FAMILY SECRET: CLAIMING MY FATHER'S TOY
My hands are very still on the keyboard and my coffee is completely cold and outside the Paris morning is doing its thing, pale and unhurried, and I sit in it and feel the full weight of what I'm looking at.
A stolen painting. Stolen during the occupation from a Jewish dealer's seized inventory. In the possession of Bernard Allard's father from 1948, with no documented acquisition. In Bernard Allard's possession now, seventy-seven years later, about to go to auction.
And Bernard Allard sent me this documentation himself.
Which means one of two things. Either he doesn't know what his records reveal to someone who knows how to read them, or he knows exactly what they reveal and he sent them an