Simon Vance Audiobooks Novels & Stories

Lena Marchetti, twenty-eight, operates on fumes. Her father Marco's cancer treatments have swallowed her savings and the final credits of her degree. She interns at Croft Industries, a glass tower engineered to diminish. She is invisible, sweat gluing her blouse to her spine, until she drops Julian Croft's Montblanc pen. The crack on marble halts breath. She scrabbles on cold stone. When she lifts her chin, Julian crouches beside her. He doesn't retrieve the pen. He waits. His gray eyes hold hers, and heat floods her neck, damp and unwelcome. "You break it, you buy it," he says. "And you can't afford it." He leaves her kneeling. At 3:17 AM, her phone blares: Croft. Office. One hour. She goes. His office smells of leather and ozone. He slides a contract across the desk. Six months. Exclusivity. Her compliance. In exchange, her father's debt dissolves. Her signature slants, barely legible. After her best friend Dani labels Julian a sociopath, Lena sobs in the service elevator. He finds her. "Come with me." He escorts her to a 24-hour diner. He orders cherry pie, slides it across formica. She is wrecked—blotched skin, swollen lids. He studies her as if memorizing the topography of her distress. He teaches her to fence. She lunges, jabs his ribs. He laughs in that rusted, startled way that travels up her calves. She registers: I manufactured that sound. Elara Vance, Julian's former mentor who sold his first deal for a board seat, resurfaces. She invites Lena to lunch, offers employment. "He'll never perceive you as an equal. Work for me. Become a threat." The words burrow. Lena's palms dampen at his touch. While Julian travels, she picks the lock of a hidden room. A library.

He didn't want her money. He wanted her. Elara Vance is one bad week away from losing everything. Her freelance career is barely keeping the lights on, her sister is falling apart on her couch, and her car is about to be repossessed. So when she accidentally damages a stranger's luxury car on an empty street, she knows she's ruined. But the man who steps out of the black sedan isn't interested in her insurance. He isn't interested in the police. He isn't even interested in the forty‑two thousand dollars she owes him. Adrian Volkov wants something else entirely. He's been watching her for weeks. He knows about her sister, her bills, her father's death. He knows she's desperate enough to do anything. And he's about to prove it. The contract is simple: she moves into his mansion, follows his rules, and becomes his Doll. In exchange, her debt disappears. No police. No record. No questions. But the rules aren't what she expects. The mansion is a cage, the servants know more than they say, and Adrian's cold exterior hides something darker than she ever imagined. He doesn't just want her body. He wants her submission. Her trust. Her surrender. And he won't stop until he has all of it. Elara tells herself it's just a transaction. A way to survive. But the line between obligation and desire blurs with every glance, every touch, every night she spends in his bed. The more he controls her, the more she craves it. And the more she learns about his past, the more she realizes: she was never the one in control. And now that she's his Doll, he'll never let her go. Doll is a dark romance with explicit content, power dynamics, and a slow‑burn descent into obsession. Recommended for readers 18+.