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100 years ago, amidst WW3's nuclear bombing, a deadly virus was released in the atmosphere and nearly wiping out the humanity. It lives inside the human brain thriving on the empathy receptors, leading to irrational behaviour and ultimately brain death. To slow the damage, scientists created L.O.V.E, short for Living Off Vital Emotions, a nanovaccine that numbs the virus and switches off all strong emotions. As a last resort and with a dying planet, the Supreme Government created the City, a place to contain the infected survivors suitable for the experiment. Those in the first stages of illness became ideal candidates to receive the neuroinhibitor. Having their feelings restrained and their memory altered, those who come of age are designated a life partner through a selection process, thus preserving the humankind. A few decades after the trial had started, scientists had a major breakthrough. The nanites, which are highly chemically reactive organisms, are changing their bio-engineered purpose when dopamine levels are high. With a new generation of nanoids, stronger and smarter to fight the battle, the virus doesn't have a chance. Many attempts were made to create a man-made version of synthetic dopamine and each time the outcome was a disaster. Their goal is to create new generations, immune to the virus. These are called Purebloods, the offsprings of those who find pure love, the only cure to save them from a violent death. Running out of time, the Experiment entered in its final stages. To minimize the threats, the Colonies have sent their best soldiers to oversee the trial and protect its key subjects. If only things were going according to plan, or better... stay hidden. With Iron Guard, the resistance outside the walls, hunting the Purebloods too, will the trial save human race before it's too late?

Ella James has spent years mastering one simple rule: stay invisible. At school, she’s the easy target—the girl in oversized clothes, the one people laugh at, the one no one defends. Keeping her head down is the only way she knows how to survive. But everything changes the day she finally talks back to Beckett Cross. Beckett is everything Ella is not—confident, admired, untouchable. The golden boy who moves through life like the world was built for him. He’s also been one of her biggest tormentors. So when he unexpectedly asks for her help in secret, Ella is forced to confront a painful truth: to him, she’s only worth something when no one else is looking. Then life takes a cruel turn. When Ella’s mother leaves town for two weeks, she’s sent to stay next door—with Beckett and his family. Trapped in his world with no escape, Ella must navigate the same boy who humiliates her at school but watches her a little too closely when no one else is around. As Ella begins to question her worth—and take small, terrifying steps toward change—Beckett finds himself unsettled by a version of her he doesn’t understand. One who doesn’t shrink. One who doesn’t say yes. One who forces him to choose between the image he’s built and the truth he’s been avoiding. In a story about identity, courage, and the power of being seen, Ella must decide if she’s ready to stop hiding—even if it means risking everything. Because this time… She’s not playing her part.

Celeste Winters was born chosen, marked by the Moon Goddess, destined for power, and tied to a future she never fully wanted. But when a cursed moonstone dagger strikes her down, it doesn’t just nearly kill her; it erases her. Her memories vanish, her bond to her mate is severed, and the power that once defined her is ripped away, leaving behind someone unrecognizable, even to herself. In a desperate attempt to save her, those closest to her turn to the Moonwell, an ancient force said to heal what cannot be fixed. The water answers, but not with mercy. Instead of restoring Celeste, it changes her. What the moonstone stole, it replaced, twisting something inside her into its opposite. Now, Celeste is caught in a battle she cannot control. One moment, she seems almost like herself, quiet, distant, but there. The next, something darker takes over. The air around her grows heavy, her presence sharp and unfamiliar, and the world itself begins to react to her in ways it never has before. She knows something is wrong, but trying to remember only causes pain, forcing her further into the unknown version of herself she’s becoming. As the truth unfolds, it becomes clear that the moonstone obeyed an ancient balance, stripping her of her light and replacing it with darkness. And now, that darkness is winning. With time running out, Silas must find a way to reach the girl he lost before she’s gone for good. Because if Celeste fully becomes what the moonstone made her… There may be nothing left to save.

"Notorious Bachelor Lucas Hart, 29, proposes to his first love and childhood sweetheart, Natalia Rossi!" My heart broke as I saw the picture of Lucas proposing to Natalia on one knee, the same ring I found in his jacket pocket, in the photo being slid onto her finger. The camera zoomed in on Natalia’s face and a gasp escaped my lips. It was like staring at myself, but a thinner, sicklier version of me. I picked up my phone and dialed a number I hadn’t called in three years.  "Bianca," My father’s voice answered, "To what do I owe this sudden call?" "Dad," I said, "I accept. I will come back home for the arranged marriage and take back my inheritance." *** Bianca Salvatore, heiress of the Salvatore empire ran away from home, trying to escape the marriage arranged by her father. She met Lucas who she dated for three years, until his first love returned. He never knew about her true identity, and always shamed her for being poor. He heartlessly announced that he would get married to his first love, then make Bianca his side piece. Bianca didn’t want that life for herself, so she agreed to her father’s arranged marriage and took her inheritance. From being known as a poor pauper, to a famous billionaire heiress. Now her ex is on his knees, begging for a second chance. Will Bianca risk her heart again for the man who shattered it, or will she choose the powerful husband who sees her true worth?

Maya is twenty four, independent and very good at keeping people at a comfortable distance. After a night she never planned with a stranger she never expected, she does what she always does — she leaves before morning and tells herself it is finished. It is not finished. The stranger is Caleb Reed, her brother Derek's best friend, and he has just moved back to Chicago. He knew who Maya was from the moment he saw her at the party. He said nothing. Now they are forced into the same orbit — family dinners, group hangouts, shared spaces — pretending a night that changed everything never happened at all. The tension between them builds slowly and then all at once. A secret relationship begins. Feelings neither of them planned for take root. But the closer Maya gets to Caleb the more unsettled her world becomes, because Derek is not handling any of it the way a brother should. His anger runs too deep. His protectiveness feels like something else entirely. When Derek finally explodes and the truth comes out, it reshapes everything. Maya was adopted. Derek has known for years. And the feelings he buried under a lifetime of playing the protective older brother were never entirely brotherly at all. Maya is left to grieve an identity she thought she knew, forgive people she loves for lying, and face a love that was built on a secret. In the end she has to decide who she is without the version of her life she always believed in — and whether Caleb, the man who knew her before she knew the truth, is the one she wants to walk into whatever comes next. She chooses him. Not because it is easy. Because one night was never going to be enough.

I signed the divorce papers on a Tuesday. No tears. No phone calls. No begging. I just picked up the pen, signed my name, and let Dominic Hartley go. For four years, I tried to be everything a good wife should be. I put my career on hold. I pushed my dreams aside. I made myself smaller so he could feel bigger. And somehow, it still wasn’t enough. He looked through me like I wasn’t really there. I loved him quietly while he built his empire, not realizing he was slowly tearing mine down. When he filed for divorce, I think he expected me to fall apart. I didn’t. I started over. A new apartment. A new job. A version of myself I hadn’t seen in a long time… maybe ever. And for the first time in years, I felt like me again. While he stayed in his perfect penthouse, surrounded by everything money could buy but nothing that actually felt real, I was finally learning how to be happy. That’s when he noticed me. Of course. Too late. Now Dominic Hartley, the man who never had to chase anything, is chasing me. Calling. Showing up. Saying all the things I used to beg to hear. But I’m not that woman anymore. And I’ve learned something the hard way… love isn’t enough to go back to something that broke you. He wants another chance. I just don’t know if he’s really changed… or if I’m the one thing he can’t get back.

The Devouring Queen is a paranormal revenge fantasy set between a blood drenched Lycan kingdom and a starving vampire empire, where every moon can crown a monarch or claim a corpse. The story follows Elara, once a gentle Luna who was betrayed and murdered on her wedding night. Instead of finding peace, she awakens three years in the past inside the stolen body of a hidden vampire princess. She returns to life in a world already preparing for her death, because in thirty nights the Lycan King must kill his true mate to awaken an ancient god beast. Now two women wear the same face, and only one can survive the prophecy that hungers for blood. Elara, reborn as a ghost wearing royal skin, abandons innocence and embraces the power she never had in her first life. With a quiet voice and a predator’s smile, she steps into a kingdom filled with secrets, manipulations and creatures who underestimate her. Cassius, the beautiful and broken Lycan King, is trapped between the woman he once loved, the version he helped destroy, and a prophecy that demands sacrifice. Their love is poisonous, irresistible and destined to end in ruin. As the nights slip away, Elara weaves a dark game of power and deception. She announces a false pregnancy, visits the chained original bride under midnight moons, and manipulates courts and armies with deadly grace. The mirrors around her begin to bleed, the lies thicken, and the prophecy tightens like a noose. The climax erupts in a courtyard filled with fallen soldiers, where the two identical brides tear the king apart to decide which destiny will rule. The kingdoms that remain have only two choices: kneel or burn.

What can a woman possibly do in a society governed by men? What can a mere hija do stand out and be recognized as more than just as her husband’s wife or as her son’s mother? What more can woman become other than the shadow behind a man’s success. All her life, Alessandra wanted nothing more than to become the best grandchildren to her parents, the best child, the best student, the most beautiful and the most talented. She has exerted all her effort to continuously furnish herself to become a worthy heir for the family. She is articulate, eloquent, a magnum opus for a daughter. However, all of her achievements were never seen as an accomplishment to her relatives, but rather a threat to the success to the young male bloods in her family whom they have already placed their bets upon. For years, she was groomed the become just the second best to her brothers and cousins. To become no better than any man in the family. To just be the best among the rest of the girls, but never that of men. Being the young child that she is, she has become easily corrupted by the misogynistic and patriarchal ideas. She has succumbed to the suffocating standards set by her family, in the hopes that there will a place for her in the end. But to her surprise, she was later on married to the greedy and merciless rich version of a garbage creep – Carlos Montemayor. As she continuously spirals down into internal misogyny, misandry and selfish liberalism, can she find still find her way towards genuine empowerment and feminism? Would she be able to bring justice upon herself and the others, or will she instead become the person she hates the most?

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.

This is a modern adaptation of the classic tale "Le Mort d Arthur" also known as"King Arthur and the Knights of the Round Table" told from the point of view of one of the classic villains, Morgana or Morgan Le Fay. In this version, Morgana is the hero, fighting against the forces of Queen Mab, the Evil Faerie Queen of Summer and Light. She has been trapped in a cycle of reincarnation where she has been assassinated before she rises to power as the Queen of Winter and Shadow. It is now 2025. Morgana has been reborn as a biracial woman named Faye Archer. She is living in Oakland (San Francisco East Bay) with her mother Elaine (the Lady of the Lake) and is still recovering from the tragic death of her father. She is a 23 year old college student with striking red hair and violet colored eyes. She and her best friend, Embyr (A no nonsense city girl with a sharp tongue and wit) attend a fancy bonfire party in the Kensington Hills, an exclusive neighborhood above Berkeley. She has a one night stand with a billionaire playboy, the 19 year old Arthur Drake, who happens to be the reincarnation of King Arthur. Shortly after waking up next to him, she discovers that he is her new stepbrother. She slowly starts to develop powers and runs into Devona, or Merlin, who is a beautiful woman that she is oddly attracted to. Devona, Arthur and Faye and Embyr go on several adventures together where they battle deadly monsters (the mysterious horsemen) take on the Queen of Summer, and fight for Avalon and Earth at a terrible cost.