Rivalry between nemesis characters is such a fascinating lever for pacing because it creates this inherent, built-in tension that ebbs and flows. Think about it—you can't have two people locked in a constant, screaming match from page one to the end. That would be exhausting. Instead, the rivalry provides these natural peaks and valleys. There's the initial clash that kicks things off, then maybe a period of simmering resentment where they're forced into proximity, which builds that slow-burn aggravation. The pacing often follows their emotional barometer: when one scores a point, the narrative accelerates with that rush of victory or bitterness, and then slows into the strategizing, the planning for the next move.
What I find really compelling is how a well-written rivalry can control the reader's breathing. During a direct confrontation, the sentences get shorter, the dialogue snaps, and everything feels urgent. But in the aftermath, especially in something like an office rivalry or a historical feud, the pace might slow to a crawl as the viewpoint character replays the interaction, dissecting every word for hidden meaning or plotting revenge. That internal monologue stretches time, making the reader feel the weight of the grudge. It's not just about action scenes; it's about the psychological space between them.
A lot of my favorite stories use the rivalry as a metronome. In 'The Cruel Prince', the tension between Jude and Cardan isn't just constant fighting; it's a series of calculated moves and counter-moves. The pace lulls you into thinking one has the upper hand, then jolts you with a betrayal or a public humiliation. That unpredictable rhythm, dictated by their mutual obsession, is what keeps you flipping pages. You're never quite sure when the next volley is coming, so even the quiet moments feel charged.
Honestly, I sometimes skim slower romantic subplots, but I'll never skim a well-executed nemesis scene. The pacing there is just too crucial—it's the engine of the plot. If the rivalry feels static, the whole story drags. But when it's dynamic, with power constantly shifting, the narrative momentum feels almost self-propelling. The characters aren't just reacting to external events; they're actively creating the next plot point through their mutual animosity, which is a much more engaging way to control speed than just throwing in random action.