Novel Contests 2022 Novels & Stories

I'm skeptical of most free contests, honestly. Too many feel like data collection or anthology-mill schemes, where you 'win' a spot in a pricey collection you have to buy. But I found one exception last year: 'The First Chapters Prize' from The London Library. No fee, open internationally, decent prize money and mentoring. I entered on a whim, didn't win, but the feedback was genuinely thoughtful—more than I got from some paid submissions. The key is vetting: if it's run by a legit literary journal, university creative writing department, or a major publisher's imprint, it's usually okay. Random websites promising 'exposure'? Run.

WordHunt (formerly Scribophile's) quarterly contests are another solid free option. You need to critique others' work to earn karma points to enter, which keeps the community serious. The prizes are small but real, and the feedback you get during the process is the real value. Helped me tighten a short story that later got published elsewhere. I'd take that over a hundred no-feedback rejections from random places.

I just submitted to The Masters Review Flash Fiction contest last month—first place gets $3,000, which is solid for under 1,000 words. The caveat is their editorial taste leans toward crisp, literary prose with a twist; my more genre-bending piece got a polite pass last year. Another reliable one is the 'Saturday Evening Post' Great American Fiction Contest. It pays $500 for the winner and publication in a magazine my grandparents actually recognize, which is a weird flex but kind of charming. Not the hugest purse, but the prestige opens doors.

For pure cash, the BBC National Short Story Award is massive (like £15,000), but it's ultra-competitive and has specific eligibility around UK connection. I treat those as my annual 'reach' submissions. Honestly, don't sleep on genre-specific contests either—'Asimov's Readers' Award' or the Alfred Hitchcock's Mystery Magazine contest often have lower entry numbers and decent payouts if your story fits the mold. My strategy is mixing one 'dream' contest with a couple of mid-tier ones per season to balance hope and realism.

Straight up—novels. I've noticed a sharp shift. Used to see flash fiction and short story calls everywhere, but the bigger contests with real prize money and agent eyes seem laser-focused on full-length manuscripts now. Historical fiction's having a huge moment, maybe because readers want that deep-dive escape? Also spotted a weird niche surge in 'climate fiction' and 'solarpunk' categories. Feels like the market's pushing for either big, immersive commercial projects or stuff that tackles the zeitgeist head-on.

Might be publisher-driven. They want contest winners they can actually sell, not just beautiful prose pieces. Saw a call for 'upmarket book club fiction' specifically—that hybrid literary/commercial sweet spot. Kinda makes sense, but I miss the wild experimental stuff winning. Everything feels very... polished and packageable this year.