eyes, confronted me. "Are you really going to have his child? Have you completely given up on me?" Covering my slightly rounded belly, I replied, "Be reasonable. It's just a child. He’s your uncle. Do you want to see him with no heir to carry on the family name?”

On the day, my husband, Eugene Doyle, receives the offer to further his studies in the city, he serves me divorce papers instead. I, Maria Johnston, am eight months pregnant with his child. He tries to console me. "Maria, ever since my elder brother, Edgar, passed away, Janice has had nobody taking care of her. She can't survive on her own. "I'll marry her for the time being, just on paper, until she manages to find her footing in the city. After that, I'll come back and marry you again." Everyone assumes that I will patiently and obediently wait for Eugene to return because of my pregnancy. However, I tear up his written oath to me and terminate the pregnancy that same day. Then, with the offer letter for the National Archeology Certification in my hands, I leave our little village and disappear from Eugene's life. Five years later, I become a successful archeologist and return to the same village for a survey. My current husband, Rupert Kingston, can't come at the same time as me due to an emergency meeting, but he has informed the villagers to welcome me with open arms ahead of time. To my surprise, I meet my ex-husband instead. He says, "I know that you lost your baby at eight months. There's no need to be ashamed about it. It's about time you came back after running away from home all those years ago. "Janice is about to give birth. We need you to be her nanny."

When my mother finally found the real heiress, she was on her knees selling shoes on the street. And to my surprise, I recognized her—she was none other than my fiancé's first love. Determined to oust me, the fake heiress, she played her part well, putting on a daily show to make me look bad. I was content to play along, enjoying our little game, until my fiancé’s offhand remark, “Was that really necessary?" shattered my composure. Fine, I thought, “You can keep this husband and family. I’ve got better things to do—like finding my real parents.”

I'm eight months pregnant, and I suddenly go into early labor. But my husband, Aldrich Lohan, locks me up in the basement and gives me a tocolytic injection to stop my labor instead. He does all these just to ensure that his sister-in-law's baby is born before mine, so that my child won't fight for the inheritance rights. "Anton saved my life," Aldrich says, referring to his elder brother. "But now, he's gone, succeeded only by the baby in Chrissy's womb. I must let her baby inherit all the rights. Chrissy lost everything, but you're still here, enjoying everything I'm giving you like you're entitled to them. So what if you compromise a little bit for her sake?" The contractions in my lower body are hurting more than I can bear. I'm on the verge of passing out as I grab on to the hem of his pants and beg, "I swear that I won't let my child claim his inheritance rights! Please, just send me to the hospital. My child will die otherwise!" However, Aldrich just kicks me aside. "Chrissy has been pregnant for nine months. How can you be giving birth in just eight months? How would I know whether or not you're just inducing birth on purpose? I don't care. I won't let anyone steal the inheritance rights from Chrissy's baby, even if there's just a minuscule percentage of it happening." In the end, Chrissy successfully gives birth to her child, and it's only after that that Aldrich finally remembers me in the basement. "Bring Kelsey to the hospital and make them bring out the best medical equipment to ensure the safe birth of my child." His personal assistant, Edgar Salome, shivers as he says, "But Mr. Lohan… Mrs. Lohan and her child have both died…"