Chapter One: Nineteen Days to Lose Everything

I am kneeling between two rows of Malbec vines with dirt under my fingernails when my phone starts ringing against my hip, and I already know before I answer it that whatever this is, it is not going to wait until after harvest.

My sister's name is on the screen. Renata never calls this early unless something is wrong.

"Turn on channel nine," she says, before I even get a full word out. "Right now, Camila. I mean it."

I stand up too fast and feel the blood rush from my head. "I am covered in soil. What is happening."

"Just turn it on."

I walk back through the rows toward the tasting room, past the crates we filled yesterday, past Diego loading the truck for the morning delivery, and I switch on the old television we keep behind the bar for slow afternoons when tourists want something to watch while they sip.

The first thing I see is the Del Prado sign. The second thing I see is my husband standing directly underneath it.

Andres is wearing the gray suit I ironed for him two days ago, the one he told me was for a supplier meeting in the city. He is not at a supplier meeting. He is standing at a podium with a folder of papers raised for the cameras, and beside him, close enough that their shoulders are touching, is Valentina Del Prado.

"...confirming this morning that Ferreira Estate and Del Prado Vineyards will merge under a single label starting next season," the reporter says. "Many in the valley are calling it a reunification of the original estate, more than sixty years after the two families split the land."

I put my hand flat against the bar. The wood is cool and solid and real, and I need something real right now because everything on that screen feels like it belongs to someone else's life.

"He never told me about this," I say into the phone, though I am not sure if I am telling Renata or telling myself.

"I know," she says quietly.

The reporter asks Andres something else, and this time I hear every word clearly, because my whole body has gone very still and very focused, the way it does right before something breaks.

"There are also rumors that this merger comes with a personal reunion between yourself and Miss Del Prado. Can you speak to that?"

Andres smiles the smile he uses on investors, easy and warm and entirely rehearsed.

"I think the land has a way of bringing people back together," he says. "Sometimes faster than the people themselves expect."

I do not remember deciding to hang up on my sister. I only remember standing alone in the tasting room afterward, staring at a paused frame of my husband's face, thinking about the deed that has sat in our safe since my grandfather died, the one that names me, only me, as the sole legal owner of every vine on this property.

Andres has never owned so much as a single row of these grapes.

Which means whatever merger he is announcing on live television cannot legally include my land. Not unless he found some way around that.

I walk straight through the cellar to the small office behind it, where the fireproof safe sits bolted into the concrete floor, the same safe my grandfather installed with his own hands, the combination known only to me and, since my wedding four years ago, to Andres, because I trusted him enough to make it an emergency measure rather than a secret.

My hands are not steady when I turn the dial.

The folder with the original deed is exactly where it should be, worn soft at the edges from age. But beside it sits a second folder I do not recognize. The paper inside is crisp and new, barely handled, and when I open it my stomach drops somewhere past the floor of the cellar.

It is a property transfer agreement. My name sits at the bottom of the signature line, dated three weeks ago.

I did not sign this.

Near the top of the second page, printed in small type I almost miss, is a single clause about an old agricultural transfer law, the kind that lets a signed agreement become impossible to challenge once thirty days have passed. I check the date at the top of the page again, then count forward in my head.

Eleven days have already gone by since it was signed. Nineteen remain.

Nineteen days before whatever this is becomes permanent, whether I ever agreed to it or not.

I stare at the loops of the letters, the slant of the C, close enough to fool a bank teller glancing quickly, close enough to fool a lawyer who was not looking for anything wrong. But I know my own handwriting. I have signed my name thousands of times in my life, on invoices and permits and the wedding certificate that is filed one drawer over from this exact folder.

Whoever forged this was careful. They were also wrong in three small places that only I would ever notice.

My phone buzzes against the desk. A text from a number I do not recognize.

Do not sign anything else, and do not confront him yet. I processed that transfer at the notary office two weeks ago and something about it never sat right with me. I need to show you what I found before he realizes you already know.

I read the message twice, my heart pounding hard enough that I can feel it in my throat.

I do not know who this is. I do not know if I can trust a stranger who claims to have handled the very document that just proved my husband, or someone close to him, forged my name onto our family's land.

But I know I cannot walk into whatever conversation is coming next without understanding what I am actually facing.

I hear footsteps on the stone stairs behind me, slow, unhurried, familiar enough that my whole chest tightens before I even turn around.

I close the safe as quietly as the old hinges will allow and try to arrange my face into something that does not look like a woman who just found proof her marriage has been built on a lie for weeks, possibly longer.

"Camila." Andres's voice carries down the stairwell, warm and easy, exactly the way it always sounds. "You are up early. I was hoping to tell you about this morning before it hit the news."

I turn to face him, my back against the safe, and for one brief second, so quick I almost convince myself I imagined it, his eyes drop to the safe door behind me before they find my face again. It is there and gone before he smiles, but I have known this man for six years, and I know exactly what that flicker means.

He is not walking in here wondering what I already know.

He is walking in here already sure of it.

"You look pale," he says, stepping closer, close enough now that I can smell the coffee on his breath, close enough that if I moved even slightly to the side he would be able to reach past me and open the safe himself. "Is everything all right?"

Before I can answer, his phone rings inside his jacket, sharp and sudden in the small stone room. He glances at the screen, and something crosses his face that is nothing like the smile from a moment ago. He turns half away from me to answer it, his voice dropping low.

"I told you not to call this line," he says, and I have never heard him speak to anyone that way, clipped and afraid, all his easy warmth gone in an instant. "She is right here."

His eyes cut back to me on that last word, and whoever is on the other end of that call says something that makes him go very still.

Outside, gravel crunches under tires in the courtyard above us, a car arriving that I did not hear approach, engine cutting off too quickly, doors opening before the vehicle has even fully stopped.

Andres lowers the phone from his ear without ending the call, and for the first time since I have known him, I watch real fear move across his face, and it is not fear of me.

"Camila," he says quietly, "I need you to listen to me very carefully right now, and I need you to do exactly what I say."

Footsteps cross the gravel above us, more than one set, moving fast toward the cellar door.

Andres flinches like the sound physically struck him.

I do not know who just arrived at my own home before seven in the morning. I do not know why my husband, who forged my signature and stood beside another woman on national television less than an hour ago, is suddenly looking at me like he is trying to figure out how to keep me safe.

And I do not have time to decide whether I believe him.

Right above us, someone pulls back the slide of a gun and lets it snap forward, chambering a round.

Neither of us moves.

My whole body goes cold. My legs feel like they belong to someone else. I open my mouth to say something, anything, and no sound comes out.

Andres grabs my wrist, hard, and pulls me down behind the wine racks without a word.

My heart is slamming so hard I can hear it in my own ears, louder than the footsteps, louder than anything else in that cellar.

I do not know if he is saving my life or about to end it himself.

I only know that somewhere above us, someone is standing at the top of those stairs with a loaded gun in their hand, and in a few seconds, we will both find out why.