How Does Unpregnant End?

I’ve gotta say, 'Unpregnant' wraps up in a way that feels surprisingly uplifting for such a loaded topic. Veronica’s whole journey is about reclaiming agency, and the ending drives that home. After dodging protesters and navigating sketchy clinics, she finally gets safe, legal care—but the real victory is her friendship with Bailey. Remember how they started the trip barely tolerating each other? By the end, they’re inseparable, and that makeshift family vibe gets me every time. The roller coaster scene is pure symbolism: they’re terrified, exhilarated, and totally in sync, just like their friendship.

The film’s smart about not making abortion the sole focus. It’s part of Veronica’s story, but the climax is really about these two girls realizing they don’t have to conform to anyone’s expectations. Bailey’s confession about her own struggles adds depth too—it’s not just Veronica’s journey. The open-ended ending works because it trusts the audience. We don’t need to see them ‘fixed’; we just need to know they’re gonna keep figuring things out, together. And that final shot of The Road stretching ahead? Perfect metaphor for the messiness of growing up.

The ending of 'Unpregnant' hits this perfect balance of emotional catharsis and rebellious fun. After all the chaos of their road trip—stealing a car, nearly getting arrested, and bonding over their shared frustrations—Veronica finally gets the abortion she needs in New Mexico. But the real heart of the story isn’t just the procedure; it’s her friendship with Bailey. They’ve spent the whole movie clashing, but by the end, they’re screaming their lungs out together on a roller coaster, finally free from all the weight they’ve been carrying. It’s this moment of pure, unfiltered joy that stuck with me. The film doesn’t moralize or overexplain; it just lets them be teenagers, messy and triumphant. And that last shot of them driving off into the sunset? Chefs kiss.

What I love is how the movie subverts expectations. It could’ve been a heavy-handed drama, but instead, it’s a wild ride with heart. Veronica’s decision isn’t treated as a tragedy or a political statement—it’s just her choice, and the focus stays on her growth. Bailey’s arc is just as satisfying, going from the 'weirdo' outcast to someone who realizes her own worth. The ending ties up their arcs without feeling neat or forced. They’re not fixed, but they’re okay, and sometimes that’s enough. Plus, that roller coaster scene? Iconic. It’s like the movie’s way of saying, 'Yeah, life’s messed up, but there’s still room to scream your head off and laugh about it.'

'Unpregnant' ends on such a satisfying note—equal parts chaotic and heartfelt. Veronica’s abortion happens offscreen, which I actually appreciate because the story’s more about her emotional journey than the procedure itself. The real payoff is her and Bailey’s friendship. After all the bickering and near-disasters, they finally let their guards down. That roller coaster scene? Genius. It’s this loud, messy celebration of survival, and it captures their bond perfectly. The movie doesn’t tie everything up with a bow, but it doesn’t need to. These girls have been through hell, and for once, they get to just… breathe. No big speeches, just two kids who found each other when they needed it most. Makes me wish I’d had a friend like Bailey in high school.