You Perspective In Writing Novels & Stories

🔸🔸🔸🔸🔸🔸🔸🔸🔸🔸🔸🔸🔸🔸 LOL, HOPE YOU ENJOYED THE LITTLE APPETIZER. Okay, let's discuss important stuffs that will enable us understand the book better; Point of View: First person's point of view(FPP) is employed in the story, and it sticks to the traditional "mono first-person view" throughout with the epilogue being the only exception. Inline Thoughts and Notes:

blue. And thirdly, if you guys have any feedback please don't hesitate to share it with me! I am trying out this new style of different points of view, do you guys like it? Should I continue, stop or simply do less frequent changes of their points of view, so instead of every/every second chapter maybe I could change it to every 5 chapters? Let me know! Thankyou! xxx :D

“Yeah, obviously. People can't see through someone else's eyes. In a game, you can try out a top-tier character, but in real life, you can't try on another person's perspective. My only choice is to trust my own view of things.” “Uh-huh…” “So when someone says life is the G.O.A.T. or whatever, I figure it's just because they're a top-tier character. Their opinion isn't gonna change my mind.” I look Charlotte straight in the eye. “And that's my perspective.” This time, the disappointment on her face is crystal clear. “…Yeah. That's fine—” “But,” I interrupt. “…But this time, I'm starting to think it might be worth it to hear you out a little longer.”

Share your thoughts and opinions, they help me write my chapters by clearing doubts in the story and sometimes including what you like most! B.

“And thank you all for being here tonight.” A ripple of anticipation moved through the audience. “I don’t often stand before crowds like this. I prefer to be the one listening.” A few chuckles, murmurs of agreement from those who had worked with him. “But when Andrea Dubuton calls, you answer.” Laughter followed, softer this time. But Icarus wasn’t smiling. He didn’t need theatrics—his presence alone commanded attention. “Literature has always been a game of perception. We write to reveal truths—sometimes harsh, sometimes uncomfortable. Other times, we create illusions, offering people an escape.” His fingers tapped lightly against the mic. “But at its core, writing is power.”

•───⋅☾ ☽⋅───• POINT OF VIEWS - POVs. This book is written in dual POV, but the perspectives will be included as they fit the storyline. I won't add the MMC’s or FMC’s POV just for the sake of it, especially if it doesn’t suit the scene or the mystery of the plot. I mention this because I know some readers might want more of the MMC’s POV, but every choice is intentional for the story's development. •───⋅☾ ☽⋅───• UPDATES SCHEDULE

He found four margin notes in the sixteenth year alone. I leave the margin notes without telling him they're there. He finds them when he's ready. This is the correct practice. She looked at what she had written. She wrote: Harlow is writing the outside view. The view of the function from the archive's position. She came to the archive room on Wednesday with the first section. She read it to me. It is— It is the thing she could not have written while she was in the active form. It is the view you can only see when you have stepped back.

I have penned my perspective by using various writing elements on a warrior's and his wife's mindset before going into actual battlefield. I hope you like my words. 😊

- HAZEL - I'm stuck in a spot here. After my recent conviction, I finally know what to write in my book. I'm just writing my story in a third person's pov or narrative point of view, in my opinion, while switching a few things or making a few tweaks here and there.

It is through this dedication and perseverance that I hope to continue honing my craft, pushing the boundaries of my storytelling abilities. Writing is not without its challenges. Doubt and self-criticism often loom large, threatening to derail the creative process. The blank page can be intimidating, the fear of inadequacy paralyzing. Yet, it is precisely during these moments of vulnerability that growth occurs. Embracing the discomfort, facing the inner critic head-on, allows for personal and artistic evolution. I have come to understand that writing is not about attaining perfection, but rather about the journey of continuous improvement, of becoming a better writer with each word, each s