Comedy writing is all about timing, absurdity, and the unexpected. One of my favorite prompts is imagining two overly serious spies trying to blend in at a suburban BBQ, but they keep using ridiculous spy jargon for mundane things. 'Agent, the target is moving toward the grilled meat sector. Should we intercept?' 'Negative, maintain cover. The hostess is deploying the potato salad—priority one.' It’s hilarious how out of place they are, and the contrast between their tone and the setting writes itself.
Another gem is a conversation between a genie and someone who keeps twisting their wishes into puns. 'I wish for a million bucks!' The genie sighs as a herd of deer appears. 'No, no, like the money!' 'Should’ve specified, pal.' The back-and-forth can escalate into the genie just being done with their antics, which always gets a laugh. The key is leaning into the frustration and the wordplay—it’s like a verbal slapstick.
How about a dialogue where two ghosts haunt the same house but have wildly different styles? One’s a classic, moaning specter, and the other’s a chill dude who just wants to watch Netflix. 'Dude, you’re cramping my vibe with all the wailing.' 'But... it’s tradition!' 'Yeah, well, tradition doesn’t pay the streaming bill.' The clash of personalities in an already weird situation is pure gold. It’s all about finding those odd pairings and letting them bounce off each other.
Lastly, picture a job interview where the interviewer is a vampire, but they’re really bad at hiding it. 'So, are you comfortable working nights... exclusively?' 'Do you have any... dietary restrictions we should know about?' The candidate slowly realizing what’s going on but trying to keep it professional is a riot. The humor comes from the slow reveal and the absurdity of pretending it’s totally normal. Comedy’s best when it feels like it could almost happen—but not quite.