Novel & Cerita Symbolism Literary Technique

She was never meant to want him. He was never meant to need her. But some shadows are too enticing to ignore… For as long as Isla Montgomery can remember, Liam Sinclair has been more than just her father's best friend—he's been a whispered name in the hallways, a powerful presence in their family conversations, and a haunting figure in her daydreams. Charismatic, cold, and irresistibly out of reach, Liam built an empire from the ashes of betrayal. And now, he's back—richer, harder, and more broken than ever. Isla is no longer the wide-eyed girl he once brushed aside. She’s grown, bold, and dangerously drawn to the man who was always forbidden. But when her father's past begins to unravel, Isla finds herself tangled in a web of secrets, lies, and a truth that could shatter everything. As her world crumbles and Liam’s enemies close in, Isla must decide: Is she chasing the man... or the shadow of who he used to be? Because loving Liam Sinclair could be her greatest rebellion—or her final downfall.

Phuture Diaz is a Divine Goddess, but she is transmigrated into a slave during a separate timeline! In a nation known as Union Greenland, her soul is now in another powerful woman named Celie Ward's vessel. Both women are strong spiritual beings, but Phuture is weakened after transmigration with little memory of her past life! She is a prodigy in the world of spirituality and elemental techniques and mastering any technique she can think of in seconds. Follow her journey to finding answers on how to return home, she will be challenged by multiple supernatural fantasy demons, vampires, ghost, and more!

Tunnels deconstructs the individual’s Romantic fascination with ‘love’ or the grammaticality of beauty. Ideally, the ‘tunnels’ in the collection are subterranean love poems from the suburban imaginary. These seemingly syntactic tunnels travel through one’s literary imagination or heterotopic dreamscapes, and while αγάπη (Greek for ‘love’) inspires these rhizomic tunnels to navigate the abysmal ‘meta-spectacle’ of gesture, language or moment of poemness, the mind like the many-colored jeepneys of Manila, where driving past roast goose restaurants in Shek Kip Mei or spotting stilt houses in Kampong Kleang, attempt to explore the transgeneric textualities of the everyday, alongside the unstructurality of time and space, the littoral and the liminal.

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

To bed the waitress was the bet. ​Timothy Beckett won the Porsche, but Leilani Parker was the dark horse. She didn’t just leave—she vanished, turning the billionaire’s victory into a hollow, three-year obsession. ​Leilani is returning to the place that broke her as a queen of the literary world—shielded by fame and a name that commands respect. ​Hidden in the shadows of her success is a three-year-old boy with the Beckett jawline and Timothy’s haunting, dark eyes. ​Once the Titan sees the son he never knew existed, he won't just want her back—he’ll claim them both with a possession that knows no mercy.

Saga of Pandora Interrupted continues with this story that follows her daughter Madeline. Madeline finds love in the most profound men. Being a vampire princess has never stopped her from exploring her sexuality but when one relationship gets foul she moves on to another. She never quite finds what she truly needs and desires. Travel through the life of a vampire princess as she matures and grows into the stunning queen she was destined to become alongside the man that she would also die for if it came to having to make that choice. (We hope it doesn't for literary sake) Sexual Content, foul language and some violence.

Jadeshola Badmus is not your regular female lead. She's Outspoken, Brilliant, Sassy, beautiful, intelligent and is the president of the Literary and debate team. What's more, she comes from a very wealthy family and is the head girl of her school, Lakeview High, one of the most prestigious schools in the country. The only bad luck for her comes in the form of the golden star boy of the school, Uthman Gbadamosi, her arch rival in debating, the school's head boy, football team captain and the crush of many girls in school except Jade of course. The two are thrown together after a brief encounter and they found themselves developing feelings for each other admist family breakdown, friend's betrayal, failed tests and missed opportunities. This book basically follows the lives of the finalists at Lakeview High as they maneuver their way to become better adults in the seemingly ugly world.

Pierre Paul Abutu gives a humorous, fascinating and dispassionate narration of the unique intimate and romantic events of his life from teenage to adolescence, and into the early stages of his adult life. This narration revolves around the lives, and relationships of sixteen ladies with whom he shared happy, intimate, eventful and evergreen moments of his life with. These love affairs occur in Pierre Abutu’s life, at his university, the Augustine Nnamani Campus, Agbani, in Enugu Campus of the Nigerian Law School, Akwa Ibom State and the Federal Capital Territory, Abuja. Due to his religious beliefs, personal convictions, personal principles, metaphysical and supernatural predictions and postulations, the media, intellectual and literary effects in his life, most of these affairs either ended abruptly or amicably. These love affairs also reveal the negative attitudes, traits and deceptive machinations of these girls and ladies. Even though certain unpleasant and resultant effects were never intended at any particular stage, or with any of these girls and ladies, one thing was very clear: each love affair was and would always be evergreen to Pierre Abutu.

I burned my painting right in front of the students and university staff. Thunderous applause filled the hall. Everyone thought it was some kind of performance. But my senior in the graduate program panicked. He rushed forward and grabbed my wrist, his voice tight. “Connor, have you gone mad? This is your only shot to prove yourself!” I shook him off, cold. A chance? That was his chance, right? During my past life, he stole the painting I poured my heart and soul into and entered it in the competition ahead of me. The composition, the colors, even my original technique… He copied all of it. He won the Gold Award for the National Youth Art Competition, signed with a top gallery, and basked in glory. Meanwhile, I was branded a shameless plagiarist. The insults and curses overwhelmed me completely. "Get out of the art scene already!" “A plagiarist like you should just die!” His fans stormed my studio, smashed my tools, and broke my right hand. With my world in ruins, I jumped off the studio roof. Opening my eyes again, I realized I had returned to the day my senior accused me of plagiarism.

Harper William was a mysterious figure, adept at concealing his true intentions and emotions behind a veil of secrecy. In the depths of his mind, he harbored a trove of untold stories. A river of suppressed tears spilled into his heart with every smile he wore. Aching shadows whispered tales of his buried pains behind his laughter. While his soul yearned to be seen and understood, he perfected the technique of concealing his sorrow. His family has always regarded him as a tool that can assist them in their business. He was detached from all of the sorrow and emotion. He took illicit substances to obtain some peace of mind, and no one in his family knew about it except his mother. But since the day he met Daisy Parker, everything has changed. He considered her bothersome and tried everything to get her out of his life, but he never realized that Daisy was slowly establishing a place of her inside his heart. Daisy has always regarded Harper as a Demon who has never failed to punish her in various ways. If anyone asks her whom she despises the most, she will say Harper William without hesitation.