The Mistress
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But as we stood on the precipice of a new war, I chose to fight the first battle on my home turf: the canvas.
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The Grand Galerie was a cathedral of glass and white marble, a space designed to make art feel like a religious experience. Tonight, it wasn’t just a gallery; it was a fortress. The elite critics from London, Paris, and New York were huddled in small, hushed circles, their voices a low hum of anticipation. For five years, I had been the “Madwoman of Aethelgard.” Tonight, the invitation carried only one name, embossed in gold against cream cardstock: VICTORIA VERMON.