Firefly Inara Serra Novels & Stories

Kyle Carter, brother of the Ruthless mafia bosses Reed and Matteo. He might look like a harmless football player, but he is the most dangerous brother among the three. He is ruthless, cold and calculating. And a Chameleon who can change his colors so easily. Serra is the daughter of a gambling addict of a father and her mother left them when she was young. Her father sold her to an old business man who was double her age and who was already married thrice. But her fate shined upon her and that old man collapsed on the day of their wedding right before they exchanged their rings. She met Kyle, who gave her a place to live when she had no where to go. And then, he became her every thing. When her past came back up hunt her, and while Kyle found out that she was almost married, she couldn't stay there. So she left him. But who would have thought that she was pregnant with his baby and he would become a sought after football player, which was a cover all along. Will their incomplete love bloom? Or her past would destroy her? What will happen when she finds out that he is the monster who haunts everyone's dreams? Will she still accept him?

I've been in a three-year relationship with Antonio Bianco, the successor of the Bianco family. Everyone knows very well how much he loves me. But everything has changed the moment Antonio's older brother passes away, leaving behind his newly-widowed wife, Rosetta Serra, who's also pregnant. Antonio heeds Augusto Bianco's last wish by taking great care of Rosetta. He even ditches me at the altar numerous times for her sake. On our 51st wedding, Antonio still ends up leaving with Rosetta, who keeps crying her heart out. I just gaze at the way Antonio scrambles to come up with a new excuse. I notice how skillfully the wedding planning company is cleaning up the wedding venue in advance. I also spot the flash of a provocative smile Rosetta has shown to me behind Antonio's back as she links arms with him. Suddenly, I feel like a total joke for being with such a man over the past three years. When the hotel manager gives me the bill, he asks casually, "When will the 52nd wedding be held, Ms. Marino? We can make the preparations in advance." "There's no need for a wedding anymore," I respond with a smile. "Even if a wedding is to be held, the groom won't be the same person anyway." After leaving the hotel, I dial the number of the person in charge of the International Medical Organization. "Hello, I'm Cecilia Marino. I'd like to accept your invitation to join your organization, and I can leave anytime soon."

The last thing Valentina Serra sees before she dies is the crack in the ceiling above her bed. She is 45 years old. She is not unhappy. That, she realizes in the last seconds of her first life, is the most devastating thing she could say about it. She opens her eyes in a university lecture hall in Barcelona. She is 20 years old. Her notebook is open, her pen is in her hand, and she can feel — with the precision of someone who has lived an entire life — exactly how much she is about to waste if she does nothing. She does something. Armed with 25 years of memory, Valentina sets out to close every loop she left open: the military commission she dismissed, the marketing career she let others architect for her, the relationship she stayed in long past its expiry date, and the mother she visited but never truly knew. One by one, she reaches for the life she talked herself out of the first time around. But the two people closest to her — the friends who have always been there, always supportive, always first to suggest the safer, smaller option — are watching. And when Valentina begins exceeding the quiet ceiling that they built for her, Isabel and David begin to coordinate. Then there is Ethan Cole. Washington D.C. Investment sector. Five years younger, which bothered her the first time. He will walk into her life again in Barcelona, and this time Valentina already knows what the long dinner and the careful conversation and the late-night walk along the Passeig de Gràcia will mean — if she doesn't talk herself out of it. She is not going to talk herself out of it.