POV: Vivian AshfordI spend Saturday morning watching him.Not in person. On my laptop, in the Silver Lake apartment, with my coffee going cold beside me, pulling up every piece of footage I can find from the past ten months. Press interviews, red carpet moments, the Forbes interview, the clip from the board meeting hallway, the #SterlingBrothersWar footage from the office.I watch them in order.I watch them the way I watch footage of my own performances, which is analytically, the specific skill of someone who has been trained to read bodies and faces and the gap between what a person says and what a person means, and what I see when I apply that skill to Chase Sterling across ten months of public footage is something I have been too close to see before.He hurts after.Every single time.The Forbes interview, the pull quote moment, he is smooth and pleasant and the interviewer is charmed, and then there is a cut to him standing outside the building afterward and his face in the two
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