Scene Characters の小説・ストーリー

After having lunch, Diana lay back in her chair, closing her eyes to relax. Maddie followed a few extras slowly and sat down backstage. Having just finished their meal, she noticed the props master holding two helmets and walking to the side. Those were the props Diana and Tony would use later. Maddie was slightly startled, and then seemed to realize something as a cold light flashed in her eyes. ... After the break, they quickly moved on to the second scene. This time, Diana had a motorcycle chase scene. When she saw the temporarily brought-in black and sleek motorcycle, Diana's eyes widened.

Rene held his script in his hand and walked over to me. I was enthusiastic to see Rene and immediately asked with a smile, “What’s the matter, Mr. Rene?” In the crew, the seniors would be called in a respected manner. Rene didn’t seem to pay much attention to this. So he waved his hand and said, “You can just call me Rene.” “Alright!” I immediately agreed and asked, “What’s wrong? What’s the matter?” He took the script and asked, “When will this scene be filmed?” I took a look. He was talking about a 27 scene. It was a play between Barry and a female assassin he had raised.

What's happening to me? — Is it the episode 8 script? — Hmm... — I took a peek, and saw that we have a lot of scenes together! — hmmm — There's the scene with Thirasak saying he likes kisses on the ear. There's the W* scenenchai taking care of him, after a group of guys beat up Thirasak. There's Thirasak, all syrupy, wanting Wanchai to take him home, and still stealing a kiss from him... - He says in a mischievous tone and smiles.

Already she knew what would lie beyond it… the soft-toned walls of the hallway with its highly polished antique furniture, its glowing wooden floors, its rugs and bowls of country-garden flowers. In her mind’s eye, Veronica could see it all as she herself had created it, smell the scent of the flowers... see the contented look in the eyes of the cat who basked illegally on the rug, lying there sunning himself in a warm beam of sunshine, ignoring the fact that his place and his basket were not here but in the kitchen. Automatically, her hand reached out for the door handle, and then she realized what she was doing. Self-consciously, she stepped back, turning her head away so that she didn’t h

The screen now showed an intense bed scene, so explicit that the entire theatre buzzed with heat, and some couples had already begun making out. “Wow! That’s so hot!” Mira said, eyes glued to the screen. But I was panting heavily as Dante’s fingers teased me, drumming lightly against my thighs. Watching such an intense scene triggered flashes of our own heated moments. I wished..God help me! I wished he would raise my legs right there and eat me out the way the couples in the movie were doing it. “You know I can eat better than that,” he whispered, and my eyes widened in shock.

I read it twice because I am apparently a person who reads things twice when they are designed to cause maximum damage, and then I put my phone in my trailer and I go to set and I ruin two takes of a scene I have been doing well for three weeks. The scene is the one where my character finally stops lying to herself about what she wants, which is the central scene of the film, which is the scene Andreou has been building toward since the first day of production, and I have been doing it well because I understand this character from the inside in a way I have not understood a character in a long time. Today I cannot find it. "Again," Andreou says, from behind the monitor, in the patient tone o

“AHHHHHHH!” A seismic wave of high-pitched screams swept across the set, scaring the birds in the trees. “Can we watch?! Can we?! Please!” the girls begged in unison. Josh struck a thoughtful pose, pretending to consider the request. “Well, the scene will be outdoors, near the lake. You should be able to see it from the security fence.” He winked. “However, it will be quite far away, so you may not be able to see the details...”

Every intense scene had me jerking or instinctively grabbing the nearest thing, which, unfortunately… kept being Hayden. But he indulged me, a faint smile tugging at his lips instead of annoyance. “Careful,” he murmured. “It’s just fiction.” I tried to believe that. But the scenes felt too real. Another frame flashed across the screen. A pregnant woman stumbling backward. A beast… something feral… lunged at her. Her scream ripped through the room as blood spilled across the ground. My body locked instantly. The air left my lungs. And suddenly I wasn’t here anymore.

Scarlett’s POV The rider’s magic surged toward me, dark and relentless. I barely managed to duck, but suddenly, the scene shifted, and I found myself standing on a battlefield. The ground was frozen, unmistakably Northern soil, and bodies lay scattered everywhere—a testament to the lives that had already been lost.

At one scene, Maya whispers, “They look at each other like that.” “Like what?” I ask softly. “Like they are scared but still want to move closer.” My throat feels dry. “Yeah.” She pulls her knees up, and our arms brush. I can feel her warmth through the fabric. We do not speak much after that. We just watch. But I am aware of everything. Her breathing. The way she shifts slightly closer. The way her hand rests near mine. When the emotional scene comes, Maya exhales shakily. “This hurts.”