The Notebook Guy Standing In Front Of House

Seth, Beta Werewolf to the Silver-crow pack, now left for dead on the front steps of the Shadow-core packhouse, A burning need for revenge on the man who tried to kill him, Seth gets help from a group of misfits, the once dead Beta now seeks the title, Alpha. and nothing will stop him, not even death itself.

River Black set out on a camping trip with her parents after a bad breakup. Lured into the woods late at night, River is pulled into another world, one far more dangerous and sinister than she could imagine. There she meets two princes of House Eventide. One is shrouded in darkness and mystery, cold hearted and wicked. The other is cursed and seeks only to save her. Both men want her for themselves. Can she ever escape? Does she even want to?

A 24-year-old girl is fresh from break up so she goes to her homeland to spend time with her family. After a while back in her parents' house, her mother tells her that there is a famous bar in the city where people tends to have fun. Her mother invites her to visit the said place and find a man whom she can start a new with. The latter agrees. The next day, they go to the said bar and find out that it is inside a hotel called, The Passion House. Everything inside the hotel is extravagant and there, she figures that her mother has been given a voucher for two inside the best bar in the city and the only way inside a bar is through a dream. Little do they know that an adventure awaits them at the entrance.

The hearse with the strange door came to a halt in front of the entrance. The sound of balls bouncing on the floor could be heard. There were children who cried in the middle of the night. Several footsteps, almost as if running around the corridor. Turning on and off the lights. Every time the wind blows, there are low whispers. At night, several hands roam around the body. "Who are they?" "Shh, they're our friends."

After nine years in the army, Asher Fitzgerald returns to Two Bear Meadow—a decorated sniper, a rancher, and the town’s quiet hero. But the war didn’t end when he came home. Haunted by PTSD and the brutal memories of captivity, Asher struggles to live beyond survival. The open fields of Montana mirror his isolation, and the ghosts of his past stalk every quiet night. When Asher falls in love, he falls hard. For a while, he dares to dream again—to build, to belong, to believe. But as despair and nightmares reclaim their hold, he’s forced to face the truth: before he can love anyone, he must first forgive himself. Desperate to heal, Asher finally seeks help, beginning a painful journey through therapy and self-reckoning. Along the way, life takes an unexpected turn—two foster boys enter his care, awakening a fragile new sense of purpose. Asher learns that strength isn’t just about enduring—it’s about choosing to live. The Lansing House is a moving story of redemption, resilience, and the courage to find peace after war. It’s about learning to let go of control, embrace vulnerability, and fight—not for survival, but for happiness.

When my four sons were finally old enough for preschool, I arrived at the school office with my marriage certificate and their birth certificates, ready to sign them up. But the lady at the counter frowned and said, "These documents don't check out. According to the system, your kids don't even exist." I felt as if the floor had dropped out from under me. I remembered when Sheldon Clem and I got married—he was the one who handled all the paperwork, the birth registrations, everything. I never imagined that when I tracked him down with our four boys, he'd be holding his childhood sweetheart in his arms, with her little girl snuggled against him. And then we heard him sweet-talking her right in front of us. "Don't be mad, babe. I've got everything set up for us overseas. Gigi is going to the most expensive private school, and you'll be living in the nicest penthouse downtown. "Sure, she gave me four sons, but all my love and money are with you. I only kept her around because I felt sorry for her. "What else do you need? My will's already signed. Everything goes to you and Gigi." Riley Anderson pouted, smug and satisfied. "If you don't love her, then she's the other woman, not me. She's got no right to fight me for anything!" So he never went bankrupt. When we got back home, Sheldon acted as if nothing had happened. "Honey, I've found this amazing project overseas, so I won't have time to come home much. I'll need you to hold down the fort at home." I smiled and nodded. "Sure, go ahead." If that was how he wanted to play this, then fine. I'd make sure he really went broke, and then I'd find my boys a new father.

‘ก็แค่ของเดิมพันจากสนามแข่ง’ ——- “เป็นเด็กดีหรือเปล่า” “…คะ” “ฉันถามว่าเธอเป็นเด็กดีหรือเปล่า” “อื้อค่ะ เจียร์ขยันทำงานมากๆ ใช้อะไรก็ทำได้หมดเลย” “ทำได้หมดทุกอย่าง?” เสียงทุ้มต่ำถามทวนคำพูดนั้นอีกครั้งก่อนที่ร่างเล็กจะตอบยืนยัน “ใช่ค่ะ” เจียร์พยักหน้าดวงตากลมใสมองเขาด้วยความจริงจัง แต่กลับดูเหมือนลูกนกที่กำลังอ้อนวอนสัตว์นักล่า “สัญญาหรือเปล่า” “ค่ะเจียสัญญา” “ฉันไม่ชอบคนผิดสัญญา” “ไม่แน่นอนค่ะ ขอแค่พี่ล่าช่วยเจียร์” ล่าเค้นหัวเราะในลำคอเมื่อได้ยินคำยืนยันจากปากของคนตัวเล็กพลางใช้มือลูบคางเธอเบาๆ “หึ! เด็กดี จำคำพูดของเธอเอาไว้ให้ขึ้นใจล่ะ….แล้วฉันจะมาทวงสัญญา”

Elena had her fate decided from the moment she was born as the young lady of a decadent family. In order to escape that fate, she accepts the offer of the young Duke, Ivar de Alba. As the Lady of House Alba, she finds herself entering a world she never imagined, filled with magic and secrets that the humans had long forgotten. In one of the highest positions of the empire, and with feelings blossoming for her new husband, Elena's life couldn't get any better, but Ivar still keeps a secret from her: he is the last son of a race that has been gone for centuries, and he will use everything he can to bring his people back, even it that means using her.

Previously, Emily enjoyed the company of many dear friends, had a supportive partner, and had a knack for ceramics. She was not a victim. Later on, she was left with nothing. Emily thinks her future is as barren as her body after she loses the partner who never loved her, the friends who feel she broke their trust, and the unborn child who was just beginning to thrive inside of her. Then, however, the neighbor kid, Steve, starts warming up. She was inspired by his guitar playing, and he pushed her to resume her artistic pursuits. At the community center, she makes new friends and almost gets her father to talk to her again. Living for the after requires letting go of the prior, but can Emily let go enough to see the beauty in her own life?

After years of running from her past, Lissa returns to the one place she never wanted to see again—her childhood home. The town hasn’t changed, but Lissa has. Now a mother, a wife, and a survivor, she’s trying to rebuild a life while standing on the crumbling foundation of her trauma. Just a few months. Just until she finds her footing. But the house doesn’t let go so easily. It smells of mildew and memory. Dust covers more than furniture—it coats every secret Lissa tried to bury. As she navigates motherhood, old friendships, and a strained relationship with her sister, Lissa discovers more than ghosts in the attic. A photograph violently scribbled out. A letter from someone she hoped was lost to time. And a journal that brings her back to the girl she used to be. Her husband, Colt, tries to be her anchor. Her son, Lucas, is her reason to fight. But a single name—just one letter, T—is all it takes to fracture her resolve. The past isn’t dead. It’s waiting in the basement. In a letter tucked behind old receipts. In the quiet corners of her memory where no one else can go. As the days pass, the house begins to feel like a trap.Lissa must decide if she’s strong enough to dig through the wreckage of her past… or if some secrets are better left buried. Told with raw emotion and atmospheric suspense, House of Quiet Screams is a story of trauma, resilience, and the silent strength it takes to confront what once felt un faceable. For Lissa, surviving was never the end of the story—facing what comes after might be the beginning.