Commonplace Book

Omega (Book 1)
Omega (Book 1)
The Alpha's pup is an Omega!After being bought his place into Golden Lake University; an institution with a facade of utmost peace, and equality, and perfection, Harold Girard falls from one calamity to another, and yet another, and the sequel continues. With the help of his roommate, a vampire, and a ridiculous-looking, socially gawky, but very clever witch, they exploit the flanks of the inflexible rules to keep their spots as students of the institution.The school's annual competition, 'Vestige of the aptest', is coming up, too, as always with its usual thrill, but for those who can see beyond the surface level, it's nothing like the previous years'. Secrets; shocking, scandalous, revolting and abominable ones begin to crawl out of their gloomy shells.And that is just a cap of the iceberg as the Alpha's second-chance mate watches from the sideline like an hawk, waiting to strike the Omega! NB: Before you read this book, know that your reading experience might be spoiled forever as it'll be almost impossible to find a book more thrilling, and mystifying, with drops here and there of magic and suspense.
10
150 Chapters
INNOCENCE || BOOK 2
INNOCENCE || BOOK 2
(Sequel To INNOCENCE) —— it was not a dream to be with her, it was a prayer —— SYNOPSIS " , " °°° “Hazel!” He called her loudly, his roar was full of desperate emotions but he was scared. He was afraid of never seeing again but the fate was cruel. She left. Loving someone perhaps was not written in that innocent soul’s fate. Because she was bound to be tainted by many.
10
80 Chapters
Iris & The Book
Iris & The Book
The rain starts to hit at my window, I can see dull clouds slowly coming over. I frown as I look trying to ease my mind. Again my mood is reflected in the weather outside. I'm still unsure if it is 100% me that makes it happen, but it seems too much of a coincidence for it to not. It isn't often the weather reflects my mood, when it does it's usually because I'm riddled with anxiety or stress and unable able to control my feelings. Luckily its a rarity, though today as I sit looking out of the window I can't help but think about the giant task at hand. Can Iris unlock her family secrets and figure out what she is? A chance "meet cute" with an extremely hot werewolf and things gradually turn upside down. Dark secrets emerge and all is not what it seems. **Contains Mature Content**
10
33 Chapters
FADED (BOOK ONE)
FADED (BOOK ONE)
Lyka Moore is living a normal life like any normal college student until events take a turn for her at Halloween. Waking up, she finds out she's not who she thought she was and the people around her are not who she thought they were. She is a werewolf. She's the next Alpha With a dangerous enemy at hand, things can't get any more worse when she discovers what is at stake and who is the biggest threat to her destiny.
10
50 Chapters
Logan (Book 1)
Logan (Book 1)
Aphrodite Reid, having a name after a Greek Goddess of beauty and love, doesn't exactly make her one of the "it" crowd at school. She's the total opposite of her name, ugly and lonely. After her parents died in a car accident as a child, she tended to hide inside her little box and let people she cared about out of her life. She rather not deal with others who would soon hurt her than she already is. She outcast herself from her siblings and others. When Logan Wolfe, the boy next door, started to break down her wall Aphrodite by talking to her, the last thing she needed was an Adonis-looking god living next to her craving attention. Logan and his brothers moved to Long Beach, California, to transfer their family business and attend a new school, and he got all the attention he needed except for one. Now, Logan badly wants only the beautiful raven-haired goddess with luscious curves. No one can stand between Logan and the girl who gives him off just with her sharp tongue. He would have to break down the four walls that barricade Aphrodite. Whatever it takes for him to tear it down, he will do it, even by force.
9.5
84 Chapters
The Third Book
The Third Book
Following the success of her two novels, Cela receives an offer for the TV adaptation of her stories but a third story has to be written soon to complete a three-story special. She is not in to the project until she rediscovers the paper bearing the address of the meeting place of her supposed first date with Nate. Now that her mother is no longer around to interfere, she becomes inspired to reunite with him after many years and hopefully write the third novel based on their new story. Unfortunately, he is now about to get married in two months. Disappointed with the turn of events, she decides not to meet him again. She visits their old meeting place and finds it a good place to write but unexpectedly meets him there. They agree not to talk to each other if they meet there again but fate leads them to meet again under different circumstances leaving them no choice but to speak to each other. Suddenly, Nate’s fiancée starts acting weird and suggests that he spend the weekend with Cela while she is away. Although it confuses him, he figures that it is her way of helping him get closure. The two spend one Sunday reminiscing the past expecting a closure in the end but the wonderful moment they share this time only makes it harder to achieve that closure so Cela has to put a stop to it saying, “Please don't think even for a second that there is still something left or something new to explore after everything that happened or did not happen. This is not a novel. This is reality. We don't get sequels or spin-offs in real life. We just continue. We move forward and that's how we get to the ending."
6
31 Chapters

How Does A Commonplace Book Differ From A Journal?

4 Answers2025-08-29 00:44:10

I get really excited when I think about this distinction because the two notebooks on my desk serve totally different moods. A commonplace book is basically my brain's curated playlist — a place where I clip quotes, ideas, recipes, pages from 'Meditations', random lines from comics, and tiny diagrams that might be useful later. I tend to write entries with a short note about why they matter, tag them mentally or literally, and leave plenty of space for cross-references.

A journal is where I dump the day's weird feelings, brag about a small victory, or argue with myself on paper. It's chronological, messy, and private; I write to process, not to collect. Whereas a commonplace book is organized for retrieval and future use, a journal is chronological therapy. In practice I flip back through my commonplace when I'm writing or planning a cosplay, and I flip through my journal when I need to track patterns in mood or remember a conversation. Both are precious, but they play very different roles in how I think and create — one saves ideas, the other helps me make sense of being alive.

What Should A Commonplace Book Include For Writers?

4 Answers2025-08-29 07:51:37

I still keep a battered notebook in the back pocket of my jacket—coffee stain on page three and a receipt tucked in like a bookmark—so my idea of what a commonplace book should include is pretty practical and tactile. Start with quotes: lines from books, songs, interviews that snagged you. Write who said them and why they matter to you. Next, keep short scene ideas and first lines; those 2–3 sentence sparks are gold when you’m stuck. Add character fingerprints: a stranger’s laugh, a misuse of a word, a unique way someone ties their hair. I jot sensory notes too—what the air smelled like that rainy afternoon—because sensory hooks revive scenes faster than an outline.

Also catalogue research tidbits, interesting facts, and timelines. I have a page of “weird laws” and another of food names from regional dialects; both have saved me from lazy exposition. Toss in recurring themes you keep returning to, plus a tiny index at the front with page numbers. Finally, leave space for experiments: micro-fiction, failed metaphors, and thumbnails of structure. Over time the commonplace book becomes less like a scratchpad and more like a private library of triggers and tools I can dip into when I want to write something that feels alive.

How Do I Start A Commonplace Book For Creativity?

4 Answers2025-08-29 10:23:54

I started mine with a cheap spiral notebook and the ridiculous confidence that anything could be useful later — that attitude is half the battle. I treat a commonplace book like a living mixtape of my brain: quotes I trip over, weird images from walks, overheard lines from conversations, half-formed story ideas, and links I’ve bookmarked. My basic rule is low friction: if it takes longer to capture it than to notice it, I’ll lose the moment. So I keep a pen in the cover and a tiny pocket of scraps for receipts or tickets.
Structure came later. I added a simple index at the front and a two-word tag at the top of each page. Sometimes I go thematic for a week — drawing-only, or recipe clippings, or snatches of dialogue. On other weeks it’s a mess of everything, which is fine. I borrow prompts from 'Steal Like an Artist' and riff: copy a line that fascinates you, then write one sentence about why. Every Sunday I flip through for five minutes and star the things that spark a real itch to expand into a project.
If you’re starting, give yourself a tiny ritual: three items a day, a single sketch, or one paragraph. The pressure to be prolific kills joy; the pressure to be curious sustains it. Start with a page today and see where the threads pull you next.

What Is The History Of The Commonplace Book Tradition?

4 Answers2025-08-29 12:36:45

My favorite discovery in secondhand bookshops is always the little, stubborn history of the commonplace book tradition tucked between covers. It began not as a fad but as a practical habit: ancient Greeks and Romans copied memorable passages, proverbs and rhetorical examples into private notebooks so they could reuse them later. Medieval scholars turned that impulse into 'florilegia'—collections of moral and theological excerpts—and monks pasted sermons and saints' sayings into manuscripts.

By the Renaissance the practice exploded. Humanists like Erasmus compiled and reshaped material (see 'Adagia'), students used notebooks for rhetoric classes, and the private commonplace became a way to build identity. John Locke later codified a popular system of headings and indices, which made commonplace books into a kind of personal encyclopedia. In the 18th and 19th centuries you see printed cue-books sold to guide a collector, and women, apprentices, and travelers all kept them—recipes, poems, calculations, and quotations interleaved.

If I flip through my own ragged little book, I see the same logic as Niklas Luhmann's later 'Zettelkasten': capture, connect, and revisit. Today it's thriving in new forms—apps, index cards, and digital vaults—yet the charm is unchanged: it's a conversation with yourself, a place where stray thoughts become something knit together over time.

How Can Students Use A Commonplace Book For Exams?

4 Answers2025-08-29 05:09:52

My commonplace book is basically my exam survival kit — it's where I stash tiny, portable wisdom that actually sticks. I keep short, focused entries: one concept per page or card, a crisp definition, a one-sentence example, and a two-line explanation in my own words. When I'm three weeks out from an exam I skim only those pages and mark the ones I can’t explain aloud. That becomes my active-recall queue.

I also use progressive summarization: first pass is lecture notes, second pass is boiled-down key lines, third pass is a single headline or question I can quiz myself with. On public-transport study sessions I rewrite one tough concept as a mini-test (question on one side, bullet answers on back). For essays I flip through index tags like 'causes', 'critique', 'examples' and pull 3-4 quotes or facts to adapt into paragraphs. It keeps revision focused and stops me from rereading everything like a zombie.

If you love structure, add an index page in the front with page references or tags. If you prefer chaos, use color tabs by theme. Either way, the point is: make retrieval fast, practice explaining, and distill until what’s left is truly memorable. I feel calmer heading into exams when my commonplace book is tidy and battle-ready.

What Are The Best Tools For A Digital Commonplace Book?

4 Answers2025-08-29 17:37:08

I get a little giddy talking about digital commonplace books — there’s something cozy about collecting stray thoughts in one place. For me, the backbone has been Obsidian: local markdown files, backlinks, graph view, and a huge plugin ecosystem mean I can start tiny and scale into a full Zettelkasten. Pair that with Readwise to capture highlights from Kindle and articles, and Zotero for academic papers, and you’ve covered both casual reading and deep research.

I also keep a lightweight capture layer: a mobile note in Apple Notes or Google Keep for lightning thoughts, then triage into Obsidian as fleeting notes or permanent 'evergreen' entries. Web clippers like Raindrop.io or Instapaper are great for long reads; Hypothesis for annotating academic pages; and periodically I export important items to a reference folder with full metadata. Templates help — I use a quick template for literature notes and a different one for project notes.

If you want privacy and permanence, prefer markdown + Git or Obsidian’s vault. If you crave databases and polished pages, try Notion. My current stack balances speed (mobile capture), discovery (backlinks/graph), and citation (Zotero), and it keeps me reading and remixing ideas happily — what kinds of things do you usually save?

How Did Virginia Woolf Use A Commonplace Book?

4 Answers2025-08-29 10:49:22

I still get a little thrill picturing Woolf hunched over a scrap of paper, tearing a beautiful sentence out of a book and tucking it into a slim notebook. For me, her commonplace books feel like backstage passes to the way she read and thought: they’re full of quotations she admired, odd facts she wanted to keep, lines of dialogue, and little images that could be folded later into a novel. I often imagine her moving between diary, letter, and commonplace book—chiseling language in one place and trying it on for shape in another.

What fascinates me is how practical and intimate the books are. They weren’t meant to be museum pieces so much as working tools. She jotted down passages to remember, rehearsed rhythms that turned up in 'Mrs Dalloway' and 'To the Lighthouse', and kept lists of names and impressions that could be used or discarded. Reading about them makes me want to keep my own, not as an archive of perfection but as a messy lab where a stray phrase can become a whole scene.

How Often Should Someone Update A Commonplace Book?

4 Answers2025-08-29 16:57:32

I’ve fallen into a few different rhythms with my notebooks over the years, and honestly, the best rule I’ve found is: capture often, curate regularly. I jot things down whenever a line of dialogue, a neat idea, or a quote sticks with me — that’s instant capture, shorthand and messy and fine. Those quick entries don’t need polish; they just need to survive until I can think about them properly.

Once a week I do a short grooming session where I skim the week’s scraps, add tags or a one-sentence context, and move anything that’s actually useful into longer-form pages or my digital index. Then once a month I spend a longer afternoon—coffee, vinyl, maybe an hour or two—reviewing themes, combining notes, and pruning what’s irrelevant. I also do an annual cleanse: archive or toss what hasn’t sparked anything, and celebrate the patterns that did.

So update constantly in small bursts and let bigger updates happen on a schedule: weekly for curation, monthly for synthesis, yearly for review. That balance keeps the commonplace book lively without turning it into a guilt project.

How Do Writers Organize Entries In A Commonplace Book?

4 Answers2025-08-29 18:57:07

I keep my commonplace books like a messy little lab that somehow makes sense to me — a collage of quotes, grocery-list revelations, and full-on brain fireworks. Usually I split things into broad sections first: quotes, ideas, recipes (yes, recipes), and projects. Each section gets its own header, and I number pages as I go. That lets me build a running index at the front or back where I jot short keywords and the page numbers beside them.

For cross-references I use simple arrows and abbreviations in the margin: ‘cf.’ or tiny symbols I invented. When something belongs to more than one topic, I’ll list it under the first theme and then write small page references where else it appears. Lately I’ve been adding color-coded tabs so when I’m hunting for a line I scribbled two years ago about plot hooks, I can flip right to it. It’s part scrapbook, part research tool, part friend — and I keep refining the system as new habits creep in.

Can A Commonplace Book Improve Creative Writing Skills?

4 Answers2025-08-29 10:22:57

I get surprisingly giddy when I find a little phrase on the subway that seems like the start of something—so yes, a commonplace book can absolutely sharpen your creative writing. A few years ago I started scribbling lines, overheard conversations, and odd images into a small notebook. After a couple months I had a pile of unconnected sparks that, when I flipped through them, began to stitch together themes I didn't know I liked. That pattern recognition is the real magic: you notice recurring metaphors, favorite sounds, and the kinds of scenes that make you write faster.

Technically it trains attention and builds a personal database. I tag pages with color tabs, sketch little mood thumbnails, and sometimes paste in torn pages from magazines. When a drafting block hits, I flip to my book, pick three mismatched entries, and force a short scene from them. It’s like doing push-ups for creative muscles. If you want a tiny ritual, try copying a line from 'On Writing' or 'Bird by Bird' into the margin as a prompt—seeing someone else's craft beside your raw notes helps you learn craft without lecturing you. It’s not just about hoarding pretty lines; it's about learning to connect them in ways that surprise you, and honestly, it makes me look forward to being curious each day.

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