Ink Publishing

Richard Franklin has left his Midwestern roots behind to live on the coast of Maine with his family. But in the autumn of the year 2000, he must return to his Illinois birthplace on a sorrowful journey. His wife Michelle has been killed in New England by a hit-and-run driver who is never found, so back home he comes with her cremated remains, to fulfill a final wish and on her birthday scatter her ashes in the park along the river in Blackwater Valley—simply Blackwater Val to locals—the small town where they both grew up and fell in love. With him he brings his six-year-old daughter Katie who still grieves for her lost mother: Katie, who can sometimes guess who’s going to be on the phone before it rings. Who can stop all the clocks in the house, and break up clouds in the sky with her mind, and heal sicknesses, and who sometimes sees things that aren’t there...people who are no longer alive. All gifts she inherited from her mother. Only something isn’t quite right in the Val. Sinkholes are opening up, revealing the plague pits the sleepy hamlet was built over in the 1830s, when malaria and cholera outbreaks ran riot. Mysterious bird and fish die-offs begin to occur, and Katie can see ghosts of the dead gathering all around. But what she can’t see is the charred, centuries-old malevolence which has been waiting for her, and wants her for its very own. Or the pale Sallow Man who haunts the town’s nighttime streets...or the river witch—another Blackwater Val, of sorts—each of whom will be drawn one by one into the nightmarish bloodletting about to take place. ©️ Crystal Lake Publishing

Stanley Edwards, people claimed he mirrored a Russian man and had the heart of steel. He was an executioner who mercilessly took the lives of twenty women over a period of eight years. He is released from prison, can he get a whole new life? After he meets the love of his life, how will he protect their love? Is he still the grim executioner?

Raised by a monster from Transamagei since being abandoned at birth, Zea is hunted down and forced to become a part of the Soul Stealers that killed his family and stole his name. Everything he has known no longer exists. Moon is nothing but a demon with a false name and a murderous desire to slaughter and devour anyone who stands in his way of becoming a true Soul Stealer. Having to work with the young Soul who killed his father, Moon must carry out his own Mission to earn his survival; capture the illusive White Wolf and her family. But as the sinister truth behind the capture is discovered, Moon must decide if his life and those of his friends are worth more than what is morally right.

Noong unang beses na nakita ni Euphie ang lalaki, naisip niya: Love at first sight ba iyon? O isang nakatalagang soul mate? Pag-uwi niya, nakita niya ang isang lumang larawan ng isang matangkad at guwapong lalaki. Naglakbay siya pabalik sa panahon sa larawan, nakilala ang lalaking iyon, at natagpuan ang sagot sa tanong na iyon. Inisip niya ang lahat, ang kanyang kasintahan.

Tunnels deconstructs the individual’s Romantic fascination with ‘love’ or the grammaticality of beauty. Ideally, the ‘tunnels’ in the collection are subterranean love poems from the suburban imaginary. These seemingly syntactic tunnels travel through one’s literary imagination or heterotopic dreamscapes, and while αγάπη (Greek for ‘love’) inspires these rhizomic tunnels to navigate the abysmal ‘meta-spectacle’ of gesture, language or moment of poemness, the mind like the many-colored jeepneys of Manila, where driving past roast goose restaurants in Shek Kip Mei or spotting stilt houses in Kampong Kleang, attempt to explore the transgeneric textualities of the everyday, alongside the unstructurality of time and space, the littoral and the liminal.