Loud House Vore

" It's a contract. You will be my groom, just for sixty days… ", her loud but annoying voice echoed in his ear. She sat at the edge of the table, " I will hire you to be my groom, and I'll pay you immediately after the contract is over. Don't ever refer to me as your wife, because nothing is binding the both of us together." " No sex. No love. No kisses. No feelings. You are just a hired groom for sixty days. Live your life the way you want it, but not for these sixty days ", she narrated further.

The Rowan estate has stood for centuries, its walls bearing witness to generations of triumph, tragedy, and a quiet, inescapable weight. Known for influence and misfortune, the Rowans guard a secret: the house is a memory vessel, absorbing the emotions and events of its inhabitants. Only one child per generation—“the one who carries it”—feels its imprint. For Jace Rowan, that child is him. Haunted by flashes of his brother Elias’s mysterious death in the sealed west wing, Jace lives with hallucination-like memories, déjà vu, and a physical sensitivity to the house’s presence. When Ava arrives at the estate, the house takes notice. Her father’s disappearance connects her unknowingly to the Rowans, and her grief fuels an emotional resonance the house cannot ignore. Objects from her past—her father’s watch, sketches of the west wing, and a brass key—materialize mysteriously before her, drawing Ava deeper into the estate’s labyrinth of memory. Jace knows the danger: the west wing reacts to emotion, and Ava’s connection could awaken truths meant to remain buried. As tension mounts, Ava and Jace confront both the house’s power and their own growing fears. The west wing does not seek to harm but to claim understanding—feeding on memory, fear, and revelation. In the shadows, a presence lingers, one that Jace fears is connected to Ava’s father. Bound by fear, curiosity, and an unspoken attraction, Ava and Jace must navigate a house that remembers, reacts, and judges, uncovering secrets about Elias’s death, Ava’s father, and the legacy of the Rowan family itself. In a world where emotion is power and the past is never truly gone, the house holds its breath—and waits to see who will survive its memory.

Mia's life changes overnight after being saved by a stranger from the house slaughter on the night of her grandfather's memorial. Everything seemed to be back to normal after meeting Miles Bryon the son of Melbourne's richest business mogul. But things turned around real quick, who planned the house slaughter and why?

“are you ok” Halley says through mindlink. “no I need to get out of here” I reply “what’s wrong” “that’s my brother” I say, panicked “sh.it" she says out loud “Just stay here, and I will sneak off. If he’s here, Shane might be, too. He’s your mate, you have to talk to him” “I’m not going to be his mate” she says out loud, sh.it. Why couldn’t she use her inner voice “sorry” she looks at me and shrugs, realising she said it out loud. Sam looks around confused “what’s wrong? we don’t know each other. You have to give me a chance before deciding that” he pleads “I know enough about you to decide” she says as I try to get up without him noticing. He looks really upset and confused, and then he turns and sees me. “Aria” he says, shocked before he hugged me “I thought we lost you. We looked for you everywhere” he says, upset. “Why would you do that? You made it clear I am not your sister, with words and actions now. Please let me go. I would like to leave” I say, annoyed and worried “Please just wait, let me talk to you, I’m sorry” he begs, but I can’t it must be a trick

Warning: Mature content, psychological Sully, a young lady of House Star, is kidnapped on her wedding day by the head of House Silverclaw. The head decides to give her to one of his daugthers as a slave, but his eldest son intervens and wants her for himself. Thus begins a forced married life between Sully Star and Damien Silverclaw. Sully wants to end House Silverclaw. Yet, she finds herself falling for her husband, the one she should hate. With his intimidating yet alluring presence, he seems to pull her towards him. Can she succeed in her plan, or will she succumb deeper and fall for her enemy?

"Eri is here , she will never leave ....she will always have you" Sein is a boy who was adopted in the house of a rich man. He was never an outcast to his new family but outside the house he was that quite kid who confuses every single things in his life. But he had friends as well.

(Bxb) Eric Valence thought finding a job as an editor for a well-known author named Draven H. Malcolm was the beginning of his writing career. He had no idea that it would also be the beginning of his love story. *** "You're so clueless, it bothers me." He frowned, "What does that mean-" "You never wondered why I gave you all the best things on my floor - the closest desk, drinks from my office, my newest project. I even went to your house and picked you up to make sure you weren't late." "My portfoli-" "There are twenty three others with the same experience as yours, that was an excuse," he admitted, peering into Eric's eyes and daring him to look away. Eric didn't. Draven sighed, "The reason I got mad that day..." he paused for a moment, hesitating again but deciding to let it all out, "the reason I got mad is because I heard you kissed Jason, which I wasn't too pleased about but then seeing you and Justin together..." He never finished his sentence, and Eric raised an eyebrow, "What about Justin and I?" "I feel like you're doing this on purpose," Draven chuckled, examining Eric's confused face. "I'm not sure what you're talking about-" "I like you," Draven said clearly with his entire diaphragm, expression it as loud as he could for Eric to understand. Eric felt his throat squeeze itself shut, no oxygen coming in or out. "I like you, a lot more than I thought, Eric," he breathed. Eric was unable to believe it, shook his head and looked away for moment, before meeting his gaze again. "Why me?" he asked quietly. Draven shrugged his shoulders, eyeing Eric with adoration and admiration, "I'm not sure either, but I want you to be mine."

On the bed in a train's compartment, I find myself getting pinned beneath my best friend's boyfriend, Gaston Walters. Our bodies are firmly glued to each other. I don't have any strength left in me, so I can only let Gaston do whatever he wants to me. Soon, I feel him turning me on. My husband, Stevie Murray's loud snores drift from the bunk bed above our heads. That's when Gaston slowly slides his hand beneath my blanket before hiking my nightgown upward. "Wow, you're so wet…"

This is what we do. We fight, we fuck, and we pretend it's fixed. He rips his shirt over his head, the sound of tearing fabric loud in the silence. And I freeze. My hands, which were reaching for him, stop. There. Coiling over his ribs, wrapping around his side, crawling up toward his heart, is an identical replica of Madilyn’s tattoo. "Charlie," he breathes, but it doesn't sound like his voice. His hands are rough, grabbing my hips. One hand slides, pressing hard against my stomach. No. The baby. My baby.

Natasha Harkins, the daughter of the alpha of  Blackheart Pack was asked by her father to marry Alpha Redd Larson of the Whitesword Pack. Why? Because that alpha could only save their business and the orphanage she was managing. She wouldn't allow it. She had a mate for crying out loud! It was another alpha from another pack—Alpha Ali.  She thought everything was alright between Alpha Ali and her but he suddenly called her one night saying, "I, Ali Stevens, reject Natasha Harkins as my mate.” Would she be forced to accept Alpha Redd's marriage proposal now?