Drawing Anime Bodies

Alice, une jeune femme timide mais pétillante, croise le chemin de Gabriel, le charismatique et populaire étudiant qui anime la fac de son humour. Une complicité naît rapidement entre eux, forgée par une passion commune. Mais tout semble les séparer : elle l'aime peut-être un peu trop, lui ça le dépasse. Après des péripéties tumultueuses, ils cèdent à leur passion, seulement pour que Gabriel parte à l’étranger, brisant le cœur d’Alice en la quittant. Dévastée, elle coupe les ponts, se reconstruit et tente de retrouver l’amour ailleurs, sans jamais l’oublier.Deux ans plus tard, une rencontre fortuite ravive leurs sentiments, mais cet amour reste fragile. ils doivent alors choisir : céder une fois encore à leur lien indéfectible ou accepter que leur amour, aussi puissant soit-il, ne puisse jamais s’ancrer durablement. Entre rires partagés et larmes contenues, Toi, Encore et Toujours explore les cycles d’un amour qui revient sans cesse, laissant planer le doute sur son dénouement.

" I can be your angel saving you from nightmares and I can also be the monster under your bed, clawing at you when you sleep", Leo whispered drawing her closer to him. " I am ruthless, don't try to change me", he smiled gripping her neck. "You are a monster", Elizabeth spat to which he laughed. Elizabeth, a nineteen years old orphan found herself in the street of America after escaping from the orphanage. Stealing and pickpocketing has been her means of survival. She found herself in the most dangerous situation when she stole an important item from the most powerful American mobster. Will he take interest in her or will she become one of his pawns?

I am a postgraduate archaeology student whose fieldwork combines GIS technology with excavation, and during one project I become entangled in a concealed emotional relationship with two lecturers. Linus is restrained, intellectually rigorous, and emotionally distant, offering a sense of order and safety rooted in academic discipline, while Theo is charismatic, passionate, and ethically unstable, drawing me into intensity and risk. What begins as professional admiration develops into intimacy shaped by secrecy, hierarchy, and blurred boundaries. As the excavation exposes layered traces of past lives, I am forced to confront my own desire, ambition, and guilt, and the story ultimately centres not on choosing between two men, but on learning how to live with complexity and accept the consequences of crossing lines.

I pleaded with my husband Cedric Fleetham over and over, and finally, he agreed to take our daughter camping in the mountains for her birthday. When I found her late the next night, she was already gone. She lay at the foot of the mountain, her tiny hand still clutching a drawing of our family. As I knelt beside her, my heart shattered. Meanwhile, Cedric was busy updating his social media. His post read, [You and our daughter are my treasures,] and it was accompanied by a photo, where he stood beside his childhood sweetheart and held hands with another little girl, watching the sunset. And there, in the corner of the picture, was a tiny hand—my daughter’s hand. The cruelest truth of all was that my daughter took that photo.

After my death, I found myself inside a romance strategy game, where the system assigned me three male leads. If I followed its instructions and successfully captured the heart of any one of them, I would return alive and well in the real world. Drawing on my experience, I crafted careful scripts to win their affection. Yet, every attempt ended in failure. The reason was simple: each of them had already fallen for the dazzling heroine of their world. They hurled cruel words at me, as if wishing I would just drop dead. In the end, I fulfilled their desire—when my strategies failed, the system erased me. But the moment I died, they all regretted it. One by one, they begged the heavens to return me to them.

Ever since my mom gave birth to her second child, everything in the household is tied to drawing lots. Everyone has to draw lots in order to decide whose favorite food will be served for each meal. We have to draw lots to see who among us gets a hug from our parents. Every time, I end up drawing the short end of the stick, so everyone automatically assumes that my younger sister, Anabelle Madden, gets the better lot. She easily reaps my parents' love without having to do anything at all. Whenever I feel like crying because of the injustice, Mom will scold me instantly. "I bought the lottery box because I was worried that you might feel upset about this. I'm doing this just to be fair to both of you. "If you want something, you have to be the one deciding who gets what. Your father and I won't interfere with your decision at all. Since you can't draw the better lot, that just means you have bad luck." Hence, I keep practicing my lot-drawing skills every day, hoping that I can eventually draw the better lot in order to obtain my parents' love. But for ten years, I never get to draw the better lot. Not even once. On my birthday, Anabelle wants to go to the amusement park, so Mom tells us to draw lots once again. I secretly glue two short lots together before giving it to Mom in an attempt to get her to stay with me. Instead, she slaps me and berates me for being a disobedient child who cheats in lot-drawing. Then, she leaves the house with Anabelle. When I fall to the floor, I feel the short sticks piercing through my neck.

Clarissa's life has always been a little bit messed up. From her job as the county's assistant coroner to continuously trying to maintain balance - she's just about to wear out. Two dead bodies and a "gift" would be all she needs to completely lose control and break the balance she has struggled to maintain for the past right years. But when an obsessed serial killer threatens to send her six feet under - Clarissa needs to wear her scars like armors and fight back. She's not about to let some witty serial killer mess her up even more, or is she?

CONTENT WARNING: Violence, BDSM, Spanking Luella Morningstar, daughter of the one, the only Lucifer, left hell to find herself, to find out who she is rather than just living in her dad's shadow. Whilst working as Lucifer's little assassin topside, Luella encounters tall, dark and mysterious - vampire Sebastian. The problem? They're immediately attracted to each other. The bigger problem? They're hunting the same demon. Can they stop the immediate attraction between them from causing problems? The truthful answer - no. They get closer and closer - exploring Luella's world, their bodies, desires and worst fears - together. After all, Hell is built in violence and sex.

Nisha Eumerriah Normandeou, woman who wanted nothing but peace. However, that dream suddenly disappears when she found out she was one of the successful experiments called Fentanyl. After being isolated, as she steps into Ottawa Green University, one of the luxurious university, she will gradually discover everything. Until the massacre began without knowing what the reason was. And when she saw the corpses, she discovered to herself that dead bodies were one of her weaknesses. The question is, can she handle being one if her weakness is related to dealing with a corpse? Will they find the mastermind of the trouble in the city called Ottawa? And can she control the demon that infiltrates her mind?

On the bed in a train's compartment, I find myself getting pinned beneath my best friend's boyfriend, Gaston Walters. Our bodies are firmly glued to each other. I don't have any strength left in me, so I can only let Gaston do whatever he wants to me. Soon, I feel him turning me on. My husband, Stevie Murray's loud snores drift from the bunk bed above our heads. That's when Gaston slowly slides his hand beneath my blanket before hiking my nightgown upward. "Wow, you're so wet…"