Poet Quotes

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

"I used to be the well-respected Lady Kara. Everyone feared me! No one beneath me dared to so much as look me in the eye or remain sitting whenever I walked into a room, but now, I've lost everything! My life, my status, my man, all gone! I've become a nobody all because of that bitch who suddenly came and stole everything from me. I hate her so much!!!" It seems the battle she fought so hard for had been lost by Omega Kara, and she is now left to rot and suffer in a cruel world full of people just like her former self. But does the goddess give second chances? Is it possible for the darkest and evilest of hearts to turn a new leaf and become pure and white as snow? With all of her past behaviours, Kara was deemed the devil herself; now it's time for her to pay for her crimes and receive her dose of the same pain and suffering she caused others. But what will happen when the moon goddess decides not just to give her another chance to mend her ways but also an unexpected mate? The man whom she hated the most. Another adventure awaits in The Beta's Unexpected Mate (Book 2 of the werewolf mate series). Book 1- The Alpha's Hated Slave Mate Book 2- The Beta's Unexpected Mate For updates on character reveals and character quotes, as well as all of my books, follow my Facebook page, Eyitee's library.

Philippines, 2021. Leticia Lopez doesn’t want to be touch. Hindi dahil sa nandidiri siya. In fact, it was the opposite. Her language of love was physical touch, but refrained from doing it to someone. Iyon ay dahil sa kadahilanang ang sinumang taong mahawakan o hahawak sa kanya ay magkakaroon ng memories sa past life nito. Accidentally, she was touched by Andro Villar, ang campus crush ng San Benedicto University. Natakot siya sa maaring mangyari sa lalaki, but the the man did not believe na may kakayahan siyang ganoon. Until para ng baliw si Andro. He kept on saying na ito raw si Felipe Gutierrez who was writer, poet, and lawyer during the Spanish regime. Humingi ito ng tulong sa kanya at dahil na rin sa awa para sa lalaki, she tried to help him. Philippines, 1570s. Letica had successfully traveled back in time. During the Spanish regime, she met Samuel, the rogue werewolf who was looking for his father. Soon she is deeply entangled not only in helping Andro but in the life of Samuel as well. Is it possible that she has caused more harm than good?

Gutemberg Ramsey wants revenge. He is a rich young man who is secretly involved in the criminal underworld. Timmy is in love with his childhood sweetheart, but he doesn't have the courage to confess it. Aaron is a troubled young man with a dark past. And there is the poet, but he is so deep in his own plots that he does not see his own feelings. They all want the same girl, although the reasons are different. One wants revenge. The second wants a chance. The third needs it. The latter wants to use it. Davina is confused, angry, and doesn't know where her sister is. Her parents are separating and everyone wants something from her. She thinks the boys on the Hill will break her, especially Gutemberg, but maybe they will save her.

In the coastal quiet of Baler, a studio is born—not of architecture, but of intention.* Founded by Yam, a poet whose words cradle pain gently, and Franc, an artist who paints tenderness into walls, the studio becomes a refuge for those learning to stay—with grief, love, longing, and themselves. As visitors arrive, they leave behind more than footprints: a sigh recorded in bamboo, a poem tucked into the “Found Letters” shelf, a mural painted in crooked lines. Through zines, tea, silence, and sketchbooks, the studio teaches softness as revolution. Ren creates the *Window of Soft Returns*, an installation of anonymous voice recordings—each whisper forming a community of echoes. Drew builds the *Staircase With No Wrong Turns*, inviting people to walk through emotions without shame. Franc offers brushstrokes as brave work, and Yam curates writing circles that map healing in half sentences. Together, they host festivals that feel like hugs, and they begin traveling their archive, letting softness cross oceans. Even those who once left—like Miguel—return, discovering that some doors never truly close. Others, like Tala, capture the studio’s sound and turn it into a podcast of breath and becoming. Over seventy chapters, the studio transforms into something larger than itself: a mural of memory, a sanctuary for second chances, a place where return is sacred and voice is proof of survival. In the final bloom, the studio stands not as a monument—but as a reminder: > *“Staying isn’t easy. > But chosen together, > it becomes home.”*