Co-writing Novels & Stories

'My Last Wish.' is Annabelle's favourite book; an unknown author and delicious sex scenes, what's not to love? Well...being the Villainess, Being the villainess is what's not to love! Annabelle, a partially celibate lawyer (Not by choice) with a knack for pole dancing on the weekends with her best friend, wakes up in the arms of a beautiful stranger in what she hoped was a vivid sex dream. But, sadly, it instead becomes her new reality! Annabelle is stuck as the Villainess of her favourite reverse harem romance story--fated to be publicly executed by her contract fiancé, The crown prince of Envia. With no one to trust and nothing but malice offered by the male leads, she has no one to rely on but herself to restore her land to its former glory and clear her debt to escape the clutches of the first prince. Unfortunately, easier said than done, especially with the Prince's Knight constantly around her, her butler constantly watching, the Portburgh tycoon out for her blood and unknown prince's spies watching from the shadows making sure her plans are anything but hidden and her safety anything but guaranteed! (IMPORTANT: THIS BOOK NEEDS HEAVY EDITING, AND, UNFORTUNATELY, IT DID NOT DO WELL ENOUGH FOR BOOK TWO; I AM CONSIDERING EDITING TO COMPLETE THE PLOT IN ONE BOOK, BUT THAT NEEDS TIME (A LOT) AND EFFORT. PLEASE DO NOT PURCHASE UNTIL THIS NOTICE IS ERASED. IT COULD BE YEARS** BECAUSE MY WRITING STYLE HAS CHANGED)

In the coastal quiet of Baler, a studio is born—not of architecture, but of intention.* Founded by Yam, a poet whose words cradle pain gently, and Franc, an artist who paints tenderness into walls, the studio becomes a refuge for those learning to stay—with grief, love, longing, and themselves. As visitors arrive, they leave behind more than footprints: a sigh recorded in bamboo, a poem tucked into the “Found Letters” shelf, a mural painted in crooked lines. Through zines, tea, silence, and sketchbooks, the studio teaches softness as revolution. Ren creates the *Window of Soft Returns*, an installation of anonymous voice recordings—each whisper forming a community of echoes. Drew builds the *Staircase With No Wrong Turns*, inviting people to walk through emotions without shame. Franc offers brushstrokes as brave work, and Yam curates writing circles that map healing in half sentences. Together, they host festivals that feel like hugs, and they begin traveling their archive, letting softness cross oceans. Even those who once left—like Miguel—return, discovering that some doors never truly close. Others, like Tala, capture the studio’s sound and turn it into a podcast of breath and becoming. Over seventy chapters, the studio transforms into something larger than itself: a mural of memory, a sanctuary for second chances, a place where return is sacred and voice is proof of survival. In the final bloom, the studio stands not as a monument—but as a reminder: > *“Staying isn’t easy. > But chosen together, > it becomes home.”*

For five years, Mira poured her obsession into The Reckoning of Caelen Mors—a dark fantasy about a ruthless duke and the woman he becomes dangerously fixated on. At 2:47 AM, exhausted and alone, she died at her laptop. Her final words still glowed on the screen: "Duke Caelen finally showed her his true face. It was nothing like she imagined." She woke as Isadora Vess—the secondary character from her manuscript—in a silk bed, in a monster's house, with servants calling her by a name she'd invented. The problem: Mira remembers writing this world. She knows every dark secret. She knows how the story should end. Except her memories are fractured. The manuscript was never finished. And the characters have evolved without her input, making choices she never wrote, saying things she never scripted. Worse—Duke Caelen knows she's different. He's been waiting for her. Across seventeen timelines, he's seen her arrive at this exact moment. And in three of them, everything burned. Now Isadora must navigate a world she created but no longer controls, surrounded by men who each want to use her—a charming prince offering escape, a dark count offering power, and a villain offering the only thing that might be true: the answer to why she's here, and what happens when an author gets trapped in her own story. Because in every version where Isadora arrives, the empire falls. And Caelen has been waiting a very long time to see which ending she'll choose this time.

For almost four years without her twin brother, Addison Miranda cannot swallow the pain of her brother's death that still haunts her every night. That's why she pours her every emotion on writing which her brother influenced her when they were still young. And as she grows older, she wants to pursue the dream that settles her from the grief of her lost. The only thing that her mind automatically focuses on is becoming a published writer, willing to do whatever sorcery she needs to perform. But just like any other human being, she stumble upon the biggest regret of her life. Meeting Corpse De Chavez is the start of how she wanted to dig her own grave. It is like in a blink of an eye, Addi become blind of how her success will fall on her hands like streaming waters. She found out that Corpse is a big part of her past that has been torturing her for years. And how unfortunate for her to fall for someone that she’s supposed to despise. Desperate to live a peaceful life, she decided to quit everything so she can save herself from falling apart, even though it breaks her heart leaving the person that loves her more than anyone else. Addison Miranda believes that whatever witchcraft that she's been under, she wanted to get out of it as soon as possible before she falls with it. Because just like spilled coffee on the table, Corpse caused a big mess that no one has ever done to her life. 

In order to protect me, Don Salvatore deliberately announces that my fiance, Simone Pozzi, is his long-lost son. Simone shakes with excitement when he sees the man in a bespoke suit stepping out of the Rolls-Royce that is parked outside my house. Just as I'm about to tell him it's all a lie, he shoves me aside. He even brushes his sleeves in disgust, as if he has touched something filthy. Simone says, "Stay away from me. Don't let your poverty rub off on me! Since I'm the Don's son, we'll call off our engagement. An illegitimate bastard like you isn't even fit to wipe my shoes!" When I try to explain, he cuts me off by writing out a check and flinging it hard into my face. The sharp edge of the paper slices across my cheek. "Take this one million dollars as our breakup fee and don't bother me again. We're no longer from the same world," Simone says. I watch the check flutter down into the mud and quietly turn off my phone screen. On the screen is a message Papa—Don Salvatore—has just sent me, "Just bear with it a little longer, Principessa. Papa will bring you home soon to take over the famiglia." Simone is so determined to cut himself off completely. He might have the luck to claim a fortune that big, but not the life to enjoy it.

After writing an essay about the future I wanted, I made a desperate appeal to my parents, just as Aaron Wade was likely doing in the hall of a business his family owned. The appeal lasted two days. Our demand was simple: annul the engagement between us. Others might have found this confusing, but I knew exactly why it mattered. In my previous life, I married Aaron and gave him everything. I devoted my career to him and stood at the peak of his business empire. He repaid me by forcing me to take the fall for Rebecca, a so-called heiress. I was arrested and sent to prison. "Had you not forced us into an engagement the moment you got into Iale University, I would have ended up with her instead," he sneered. "You owe her this, Bernadette. It's time you paid up." Even my own parents joined in. "You robbed Becky of what she deserves. Think of this as your divine retribution!" They had supported the engagement back then. Rage overwhelmed me and triggered a cardiac arrest. I died on the spot. While my body lay cold in the morgue, Aaron and Rebecca held a lavish wedding at a five-star hotel to celebrate their union. When I opened my eyes again, I found myself back on the day I had written about the future I wanted. Now I knew what that future looked like. It had none of these people in it. This time, I would live for myself.

Westbridge Academy is not a schoo‌l for humans, It is where alphas a‌re t‍r⁠aine⁠d, blo‍od‍line‌s ar‌e sharp⁠ened, and monsters learn to rule. Isla V⁠ale knows this⁠ better than anyo⁠ne but she disgu‌ised as “Eli,” a quiet scholarship boy e‌nrolled in an elite advance‍d‍ science program, Isla hides among werewolves, shifters, and oth⁠er supernatu‌ral elite‌s, m⁠asking her scen⁠t, her body, a⁠n‍d her fear every single day. Living in the dorm make things worse and one mi⁠stake could mean exposure. One‍ slip could mean death but West‍bridge is ruled by ins⁠tin‌cts no one ca‌n‌ fully control. Kiera‌n Blackthorne the academy’s golde‍n alph‍a heir i‍s everything Isla‍ should⁠ avoid dominant, teasing, danger‌ousl⁠y perceptive⁠. From‌ the⁠ momen‍t they meet, his atte‌nti‌on lingers too long, his ins⁠t‌i‌ncts pulling him toward someone he shouldn’t want. Then there is Fin‌n Ashcroft, a calm a‍nd observant b‍eta with a reputati⁠on on the⁠ b‌ask⁠etball co⁠urt, notices what ot‌hers miss. He becomes Isla’s anchor, h‍er protect‍or and possibly the first to s‍uspect that “Eli” is hiding m‍ore t⁠han j‍ust secrets‌. As ri⁠valries‍ ign⁠it⁠e, rumors spread, and wol⁠f instincts sharpen, Isla is pulled in‍to a vola‍tile triangle of attra‌ction, j‍ealo‌usy, and dange‌r. Every⁠ close call brings her nea⁠re⁠r to discovery and every heart⁠beat risks awakening i‌nstinct‍s that cou‌ld expose her human⁠ity.‌ Whe⁠n the truth finally comes out t‍o the worst⁠ p‌o‌ssible people Westbridge erupts. Because humans were n‍ever meant to l⁠ive among w‍olves an‌d wolves do not for⁠give deception eas‍ily.

Lila Bennett has always been invisible. The quiet, bookish girl who prefers the library to parties, she spends her days studying and her nights dreaming about someone she could never have Ethan Ryder, the charismatic captain of the university hockey team. Confident, talented, and adored by everyone, Ethan already has the perfect girlfriend: Vanessa Hart, the beautiful and popular queen of campus. For two years, Lila has secretly admired Ethan from afar, writing about him in her private notebook while keeping her feelings hidden. But when Ethan’s academic performance falters, putting his spot on the hockey team at risk, he is assigned a tutor and that tutor is Lila. Suddenly, the invisible girl and the campus king are forced together. Late night tutoring sessions turn into shared secrets, stolen glances, and undeniable chemistry. Ethan begins to see Lila in a new light intelligent, kind, and unlike anyone he’s ever known. But love on campus is never simple. Vanessa notices Ethan’s growing interest in Lila and will stop at nothing to maintain her status and control. And when another hockey player, Lucas Hale, begins developing feelings for Lila, she finds herself caught in a complicated love triangle. Jealousy, rumors, and hidden truths surface, forcing Lila to confront her feelings, assert her confidence, and decide what and who she truly wants. In a world of rivalry, heartbreak, and high stakes, the quiet girl who was once invisible may finally become the one everyone is fighting for.

Kyla Adams is a workaholic. I mean, who wouldn't be when you're working your dream job? She is one of the many writers for a startup business in North Carolina called "Clicked," where the focus is writing about hot gossip, new trends, and out of the ordinary experiences. Think of this social media app as an online magazine, where the workers are gossip hungry millennials and Gen Z'ers all trying to top one another. And the best part- Dakota Kramer; the hot young CEO at the top floor of the office building. Kyla is the job. She thrives on gossip and is a phenomenal writer, but lately her articles have been dryer than her dating life. After Dakota threatens to fire her if she doesn't step out of her comfort zone, Kyla and her friends drunkenly email Dakota an exciting new article proposal titled "EleDATE." What does the hell does this mean? Kyla must ride the elevator every morning, starting from floor 1 up to floor 50-the top floor- with a hand picked single guy from the office. The catch? She's blindfolded. She must rely on her instincts about the "bachelors" and the impressions they make during their limited time riding together- and they must remain anonymous. With over 100 employees in the building, 50 floors, and 20 single men willing to participate, this will sure make for an intriguing article and a literal make or break career moment. And let's face it... there's just something about elevators.

[Rebirth, writing, slag abuse, one-on-one, no abuse!] She was the king of mercenaries who made the world's big men talk, holding a piece of ancient jade in her hand, repairing the truth, medical skills... all proficient. Unexpectedly reborn, she turned into an upper - class joke, school people see the evil school slag girl? The king of talented mercenaries, who used to deter the entire mercenary community, said, "Don't make trouble. Waste incompetence? How do you feel about being twisted off by a piece of waste? The last? Come on, let your sister tell you how to write the word "genius!" She doesn't have the talent to do business, financial, managerial half - sister? Well, do you know that the present king of commerce cried and begged her to accept him? Father unknown? As soon as her father's name comes out, the world will shake! A magical ancient doctor, she is the god of heaven in the eyes of countless patients. Sweeping the army, she is no one on the road dare provoke. Beauty coexists with acting. She is the goddess of the circle. A rebirth, a new life, she is still alive, accidentally become a national citizen who no one dares to provoke! Life and death on one hand and fate on the other. The misogynist should play face-to-face, play the rich, play the entertainment circle, and conquer someone by the way. * * * [Little Theater] Old man: It's almost midnight. Are you still busy? Man: No. Then you go out so late? Man: The family is strict. The Lord