Fighting For Normal
Tinsley had already claimed a spot against the side of the truck bed, blanket arranged, with the settled energy of someone who had arrived with opinions and intended to deploy them.
“The problem with modern horror,” she said, to the general air, “is the color grading. Everything is teal and orange and it flattens the fear response.”
“What does that mean,” Emory said.
“It means you stop being scared because everything looks the same.”
“I am going to be scared,” Emory said. “Regardless of the color grading.”
“You are going to cover your eyes.”
“I am going to be scared and then cover my eyes, in that order, which is the correct order.”
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